‘Made in England: The Films of Powell and Pressburger’ Review: Martin Scorsese-Led Doc Gets Personal
Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
- 6/7/2024
- by Simon Abrams
- The Wrap
It’s been decades since they’ve passed, but this summer is shaping up to be the season of Michael Powell and Emeric Pressburger. Alongside MoMA’s massive retrospective of their work, Annie Baker will introduce The Tales of Hoffmann at Film at Lincoln Center next weekend, the Martin Scorsese-narrated documentary Made in England: The Films of Powell & Pressburger will arrive later this summer, and a new 4K restoration of their underseen gem The Small Back Room will be coming to Film Forum at the end of the month courtesy of Rialto Pictures.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
- 6/4/2024
- by Leonard Pearce
- The Film Stage
While filmmaking duo Michael Powell and Emeric Pressburger — aka The Archers — may be best known for their extravagant color films like “The Life and Death of Colonel Blimp,” “A Matter of Life and Death,” “Black Narcissus,” and “The Red Shoes,” their underseen black-and-white, post-wwii potboiler “The Small Back Room” may be their most daring.
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
- 6/4/2024
- by Harrison Richlin
- Indiewire
Whenever you feel that life is getting boring, you try to do something that will pump your heart and get you some adrenaline. But what to do when paragliding is expensive and the ocean is nowhere around to surf? Well, there is an easier way to get your blood pressure higher.
There’s a subgenre in horror movies that is known as slasher, where there’s murders on every step of the way and the scream is so loud you can hear it from everywhere.
Slashers were extremely popular in the 60s and the 70s. So here we have 5 top ones for you to check out.
1. Halloween (1978)
John Carpenter’s Halloween is a must-watch if you want to start your acquaintance with slashers, because this movie is definitely the one we can call a king of the genre. In a way, Carpenter invented the premise and the movie became an immortal classic.
There’s a subgenre in horror movies that is known as slasher, where there’s murders on every step of the way and the scream is so loud you can hear it from everywhere.
Slashers were extremely popular in the 60s and the 70s. So here we have 5 top ones for you to check out.
1. Halloween (1978)
John Carpenter’s Halloween is a must-watch if you want to start your acquaintance with slashers, because this movie is definitely the one we can call a king of the genre. In a way, Carpenter invented the premise and the movie became an immortal classic.
- 6/3/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
Courtesy of Studiocanal
by James Cameron-wilson
Hard to believe today, but Michael Powell and Emeric Pressburger’s 1949 drama was a flop. A glum, perhaps cynical, claustrophobic piece of film noir shot in black-and-white, The Small Back Room was released just four years after the end of the Second World War – and it was not what postwar audiences wanted to see. Indeed, it is hardly one of the most celebrated titles in the Powell/Pressburger catalogue and I, for one, had never seen it before. Even so, having just watched this consummately photographed and magically restored work, I would say without hesitation it is one of my very favourite Powell and Pressburger films.
With the psychological complexity of a good play and replete with telling touches, it blends both the disciplines of Hollywood film noir with the Expressionism of the Weimar cinema of Germany, but with its own ineffable, stiff upper lip Englishness.
by James Cameron-wilson
Hard to believe today, but Michael Powell and Emeric Pressburger’s 1949 drama was a flop. A glum, perhaps cynical, claustrophobic piece of film noir shot in black-and-white, The Small Back Room was released just four years after the end of the Second World War – and it was not what postwar audiences wanted to see. Indeed, it is hardly one of the most celebrated titles in the Powell/Pressburger catalogue and I, for one, had never seen it before. Even so, having just watched this consummately photographed and magically restored work, I would say without hesitation it is one of my very favourite Powell and Pressburger films.
With the psychological complexity of a good play and replete with telling touches, it blends both the disciplines of Hollywood film noir with the Expressionism of the Weimar cinema of Germany, but with its own ineffable, stiff upper lip Englishness.
- 6/3/2024
- by James Cameron-Wilson
- Film Review Daily
"A valentine to British cinema's greatest dreamers." This one is for all the die-hard cinephiles! Mubi has unveiled the official trailer for the cinema history documentary film called Made in England: The Films of Powell & Pressburger, made by filmmaker David Hinton. This originally premiered at the 2024 Berlin Film Festival earlier this year, and it's next screening at the 2024 Tribeca Film Festival in NYC coming up this June. The doc is narrated and presented by Martin Scorsese, who explores the history of these two famous filmmakers: Michael Powell and Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships." Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and Hungarian Pressburger who thrived in...
- 5/30/2024
- by Alex Billington
- firstshowing.net
“All this filming isn’t healthy,” says blind but perceptive Mrs. Stephens (Maxine Audley) late in Michael Powell’s resolutely disturbing Peeping Tom, and every aspect of the film’s rigorously self-reflexive construction seems to bear her out. From the opening shot of an opening eye, to the final shot of a blank screen swathed in black and blood-red gel lighting, Peeping Tom obsessively examines the social and psychological ramifications of overactive cinephilia. This situates Powell’s film as a direct precursor to later 1960s autocritiques along the lines of Federico Fellini’s 8½, Michelangelo Antonioni’s Blow-Up, and Haskell Wexler’s Medium Cool.
Powell and screenwriter Leo Marks originally wanted to make a film about Sigmund Freud and his theories, but word of John Huston’s upcoming Freud biopic put the kibosh on those plans. So instead they came up with the story of Mark Lewis (Carl Boehm), who works...
Powell and screenwriter Leo Marks originally wanted to make a film about Sigmund Freud and his theories, but word of John Huston’s upcoming Freud biopic put the kibosh on those plans. So instead they came up with the story of Mark Lewis (Carl Boehm), who works...
- 5/24/2024
- by Budd Wilkins
- Slant Magazine
David Niven and Kim Hunter of the set of A Matter Of Life And Death (1946). Photo: courtesy of Altitude
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
- 5/24/2024
- by Paul Risker
- eyeforfilm.co.uk
George Miller gets biblical in the opening moments of Furiosa: A Mad Max Saga, the fifth installment in his postapocalyptic action franchise. The young Furiosa, played by Alyla Browne, picks a ripe piece of fruit from a tree growing at the edge of a verdant forest. “We’ve come too far,” says her companion, emphasizing the forbidden nature of the act with the perfect amount of allegorical on-the-noseness. What happens next certainly has the aura of divine punishment, as Furiosa is whisked away from her home (“the Green Place” first mentioned in Miller’s Mad Max: Fury Road) by a masked group of motor bikers.
She’s no helpless waif, mind you, and with her steadfast mother, Mary Jo Bassa (Charlee Fraser), in hot pursuit, Furiosa gives as good as any of the lecherous brutes tormenting her. But the fates, not to mention the narrative dictates of an origin story with an already fixed outcome,...
She’s no helpless waif, mind you, and with her steadfast mother, Mary Jo Bassa (Charlee Fraser), in hot pursuit, Furiosa gives as good as any of the lecherous brutes tormenting her. But the fates, not to mention the narrative dictates of an origin story with an already fixed outcome,...
- 5/16/2024
- by Keith Uhlich
- Slant Magazine
Stars: Karlheinz Bohm, Maxine Audley, Anna Massey, Moira Shearer, Brenda Bruce, Esmond Knight, Martin Miller, Michael Goodliffe, Jack Watson, Shirley Anne Field | Written by Leo Marks | Directed by Michael Powell
Originally released 64 years ago (!) and a Martin Scorsese favourite, Peeping Tom has already had a UK release from StudioCanal, with a print restored in association with The Film Foundation and the BFI National Archive; and now comes another release, this time in the US courtesy of the Criterion Collection.
My immediate reaction, almost from the opening scene is that for a film that was made so long ago, it has aged extremely well and I imagine it might have seemed quite shocking at the time.
That does seem to be the case as “on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist.
Originally released 64 years ago (!) and a Martin Scorsese favourite, Peeping Tom has already had a UK release from StudioCanal, with a print restored in association with The Film Foundation and the BFI National Archive; and now comes another release, this time in the US courtesy of the Criterion Collection.
My immediate reaction, almost from the opening scene is that for a film that was made so long ago, it has aged extremely well and I imagine it might have seemed quite shocking at the time.
That does seem to be the case as “on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist.
- 5/14/2024
- by Alain Elliott
- Nerdly
Disney’s Kingdom Of The Planet Of The Apes leads the new titles at this weekend’s UK-Ireland box office, with the ape adventure starting in over 650 sites.
Directed by Wes Ball, Kingdom is the fourth film since the Planet Of The Apes series reboot in 2011; and 10thPlanet Of The Apes film overall since the series began with Franklin J. Schaffner’s 1968 classic starring Charlton Heston.
Set 300 years after the events of 2017’s War For The Planet Of The Apes, Kingdom sees a young chimpanzee hunter embark on a journey with a human woman, to a dangerous holdout ruled by an ambitious bonobo monarch.
Directed by Wes Ball, Kingdom is the fourth film since the Planet Of The Apes series reboot in 2011; and 10thPlanet Of The Apes film overall since the series began with Franklin J. Schaffner’s 1968 classic starring Charlton Heston.
Set 300 years after the events of 2017’s War For The Planet Of The Apes, Kingdom sees a young chimpanzee hunter embark on a journey with a human woman, to a dangerous holdout ruled by an ambitious bonobo monarch.
- 5/10/2024
- ScreenDaily
Legendary film editor Thelma Schoonmaker is honoring the films of filmmaking duo Michael Powell and Emeric Pressburger with an upcoming retrospective at MoMA.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
- 5/1/2024
- by Samantha Bergeson
- Indiewire
Out this week in theaters is Radio Silence’s Abigail, a heist-turned-bloodbath when kidnappers realize the child ballerina they’ve snatched isn’t quite human. That the petite vampire is a ballerina feels apt. After all, the deceptive art form has a reputation for dainty elegance that belies the sheer grueling dedication of its performers, both physically and mentally.
Ballet requires a high level of dedication to practice and performance and frequently spills over into body horror through broken toenails, stress fractures, and overuse injuries. In other words, ballet is often a mix of pain and beauty, which means it pairs well with horror.
This week’s streaming picks are dedicated to ballerinas in horror.
These horror movies feature at least one ballerina tormented by her art form, highlighting the stark, beguiling contrast between beauty and horror. Here’s where you can stream them now.
For more Stay Home, Watch Horror picks,...
Ballet requires a high level of dedication to practice and performance and frequently spills over into body horror through broken toenails, stress fractures, and overuse injuries. In other words, ballet is often a mix of pain and beauty, which means it pairs well with horror.
This week’s streaming picks are dedicated to ballerinas in horror.
These horror movies feature at least one ballerina tormented by her art form, highlighting the stark, beguiling contrast between beauty and horror. Here’s where you can stream them now.
For more Stay Home, Watch Horror picks,...
- 4/15/2024
- by Meagan Navarro
- bloody-disgusting.com
Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest directors of all time, Michael Powell and Emeric Pressburger, the duo responsible for The Red Shoes, Black Narcissus, A Matter of Life and Death, and The Life and Death of Colonel Blimp. Considering Scorsese’s close connection to their work, from being captivated at a young age and much later becoming friends with Michael Powell (who was married to Scorsese’s long-time editor Thelma Schoonmaker), he’s the perfect guide through their filmography.
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
- 4/15/2024
- by Jordan Raup
- The Film Stage
How many great films does it take to designate a director as a historically significant auteur? Jean Vigo only directed a few shorts and one feature, but they were enough to make him a hero to the pioneers of the French New Wave. Actor-turned-helmer Charles Laughton directed just one movie — “The Night of the Hunter” — but it was such a haunting and singular masterpiece that few would argue that Laughton was one of the medium’s masters. Elaine May stopped directing after four movies, but she’d probably be considered one of the greatest directors who ever lived if she had only made “Mikey and Nicky.”
Christina Hornisher is nowhere near as well known as Vigo, Laughton, or May, but she should be — and now, thanks to a pristine restoration of her sole feature, “Hollywood 90028,” perhaps she will. Released in 1974 after Hornisher earned critical accolades for her UCLA film school shorts,...
Christina Hornisher is nowhere near as well known as Vigo, Laughton, or May, but she should be — and now, thanks to a pristine restoration of her sole feature, “Hollywood 90028,” perhaps she will. Released in 1974 after Hornisher earned critical accolades for her UCLA film school shorts,...
- 4/8/2024
- by Jim Hemphill
- Indiewire
Those attending the 15th annual TCM Classic Film Festival in Hollywood next month will have an opportunity to engage with Mel Brooks and Vitaphone, both born in 1926. One’s extinct, the other’s still going strong.
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
- 3/21/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
While the versatile filmmaker Martin Scorsese has helmed various genres, the gangster drama is the one that put him on the map, starting with the Harvey Keitel and Robert De Niro starrer Mean Streets. The film’s success led to him being the master of the genre with films like Casino and The Irishman.
However, before he became the master of the genre, he was reportedly apprehensive about following through on one of his best films, Goodfellas. Scorsese was reportedly hesitant to tackle the genre again after Mean Streets and reportedly went to The Godfather star Marlon Brando, who surprisingly advised against pursuing it.
Martin Scorsese’s Goodfellas Was His Return To Form Martin Scorsese in Dreams
Martin Scorsese has been making films since the ‘60s and debuted with Who’s That Knocking On My Door and struggled for a bit before finding his breakthrough with the gangster film Mean Streets.
However, before he became the master of the genre, he was reportedly apprehensive about following through on one of his best films, Goodfellas. Scorsese was reportedly hesitant to tackle the genre again after Mean Streets and reportedly went to The Godfather star Marlon Brando, who surprisingly advised against pursuing it.
Martin Scorsese’s Goodfellas Was His Return To Form Martin Scorsese in Dreams
Martin Scorsese has been making films since the ‘60s and debuted with Who’s That Knocking On My Door and struggled for a bit before finding his breakthrough with the gangster film Mean Streets.
- 3/14/2024
- by Nishanth A
- FandomWire
Toronto’s Hot Docs, North America’s largest documentary festival, has unveiled the full lineup of films that will screen in its Special Presentations program. The festival runs April 25 to May 5.
World premieres include “Red Fever,” which sees Cree filmmaker Neil Diamond travel to the four corners of Turtle Island and across Europe to explore the world’s fascination with Native Americans; “American Cats: The Good, the Bad, and the Cuddly,” in which “Full Frontal With Samantha Bee” correspondent Amy Hoggart explores the controversial practice of declawing cats; “The Ride Ahead,” an expansion of co-director Samuel Habib’s short film “My Disability Roadmap” (which got an Honorable Mention in the International Shorts section of Hot Docs in 2022), exploring a typical 21-year-old itching to move out, start a career and find love—all while navigating life with a disability; “Lost in the Shuffle,” which follows world champion magician Shawn Farquhar as...
World premieres include “Red Fever,” which sees Cree filmmaker Neil Diamond travel to the four corners of Turtle Island and across Europe to explore the world’s fascination with Native Americans; “American Cats: The Good, the Bad, and the Cuddly,” in which “Full Frontal With Samantha Bee” correspondent Amy Hoggart explores the controversial practice of declawing cats; “The Ride Ahead,” an expansion of co-director Samuel Habib’s short film “My Disability Roadmap” (which got an Honorable Mention in the International Shorts section of Hot Docs in 2022), exploring a typical 21-year-old itching to move out, start a career and find love—all while navigating life with a disability; “Lost in the Shuffle,” which follows world champion magician Shawn Farquhar as...
- 3/12/2024
- by Leo Barraclough
- Variety Film + TV
In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie obsession to his first viewing of the U.K.-based pair’s 1948 tour de force, The Red Shoes, he leads us through a dozen of their features and a few of Powell’s solo efforts, connecting key sequences to memorable scenes in his own work. But beyond its clear explication of the films’ imaginative and technical power, Made in England is also a testament to mentorship and friendship; Scorsese was close to Powell, who died in 1990, for the last decade and a half of the British director’s life, and Powell married Scorsese’s longtime editor, Thelma Schoonmaker, in 1984.
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
- 2/24/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
The Berlin Film Festival kicked off its 74th edition February 15 with the opening-night world premiere screening of Small Things Like These, the Irish drama starring Oscar-nominated Oppenheimer star Cillian Murphy. It started 10 days of debuts including for movies starring Rooney Mara, Isabelle Huppert, Gael García Bernal, Kristen Stewart and more.
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
- 2/24/2024
- by Stephanie Bunbury, Damon Wise, Pete Hammond and Valerie Complex
- Deadline Film + TV
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
- 2/23/2024
- by Alex DiVincenzo
- bloody-disgusting.com
The 74th Berlin International Film Festival announced the winners of the fest at the awards ceremony held at the Berlinale Palast on February 24.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
- 2/22/2024
- by Robert Lang
- Deadline Film + TV
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin Scorsese Through American Movies” — or both, as for this writer — “Made in England: The Films of Powell and Pressburger” arrives as an unmitigated treat.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
- 2/21/2024
- by Guy Lodge
- Variety Film + TV
Without Michael Powell and Emeric Pressburger, the films and career of Martin Scorsese would be very different. “Mean Streets” would be less red (thank those titular “Red Shoes”), the title fight in “Raging Bull” wouldn’t have been preceded by that thrilling oner (thank the duel in “Colonel Blimp”), and we wouldn’t have that audacious flash of yellow in “The Age of Innocence,” an idea swiped from the red-hot climax of “Black Narcissus.”
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
- 2/21/2024
- by Adam Solomons
- Indiewire
Martin Scorsese, who helped rescue the British film-makers’ work from obscurity, is the perfect person to discuss their unique and now beloved work
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
- 2/21/2024
- by Peter Bradshaw
- The Guardian - Film News
It’s not often that a doc about the transformative power of cinema will deliberately use bad clips of the movies it’s talking about, but that’s part of the point of this insightful, sprawling film, corralled by director David Hinton. Though the masterpieces made by Michael Powell and Emeric Pressburger at the height of their big-screen, Technicolor powers were visually impeccable, their subversive emotional power could still pack a punch through a 16-inch TV screen, even from the most scratched, butchered, and washed-out black-and-white prints.
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
- 2/21/2024
- by Damon Wise
- Deadline Film + TV
Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival.
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
- 2/19/2024
- by Zac Ntim
- Deadline Film + TV
‘Made in England: The Films of Powell and Pressburger,’ the documentary executive produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
- 2/19/2024
- by Alex Ritman
- Variety Film + TV
The European Film Market is heating up as it winds to a close, with several major deals coming out of chilly Berlin. On Monday, art house streamer Mubi announced its first big buy of EFM, snatching up David
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
- 2/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Martin Scorsese is returning to the Berlin Film Festival tomorrow for the first time in a decade. The cinema legend, currently on the awards circuit with latest epic Killers Of The Flower Moon, will be feted with the Berlinale’s highest honor, its lifetime achievement Golden Bear.
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
- 2/19/2024
- by Andreas Wiseman
- Deadline Film + TV
With film distributors becoming stingier about physical media and defaulting to streaming, The Criterion Collection has been picking up slack. For instance, Criterion has released physical copies of acclaimed Netflix originals like "The Irishman," "Roma," and "Marriage Story."
Joining the collection in May 2024 is Justine Triet's "Anatomy of a Fall," just released in North America back in October 2023 by Neon. As Criterion confirmed on Twitter, the film enters the collection alongside classics such as Michael Powell's "Peeping Tom."
Does "Anatomy of a Fall" deserve to be in such company? We at /Film think so, since we ranked it one of the 15 best movies of 2023. If you don't believe us, it won the Palme d'Or at the 2023 Cannes Film Festival (the highest prize), and it's up for several Oscars at the 96th Academy Awards (including Best Picture and Best Director for Justine Triet).
The film's title homages the classic...
Joining the collection in May 2024 is Justine Triet's "Anatomy of a Fall," just released in North America back in October 2023 by Neon. As Criterion confirmed on Twitter, the film enters the collection alongside classics such as Michael Powell's "Peeping Tom."
Does "Anatomy of a Fall" deserve to be in such company? We at /Film think so, since we ranked it one of the 15 best movies of 2023. If you don't believe us, it won the Palme d'Or at the 2023 Cannes Film Festival (the highest prize), and it's up for several Oscars at the 96th Academy Awards (including Best Picture and Best Director for Justine Triet).
The film's title homages the classic...
- 2/16/2024
- by Devin Meenan
- Slash Film
A classic that predates the slasher movie by a decade and played a hugely influential role on the sub-genre, Michael Powell’s Peeping Tom (1960) returns to The Criterion Collection.
The film hits Criterion Blu-ray and 4K Ultra HD on May 14, 2024.
Criterion announces today, “Having brought British cinema into exalted realms of fantasy and imagination, Michael Powell took a dark detour into obsession, voyeurism, and violence with this groundbreaking metacinematic investigation into the mechanics of fear.
“Armed with his killer camera, photographer and filmmaker Mark Lewis (Carl Boehm) unleashes the traumas of his childhood by murdering women and recording their deaths—until he falls for his downstairs neighbor, and finds himself struggling against his dark compulsions. Received with revulsion upon its release only to be reclaimed as a masterpiece, the endlessly analyzed, still-shocking Peeping Tom dares viewers to confront their own relationship to the violence on-screen.”
4K Uhd + Blu-ray Special Edition Features:
New 4K digital restoration,...
The film hits Criterion Blu-ray and 4K Ultra HD on May 14, 2024.
Criterion announces today, “Having brought British cinema into exalted realms of fantasy and imagination, Michael Powell took a dark detour into obsession, voyeurism, and violence with this groundbreaking metacinematic investigation into the mechanics of fear.
“Armed with his killer camera, photographer and filmmaker Mark Lewis (Carl Boehm) unleashes the traumas of his childhood by murdering women and recording their deaths—until he falls for his downstairs neighbor, and finds himself struggling against his dark compulsions. Received with revulsion upon its release only to be reclaimed as a masterpiece, the endlessly analyzed, still-shocking Peeping Tom dares viewers to confront their own relationship to the violence on-screen.”
4K Uhd + Blu-ray Special Edition Features:
New 4K digital restoration,...
- 2/15/2024
- by John Squires
- bloody-disgusting.com
The Criterion Collection follows an auteur-based diet of cinema, offering a wondrous variety of films from all over the world to sate your appetite. Case in point, consider what May 2024 will bring from the home video label. (All verbiage courtesy of Criterion.) "Three Revolutionary Films by Ousmane Sembène, three powerful 1970s works by the trailblazing Senegalese auteur; Anatomy of a Fall, Justine Triet's masterful examination of the line between truth and fiction; and Girlfight, Karyn Kusama's singular tale of a young woman's path to self-realization. "Plus: a Blu-ray upgrade of A Story of Floating Weeds / Floating Weeds: Two Films by Yasujiro Ozu, a silent classic from one of cinema's greatest directors alongside his color remake, and Peeping Tom, Michael Powell's still-shocking masterpiece of...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/15/2024
- Screen Anarchy
Criterion’s got murder on their mind. This May will bring a 4K release of Michael Powell’s career-killing masterpiece Peeping Tom, supplemented by appearances from its biggest fans Martin Scorsese and Thelma Schoonmaker. More recent (and less certain on questions of guilt) is Anatomy of a Fall, arriving on Blu-ray with a 5.1 surround DTS-hd Master Audio rendition of “P.I.M.P. (Instrumental).” Meanwhile, Karyn Kusama’s 2001 feature Girlfight gets a Bd.
Then there’s two sets. Sicking up the mantle of Janus’ career-spanning retrospective, Criterion will release a three-film Ousmane Sembène offering this May––Emitaï, Xala, and Ceddo spread across a nicely designed box––and Ozu’s Floating Weeds / A Story of Floating Weeds duology, which I honestly cannot believe has been stuck on DVD for decades. Color Ozu should be nationally subsidized, and this is a good start at least.
Find cover art below and more details...
Then there’s two sets. Sicking up the mantle of Janus’ career-spanning retrospective, Criterion will release a three-film Ousmane Sembène offering this May––Emitaï, Xala, and Ceddo spread across a nicely designed box––and Ozu’s Floating Weeds / A Story of Floating Weeds duology, which I honestly cannot believe has been stuck on DVD for decades. Color Ozu should be nationally subsidized, and this is a good start at least.
Find cover art below and more details...
- 2/15/2024
- by Nick Newman
- The Film Stage
Courtesy of Studiocanal
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
- 2/15/2024
- by James Cameron-Wilson
- Film Review Daily
The build-up to the 74th Berlin Film Festival has been highly politicized, and the international jury press conference Thursday morning was no different.
Lupita Nyong’o presides over the International Competition jury, whose members include American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca and Ukrainian novelist and poet Oksana Zabuzhko.
This wasn’t like most jury press conferences, however, with members drawn into multiple — occasionally testy — discussions about their own political stances on events in Ukraine, Gaza and Germany.
Russia’s war in Ukraine was a central topic, with multiple journalists asking Serra about a 2018 interview in which he supposedly expressed admiration for Vladimir Putin. Serra was asked whether he had changed his mind on Putin since the war:
“I don’t know,” said the director. “This is a political question. Everyone is upset with Russia right now.
Lupita Nyong’o presides over the International Competition jury, whose members include American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca and Ukrainian novelist and poet Oksana Zabuzhko.
This wasn’t like most jury press conferences, however, with members drawn into multiple — occasionally testy — discussions about their own political stances on events in Ukraine, Gaza and Germany.
Russia’s war in Ukraine was a central topic, with multiple journalists asking Serra about a 2018 interview in which he supposedly expressed admiration for Vladimir Putin. Serra was asked whether he had changed his mind on Putin since the war:
“I don’t know,” said the director. “This is a political question. Everyone is upset with Russia right now.
- 2/15/2024
- by Andreas Wiseman and Melanie Goodfellow
- Deadline Film + TV
Cillian Murphy presented Oppenheimer director Christopher Nolan with the BFI Fellowship, the British Film Institute’s highest honor, Wednesday evening at a London dinner event hosted by BFI chair Tim Richards.
“The BFI Fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most innovative and influential film directors,” the organization said.
Nolan received the honor at the annual BFI Chair’s Dinner at the Rosewood Hotel in central London. Murphy, who has worked with Nolan on the likes of the Dark Knight trilogy, Inception, Dunkirk and Oppenheimer, was in attendance along with such film industry guests as NBCUniversal Studio Group chair and chief content officer Donna Langley, Kenneth Branagh, Emma Thomas, Michael Caine, Josh Hartnett, Hans Zimmer, Hoyte van Hoytema, Barbara Broccoli, Tom Hiddleston, Michelle Dockery, Gurinder Chadha, Misan Harriman, Molly Manning Walker, BFI CEO Ben Roberts, as well as U.K. Prime...
“The BFI Fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most innovative and influential film directors,” the organization said.
Nolan received the honor at the annual BFI Chair’s Dinner at the Rosewood Hotel in central London. Murphy, who has worked with Nolan on the likes of the Dark Knight trilogy, Inception, Dunkirk and Oppenheimer, was in attendance along with such film industry guests as NBCUniversal Studio Group chair and chief content officer Donna Langley, Kenneth Branagh, Emma Thomas, Michael Caine, Josh Hartnett, Hans Zimmer, Hoyte van Hoytema, Barbara Broccoli, Tom Hiddleston, Michelle Dockery, Gurinder Chadha, Misan Harriman, Molly Manning Walker, BFI CEO Ben Roberts, as well as U.K. Prime...
- 2/15/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Martin Scorsese will narrate and present Made In England: The Films Of Powell And Pressburger, a documentary about the legendary filmmaking duo. It’s out in May.
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
- 2/14/2024
- by Ryan Lambie
- Film Stories
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
- 2/12/2024
- by Bill Desowitz
- Indiewire
In Yorgos Lanthimos’ “Poor Things,” 19th-century scientist Baxter (Willem Dafoe) restores Bella (Emma Stone) to life with the brain of her unborn child — and the surreal visual design reflects her wild imagination as she progresses from infant to liberated woman.
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
- 2/5/2024
- by Bill Desowitz
- Indiewire
The Berlinale Film Festival has unveiled the jury members for its main International Competition, which will be presided over by Lupita Nyong’o.
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
- 2/1/2024
- by Zac Ntim
- Deadline Film + TV
Get ready to cheer on some Rez Ball as a brand-new sports drama heads to Netflix. Taking place over a season in the life of basketball players from a Native American reservation, Rez Ball is the lightning-fast story of a team of underdogs fighting for a state championship. Produced by LeBron James himself, this is a sports story you won’t want to miss. Here’s everything you need to know.
What is Rez Ball about?
Directed by Sydney Freeland and written by Freeland and Sterlin Harjo (both of whom have worked on Reservation Dogs), Rez Ball follows the Chuska Warriors, a high school basketball team from the Navajo Nation. After losing their star player, the Warriors must band together if they want to keep their championship dreams alive. It’s an all-American underdog story about Native American kids and coaches told from the inside out, inspired by Michael Powell...
What is Rez Ball about?
Directed by Sydney Freeland and written by Freeland and Sterlin Harjo (both of whom have worked on Reservation Dogs), Rez Ball follows the Chuska Warriors, a high school basketball team from the Navajo Nation. After losing their star player, the Warriors must band together if they want to keep their championship dreams alive. It’s an all-American underdog story about Native American kids and coaches told from the inside out, inspired by Michael Powell...
- 1/30/2024
- by John DiLillo
- Tudum - Netflix
Stars: Karlheinz Bohm, Maxine Audley, Anna Massey, Moira Shearer, Brenda Bruce, Esmond Knight, Martin Miller, Michael Goodliffe, Jack Watson, Shirley Anne Field | Written by Leo Marks | Directed by Michael Powell
Released 64 years ago (!!!), a Martin Scorsese favourite, Peeping Tom, is getting a special edition 4K release this year after being restored by The Film Foundation and BFI National Archive in association with StudioCanal.
This was a first-time watch for me, and my immediate reaction, almost from the opening scene is that for a film that was made so long ago, it has aged extremely well and I imagine it might have seemed quite shocking at the time.
That does seem to be the case as “on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist.” It then remained...
Released 64 years ago (!!!), a Martin Scorsese favourite, Peeping Tom, is getting a special edition 4K release this year after being restored by The Film Foundation and BFI National Archive in association with StudioCanal.
This was a first-time watch for me, and my immediate reaction, almost from the opening scene is that for a film that was made so long ago, it has aged extremely well and I imagine it might have seemed quite shocking at the time.
That does seem to be the case as “on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist.” It then remained...
- 1/29/2024
- by Alain Elliott
- Nerdly
The Strangers’ Case from American filmmaker Brandt Andersen and starring French actor Omar Sy will make its world premiere at this year’s Berlin Film Festival.
The film’s short synopsis reads: Tragedy strikes a Syrian family in Aleppo, starting a chain reaction of events involving five different families in four different countries.
The pic is among a trio of late additions to the Berlinale Special sidebar, announced this morning by the festival. Also showing in Berlin are the two mid-length Japanese films Chime by Kiyoshi Kurosawa and August My Heaven by Riho Kudo.
Chime follows Tashiro, a student at a culinary school, who hears voices in his head. His teacher, Matsuoka, remains unconcerned. But then Tashiro claims that a machine has replaced half of his brain. August My Heaven follows Joe, who earns a living as a professional stand-in actor for hire to play a relative, lover, or friend...
The film’s short synopsis reads: Tragedy strikes a Syrian family in Aleppo, starting a chain reaction of events involving five different families in four different countries.
The pic is among a trio of late additions to the Berlinale Special sidebar, announced this morning by the festival. Also showing in Berlin are the two mid-length Japanese films Chime by Kiyoshi Kurosawa and August My Heaven by Riho Kudo.
Chime follows Tashiro, a student at a culinary school, who hears voices in his head. His teacher, Matsuoka, remains unconcerned. But then Tashiro claims that a machine has replaced half of his brain. August My Heaven follows Joe, who earns a living as a professional stand-in actor for hire to play a relative, lover, or friend...
- 1/25/2024
- by Zac Ntim
- Deadline Film + TV
To celebrate Studiocanal’s Release Brand New 4K Restoration of Michael Powell’s Peeping Tom available on Special Edition 4K Uhd, Blu-ray & DVD on 29 January, we have a 4K Uhd copy to give away to a lucky winner!
Studiocanal are proud to announce the release of a spectacular 4K restoration of Michael Powell’s iconic serial killer classic Peeping Tom, restored by The Film Foundation and BFI National Archive in association with Studiocanal. Written by Leo Marks (Twisted Nerve) and starring Carl Boehm (Sissi), Anna Massey (Frenzy), Moira Shearer (The Red Shoes) and Maxine Audley (A King in New York), this influential cinematic masterpiece will be available on Special Edition 4K Uhd, Blu-ray and DVD with 32-page booklet and 90 mins of brand new extra content from 29 January 2024.
Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent.
Studiocanal are proud to announce the release of a spectacular 4K restoration of Michael Powell’s iconic serial killer classic Peeping Tom, restored by The Film Foundation and BFI National Archive in association with Studiocanal. Written by Leo Marks (Twisted Nerve) and starring Carl Boehm (Sissi), Anna Massey (Frenzy), Moira Shearer (The Red Shoes) and Maxine Audley (A King in New York), this influential cinematic masterpiece will be available on Special Edition 4K Uhd, Blu-ray and DVD with 32-page booklet and 90 mins of brand new extra content from 29 January 2024.
Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent.
- 1/22/2024
- by Competitions
- HeyUGuys.co.uk
The Berlin Film Festival on Monday unveiled the titles selected for its official competition and its sidebar Encounters competitive section.
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
- 1/22/2024
- by Zac Ntim
- Deadline Film + TV
This year’s Berlinale Specials program, the out-of-competition gala section of the Berlin Film Festival, will include a pair of high-octane action movies: Rose Glass’ crime actioner Love Lies Bleeding starring Kristen Stewart, and Korean thriller The Roundup: Punishment from director Heo Myeong-haeng.
Love Lies Bleeding, which co-stars Anna Baryshnikov, Dave Franco, Katy M. O’Brian, Ed Harris and Jena Malone, will have its international premiere in Berlin after its bow in Sundance later this month. The Roundup: Punishment, starring Train to Busan breakout Don Lee, will have its world premiere in Berlin.
Other Berlinale Special highlights, unveiled Monday, include Shikun, the latest drama from Israeli filmmaker Amos Gitai (Kadosh); the documentary project Turn in the Wound, from acclaimed New York auteur Abel Ferrara (Bad Lieutenant), about life in Kyiv since the start of the war in Ukraine; and Supersex, an Italian Netflix drama based on the life of notorious porn star Rocco Siffredi,...
Love Lies Bleeding, which co-stars Anna Baryshnikov, Dave Franco, Katy M. O’Brian, Ed Harris and Jena Malone, will have its international premiere in Berlin after its bow in Sundance later this month. The Roundup: Punishment, starring Train to Busan breakout Don Lee, will have its world premiere in Berlin.
Other Berlinale Special highlights, unveiled Monday, include Shikun, the latest drama from Israeli filmmaker Amos Gitai (Kadosh); the documentary project Turn in the Wound, from acclaimed New York auteur Abel Ferrara (Bad Lieutenant), about life in Kyiv since the start of the war in Ukraine; and Supersex, an Italian Netflix drama based on the life of notorious porn star Rocco Siffredi,...
- 1/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Berlin Film Festival today unveiled further titles for the 2024 edition of its Berlinale Special Presentations sidebar section alongside its classics program. Scroll down for the full list of titles announced today.
Highlights from the latest drop of Specials titles include Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon filmmaker Martin Scorsese. The feature is directed by David Hinton and features rare archival material from the personal collections of Powell, Pressburger, and Scorsese.
Love Lies Bleeding, the latest feature from British filmmaker Rose Glass will debut in the Specials program. The feature stars Kristen Stewart alongside Katy O’Brian. A short synopsis describes the pic as “a romance fueled by ego, desire, and the American Dream.” The film will arrive at Berlin following it’s debut at Sundance.
Abel Ferrara is...
Highlights from the latest drop of Specials titles include Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon filmmaker Martin Scorsese. The feature is directed by David Hinton and features rare archival material from the personal collections of Powell, Pressburger, and Scorsese.
Love Lies Bleeding, the latest feature from British filmmaker Rose Glass will debut in the Specials program. The feature stars Kristen Stewart alongside Katy O’Brian. A short synopsis describes the pic as “a romance fueled by ego, desire, and the American Dream.” The film will arrive at Berlin following it’s debut at Sundance.
Abel Ferrara is...
- 1/15/2024
- by Zac Ntim
- Deadline Film + TV
Turner Classic Movies (TCM) has a full slate of programming set for this year, as the classic movie home celebrates its 30th anniversary.
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
- 1/12/2024
- by Bruce Haring
- Deadline Film + TV
Turner Classic Movies has a lot going on as it celebrates its 30th anniversary this year.
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
- 1/12/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
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