Steven Spielberg’s decades-long career can only be described with one word – legendary. He is one of the pillars of modern cinema, giving birth to several genre-defining movies that would later go on to become Hollywood milestones. However, even a renowned filmmaker like him had to face backlash at times.
Steven Spielberg at the 2017 Sdcc (Credit: Gage Skidmore)
Spielberg’s 1985 adaptation of Alice Walker’s novel The Color Purple was his attempt to tackle several social injustices that prevail to this day. However, his work received mixed reviews, even ruffling a few feathers the wrong way.
Suggested“It was much more a Scorsese picture than a Spielberg picture”: Clint Eastwood’s ‘Unforgiven’ Writer Felt 1 Underrated Steven Spielberg Movie Wasn’t Fit for the Director
However, that didn’t make the Jaws creator flinch, in fact, he wouldn’t change anything about it if he were to remake it again today.
Steven Spielberg at the 2017 Sdcc (Credit: Gage Skidmore)
Spielberg’s 1985 adaptation of Alice Walker’s novel The Color Purple was his attempt to tackle several social injustices that prevail to this day. However, his work received mixed reviews, even ruffling a few feathers the wrong way.
Suggested“It was much more a Scorsese picture than a Spielberg picture”: Clint Eastwood’s ‘Unforgiven’ Writer Felt 1 Underrated Steven Spielberg Movie Wasn’t Fit for the Director
However, that didn’t make the Jaws creator flinch, in fact, he wouldn’t change anything about it if he were to remake it again today.
- 6/9/2024
- by Sayantan Choudhary
- FandomWire
David Peoples, a legendary screenwriter with numerous credits to his name, is indeed one of the who’s who of the industry. While crafting the story for the 2005 film Munich, eventually directed by Steven Spielberg, Peoples had Martin Scorsese’s influence in mind.
A still from Munich | Amblin Entertainment
Given the weighty subject matter it grapples with, he leaned towards Scorsese’s trademark style. However, Spielberg, undoubtedly a master in his own right, skillfully led the film to receive five Oscar nominations.
Munich Screenwriter Had Martin Scorsese, And Not Steven Spielberg, in Mind for the Movie!
Munich is a 2005 film directed by Steven Spielberg. The movie is based on the true events of the 1972 Munich Olympics massacre, where Palestinian terrorists belonging to the group Black September took Israeli athletes hostage and ultimately killed eleven of them.
Suggested“It knocked me out”: The Best Clint Eastwood Movie Would Have Never...
A still from Munich | Amblin Entertainment
Given the weighty subject matter it grapples with, he leaned towards Scorsese’s trademark style. However, Spielberg, undoubtedly a master in his own right, skillfully led the film to receive five Oscar nominations.
Munich Screenwriter Had Martin Scorsese, And Not Steven Spielberg, in Mind for the Movie!
Munich is a 2005 film directed by Steven Spielberg. The movie is based on the true events of the 1972 Munich Olympics massacre, where Palestinian terrorists belonging to the group Black September took Israeli athletes hostage and ultimately killed eleven of them.
Suggested“It knocked me out”: The Best Clint Eastwood Movie Would Have Never...
- 6/9/2024
- by Sampurna Banerjee
- FandomWire
Steven Spielberg is unarguably one of those legendary genius directors in the entertainment industry who quite literally changed the course of cinema through his masterpieces.
If anything, he has redefined the general approach to making films through his own brilliantly iconic ideas, especially with movies like his $212 million critically acclaimed horror comedy from 1984, Gremlins.
Steven Spielberg. | Credit: Gage Skidmore/Wikimedia Commons.In fact, not only that, but this one particular movie along with Spielberg’s Raiders of the Lost Ark made such extraordinary history that it even paved the way in the most unexpected way for several films from the Marvel Cinematic Universe to be created.
This is because these two respective movies led to the birth of the very viewer rating that has been used ever since in MCU projects!
Steven Spielberg’s Gremlins Paved the Way for MCU Films
Those who have seen Gremlins must be really confused...
If anything, he has redefined the general approach to making films through his own brilliantly iconic ideas, especially with movies like his $212 million critically acclaimed horror comedy from 1984, Gremlins.
Steven Spielberg. | Credit: Gage Skidmore/Wikimedia Commons.In fact, not only that, but this one particular movie along with Spielberg’s Raiders of the Lost Ark made such extraordinary history that it even paved the way in the most unexpected way for several films from the Marvel Cinematic Universe to be created.
This is because these two respective movies led to the birth of the very viewer rating that has been used ever since in MCU projects!
Steven Spielberg’s Gremlins Paved the Way for MCU Films
Those who have seen Gremlins must be really confused...
- 6/9/2024
- by Mahin Sultan
- FandomWire
New York City’s Greenwich Hotel was abuzz Friday afternoon as women from all corners of Hollywood gathered to celebrate the ninth anniversary of the mentorship-focused Through Her Lens: The Tribeca Chanel Women’s Filmmaker Program.
Guests at the luncheon — including Jenny Slate, Katie Holmes, Rachel Weisz, Selma Blair and The Gilded Age‘s Louisa Jacobson — were dressed to impress in head-to-toe Chanel, with signature tweed jackets on display in addition to quilted purses and other accessories. The French luxury fashion brand partnered with Tribeca Film nearly a decade ago to launch Through Her Lens, which supports the work of female and non-binary independent filmmakers. Acclaimed directors including A.V. Rockwell (A Thousand and One) have emerged from the mentorship program.
A.V. Rockwell, wearing Chanel, at the Chanel Tribeca Festival women’s luncheon to celebrate the Through Her Lens Program.
Kerry Washington, who serves on the advisory committee of Through Her Lens,...
Guests at the luncheon — including Jenny Slate, Katie Holmes, Rachel Weisz, Selma Blair and The Gilded Age‘s Louisa Jacobson — were dressed to impress in head-to-toe Chanel, with signature tweed jackets on display in addition to quilted purses and other accessories. The French luxury fashion brand partnered with Tribeca Film nearly a decade ago to launch Through Her Lens, which supports the work of female and non-binary independent filmmakers. Acclaimed directors including A.V. Rockwell (A Thousand and One) have emerged from the mentorship program.
A.V. Rockwell, wearing Chanel, at the Chanel Tribeca Festival women’s luncheon to celebrate the Through Her Lens Program.
Kerry Washington, who serves on the advisory committee of Through Her Lens,...
- 6/8/2024
- by Jaden Thompson
- The Hollywood Reporter - Movie News
‘Brats’ Director Andrew McCarthy On How The Initially “Horrible” Brat Pack Label Became “A Blessing”
At the Tribeca Festival world premiere of Brats, actor-turned-director Andrew McCarthy said the Brat Pack Label, which he had “received as horrible,” turned into a “blessing.”
That unlikely arc was actually what compelled him to make the film, McCarthy said Friday night during a post-screening Q&a. “I turned 60 last year, and you start to look at your life a little differently,” he said. “I looked back at this seminal moment in my past, that I’d been dragging around for so many years, and it seemed frozen in the past. And I wanted to bring it up into my present. And by examining it, I could sort of honor it. And if I honored it, it started to turn into a blessing. And then I was fascinated by the journey.”
McCarthy was joined onstage by acting contemporaries Ally Sheedy, Demi Moore and Jon Cryer, along with casting director Marci Liroff,...
That unlikely arc was actually what compelled him to make the film, McCarthy said Friday night during a post-screening Q&a. “I turned 60 last year, and you start to look at your life a little differently,” he said. “I looked back at this seminal moment in my past, that I’d been dragging around for so many years, and it seemed frozen in the past. And I wanted to bring it up into my present. And by examining it, I could sort of honor it. And if I honored it, it started to turn into a blessing. And then I was fascinated by the journey.”
McCarthy was joined onstage by acting contemporaries Ally Sheedy, Demi Moore and Jon Cryer, along with casting director Marci Liroff,...
- 6/8/2024
- by Dade Hayes
- Deadline Film + TV
‘Made in England: The Films of Powell and Pressburger’ Review: Martin Scorsese-Led Doc Gets Personal
Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
- 6/7/2024
- by Simon Abrams
- The Wrap
There aren’t enough Native women on TV. But when they do get hired, they’re often playing cops.
“Not to take away from the performances of all these actresses, who I admire so much and are doing a beautiful job,” says Lily Gladstone, “but it’s almost the only role that we get to see.”
So it’s understandable that Gladstone had something of a checklist in hand when she first met with the producers of “Under the Bridge.” They were offering her the role of Cam Bentland, a police officer investigating the 1997 murder of Reena Virk (played by Vritika Gupta), a 14-year-old child of Indian immigrants in Saanich Core, British Columbia.
Cam, a Native woman adopted by a family of white cops, was the invention of series creator Quinn Shephard. Though realistic, the character is fictional; but the homicide at the center of the project is not. Often in the true crime genre,...
“Not to take away from the performances of all these actresses, who I admire so much and are doing a beautiful job,” says Lily Gladstone, “but it’s almost the only role that we get to see.”
So it’s understandable that Gladstone had something of a checklist in hand when she first met with the producers of “Under the Bridge.” They were offering her the role of Cam Bentland, a police officer investigating the 1997 murder of Reena Virk (played by Vritika Gupta), a 14-year-old child of Indian immigrants in Saanich Core, British Columbia.
Cam, a Native woman adopted by a family of white cops, was the invention of series creator Quinn Shephard. Though realistic, the character is fictional; but the homicide at the center of the project is not. Often in the true crime genre,...
- 6/7/2024
- by Selome Hailu
- Variety Film + TV
Ever consider whether the most accomplished directors in Hollywood share a mutual admiration for one another? Amidst this mutual reverence, we recently learned about a fascinating anecdote: The acclaimed Hong Kong filmmaker & master of intense action, John Woo, once declared his adoration for the legendary Martin Scorsese.
John Woo’s The Killer | Golden Princess Film Production
With a career that has lit up theaters with films like Mission: Impossible 2 and A Better Tomorrow, Woo’s admiration for Scorsese’s work goes beyond rivalry, allowing viewers to delve into a moving homage given in the former’s classic film The Killer. Despite receiving positive reviews for its lavish style and action scenes, this 1989 masterwork did not openly succeed in Hong Kong but went on to win over critics all over the world.
The Killer: A Cinematic Homage to Martin Scorsese, by John Woo
John Woo, the iconic director known for...
John Woo’s The Killer | Golden Princess Film Production
With a career that has lit up theaters with films like Mission: Impossible 2 and A Better Tomorrow, Woo’s admiration for Scorsese’s work goes beyond rivalry, allowing viewers to delve into a moving homage given in the former’s classic film The Killer. Despite receiving positive reviews for its lavish style and action scenes, this 1989 masterwork did not openly succeed in Hong Kong but went on to win over critics all over the world.
The Killer: A Cinematic Homage to Martin Scorsese, by John Woo
John Woo, the iconic director known for...
- 6/5/2024
- by Siddhika Prajapati
- FandomWire
It’s been decades since they’ve passed, but this summer is shaping up to be the season of Michael Powell and Emeric Pressburger. Alongside MoMA’s massive retrospective of their work, Annie Baker will introduce The Tales of Hoffmann at Film at Lincoln Center next weekend, the Martin Scorsese-narrated documentary Made in England: The Films of Powell & Pressburger will arrive later this summer, and a new 4K restoration of their underseen gem The Small Back Room will be coming to Film Forum at the end of the month courtesy of Rialto Pictures.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
- 6/4/2024
- by Leonard Pearce
- The Film Stage
While filmmaking duo Michael Powell and Emeric Pressburger — aka The Archers — may be best known for their extravagant color films like “The Life and Death of Colonel Blimp,” “A Matter of Life and Death,” “Black Narcissus,” and “The Red Shoes,” their underseen black-and-white, post-wwii potboiler “The Small Back Room” may be their most daring.
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
- 6/4/2024
- by Harrison Richlin
- Indiewire
Lumberjack the Monster, the Japanese director’s long-awaited return to out-and-out horror, is a huge event. So why has it been noiselessly launched into oblivion?
Last weekend, something fairly momentous happened. Lumberjack the Monster, the new film by Takashi Miike, arrived on Netflix. Lumberjack the Monster is a significant release, because it represents the first out-and-out horror movie that Miike has made in a decade, having spent the intervening years dabbling in other genres. For a certain type of fan, it’s like Scorsese coming back from the wilderness of the 1980s with Goodfellas. Even if his films are too violent and perverse for you, you still have to admit that a new Takashi Miike horror movie is a big deal.
Unless you’re Netflix, of course. Because Netflix released Lumberjack the Monster with minimal – perhaps even non-existent – promotion. I only knew about it because I saw a tweet from...
Last weekend, something fairly momentous happened. Lumberjack the Monster, the new film by Takashi Miike, arrived on Netflix. Lumberjack the Monster is a significant release, because it represents the first out-and-out horror movie that Miike has made in a decade, having spent the intervening years dabbling in other genres. For a certain type of fan, it’s like Scorsese coming back from the wilderness of the 1980s with Goodfellas. Even if his films are too violent and perverse for you, you still have to admit that a new Takashi Miike horror movie is a big deal.
Unless you’re Netflix, of course. Because Netflix released Lumberjack the Monster with minimal – perhaps even non-existent – promotion. I only knew about it because I saw a tweet from...
- 6/4/2024
- by Stuart Heritage
- The Guardian - Film News
At nearly three-and-a-half hours, Martin Scorsese’s Killers of the Flower Moon was already a long movie, but Jodie Foster thinks it could have been longer. In fact, she believes it should have been expanded into an eight-hour limited series.
Jodie Foster and Robert Downey Jr. chatted for Variety’s Actors on Actors, and both actors have recently had experiences with limited series, Foster with True Detective: Night Country and Downey Jr. with The Sympathizer.
“This is the beauty of having limited series,” Foster said. “You can expand on a story. I was thinking of ‘Killers of the Flower Moon’ — extraordinary movie, three-and-a-half hours long. And I thought, ‘I wonder why they didn’t do it eight hours long’ — to be able to explore all these other people, and give them another perspective. The great thing about limited series is you can have that novelistic idea of going off...
Jodie Foster and Robert Downey Jr. chatted for Variety’s Actors on Actors, and both actors have recently had experiences with limited series, Foster with True Detective: Night Country and Downey Jr. with The Sympathizer.
“This is the beauty of having limited series,” Foster said. “You can expand on a story. I was thinking of ‘Killers of the Flower Moon’ — extraordinary movie, three-and-a-half hours long. And I thought, ‘I wonder why they didn’t do it eight hours long’ — to be able to explore all these other people, and give them another perspective. The great thing about limited series is you can have that novelistic idea of going off...
- 6/4/2024
- by Kevin Fraser
- JoBlo.com
Jodie Foster wanted more “Killers of the Flower Moon” — or at least, to see more “perspectives” showcased in the film’s retelling of the Osage Nation massacres.
The actress said during an interview with Variety that Martin Scorsese’s Oscar-nominated epic could have benefitted from being even longer, or perhaps reimagined as a limited series. Scorsese’s film already received criticisms for being too long at almost four hours; theaters began issuing an intermission during screenings, much to the dismay of editor Thelma Schoonmaker.
“I was thinking of ‘Killers of the Flower Moon’ — extraordinary movie, three-and-a-half hours long. And I thought, ‘I wonder why they didn’t do it eight hours long,'” Foster said, “to be able to explore all these other people, and give them another perspective. The great thing about limited series is you can have that novelistic idea of going off into tangents and tying them together.
The actress said during an interview with Variety that Martin Scorsese’s Oscar-nominated epic could have benefitted from being even longer, or perhaps reimagined as a limited series. Scorsese’s film already received criticisms for being too long at almost four hours; theaters began issuing an intermission during screenings, much to the dismay of editor Thelma Schoonmaker.
“I was thinking of ‘Killers of the Flower Moon’ — extraordinary movie, three-and-a-half hours long. And I thought, ‘I wonder why they didn’t do it eight hours long,'” Foster said, “to be able to explore all these other people, and give them another perspective. The great thing about limited series is you can have that novelistic idea of going off into tangents and tying them together.
- 6/3/2024
- by Samantha Bergeson
- Indiewire
Celina Murga’s “The Freshly Cut Grass,” executive produced by Martin Scorsese, is debuting at the Tribeca Festival and Variety has been given exclusive access to its first trailer and poster ahead of its world premiere on June 8.
Penned by Murga, director Juan Villegas (“Las Vegas”) and Lucía Osorio with the collaboration of Gabriela Larralde, the plot centers around two couples who engage in extramarital affairs and how, despite having the same professional position, they are treated differently because of their gender.
An exploration of the sexism and misogyny that permeates relationships both at home and in the workplace, pic offers a timely look at feminism, sexism, and the subtle ways these issues affect both men and women, all through the microcosm of two marriages.
“I like it when films make us question ourselves instead of giving us simple answers. ‘The Freshly Cut Grass’ seeks to reflect about the complex...
Penned by Murga, director Juan Villegas (“Las Vegas”) and Lucía Osorio with the collaboration of Gabriela Larralde, the plot centers around two couples who engage in extramarital affairs and how, despite having the same professional position, they are treated differently because of their gender.
An exploration of the sexism and misogyny that permeates relationships both at home and in the workplace, pic offers a timely look at feminism, sexism, and the subtle ways these issues affect both men and women, all through the microcosm of two marriages.
“I like it when films make us question ourselves instead of giving us simple answers. ‘The Freshly Cut Grass’ seeks to reflect about the complex...
- 6/3/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Richard Linklater has been known as the filmmaker known for making chill, feel-good yet thought-provoking films over the years. While his Before trilogy might have gained more traction than others, he perfectly captured the wild, fun, and coming-of-age vibes of teenagers with Dazed and Confused and its spiritual sequel Everybody Wants Some!!.
Before Sunrise remains one of Richard Linklater’s most loved films | Columbia Pictures
Linklater is also known for his experimental films that explore the human like Boyhood. The filmmaker is also a fan of films in general and filmmakers who have come before him. Martin Scorsese is definitely one of them and despite its many controversial elements, Linklater chose Goodfellas as his favorite Scorsese feature.
Richard Linklater Loves ‘Controversial’ Goodfellas And Can Quote The Whole Film Robert De Niro and Ray Liotta in Martin Scorsese’s Goodfellas | Warner Bros Pictures
Richard Linklater has been a seminal filmmaker since...
Before Sunrise remains one of Richard Linklater’s most loved films | Columbia Pictures
Linklater is also known for his experimental films that explore the human like Boyhood. The filmmaker is also a fan of films in general and filmmakers who have come before him. Martin Scorsese is definitely one of them and despite its many controversial elements, Linklater chose Goodfellas as his favorite Scorsese feature.
Richard Linklater Loves ‘Controversial’ Goodfellas And Can Quote The Whole Film Robert De Niro and Ray Liotta in Martin Scorsese’s Goodfellas | Warner Bros Pictures
Richard Linklater has been a seminal filmmaker since...
- 6/3/2024
- by Rahul Thokchom
- FandomWire
The Palm Springs International ShortFest has revealed its programming lineup, with projects involving talent including Francesca Scorsese, Bella Thorne, Emma D’Arcy, Rory Culkin, Yvonne Strahovski and Benedict Cumberbatch. This year’s 30th-anniversary ShortFest will be presented at the Regal Palm Springs from June 18-24.
Short films to be screened include “Unsettled” directed by Bella Thorne, “The Talent” starring “House of the Dragon” breakout D’Arcy, “Fish Out of Water” (pictured), directed by Scorsese , “Agonist” starring writer-director Annie Elliot and Peyton List, “Alok” directed by Alex Hedison and executive produced by Jodie Foster, “Mog’s Christmas” voiced by Cumberbatch and Claire Foy, “Speed Queen 51” starring Culkin and more. Additional films include “Holiday House” starring AnnaSophia Robb, “Ily, Bye” starring Meg Stalter, Kanoa Goo and Rainn Wilson, “Loser” starring Angourie Rice, “Paper” starring Josh Brener, “Tea” starring Michael Gandolfini, “The One Note Man” starring Ian McKellen and “Vlog” directed by Strahovski.
“Year after year,...
Short films to be screened include “Unsettled” directed by Bella Thorne, “The Talent” starring “House of the Dragon” breakout D’Arcy, “Fish Out of Water” (pictured), directed by Scorsese , “Agonist” starring writer-director Annie Elliot and Peyton List, “Alok” directed by Alex Hedison and executive produced by Jodie Foster, “Mog’s Christmas” voiced by Cumberbatch and Claire Foy, “Speed Queen 51” starring Culkin and more. Additional films include “Holiday House” starring AnnaSophia Robb, “Ily, Bye” starring Meg Stalter, Kanoa Goo and Rainn Wilson, “Loser” starring Angourie Rice, “Paper” starring Josh Brener, “Tea” starring Michael Gandolfini, “The One Note Man” starring Ian McKellen and “Vlog” directed by Strahovski.
“Year after year,...
- 6/3/2024
- by Selena Kuznikov
- Variety Film + TV
Richard Linklater and Glen Powell love movies. Making them and talking about them. In a recent promotional video posted by Netflix on X, formerly known as Twitter, the “Hit Man” screenwriting duo went through some of their favorite films for any given situation. When asked of his favorite Scorsese film, Linklater said, “‘Raging Bull’ was in that top slot for a couple decades before ‘Goodfellas’ kind of knocked it off.”
Later, when asked of films he can quote every line of, the director again referenced “Goodfellas,” saying he could recite “some version of it” and “can act every role.”
When thinking of films they’re embarrassed they hadn’t seen, Powell referenced a recent screening of their film “Hit Man.” He said, “I feel like we discovered this the other night when people were asking inspirations for the movie and they say ‘This kind of feels like ‘Grosse Pointe Blank’ and I was like,...
Later, when asked of films he can quote every line of, the director again referenced “Goodfellas,” saying he could recite “some version of it” and “can act every role.”
When thinking of films they’re embarrassed they hadn’t seen, Powell referenced a recent screening of their film “Hit Man.” He said, “I feel like we discovered this the other night when people were asking inspirations for the movie and they say ‘This kind of feels like ‘Grosse Pointe Blank’ and I was like,...
- 6/1/2024
- by Harrison Richlin
- Indiewire
Martin Scorsese is one of the few industry vets who has been around for several decades hitting the audience with brilliant movies and sweeping all the prestigious awards, so his praise is nothing but a real golden ticket to overall success in Hollywood.
Though the proclaimed filmmaker is mostly known for his numerous collaborations with the modern cinema’s giants like Robert De Niro or Leonardo DiCaprio, there’s yet another big figure who actually owes her skyrocketed career to Scorsese’s high-rated big hit.
Ironically, her debut fierce improvisation is what mesmerizes Scorsese to this day.
In one of his interviews a few days ago, Scorsese revealed that he’d been left in shock by Margot Robbie’s improvised performance for The Wolf of Wall Street’s audition. In the movie released back in 2013, Robbie, at that time a very young, yet aspiring actress, starred alongside Leonardo DiCaprio as his on-screen wife Naomi Lapaglia,...
Though the proclaimed filmmaker is mostly known for his numerous collaborations with the modern cinema’s giants like Robert De Niro or Leonardo DiCaprio, there’s yet another big figure who actually owes her skyrocketed career to Scorsese’s high-rated big hit.
Ironically, her debut fierce improvisation is what mesmerizes Scorsese to this day.
In one of his interviews a few days ago, Scorsese revealed that he’d been left in shock by Margot Robbie’s improvised performance for The Wolf of Wall Street’s audition. In the movie released back in 2013, Robbie, at that time a very young, yet aspiring actress, starred alongside Leonardo DiCaprio as his on-screen wife Naomi Lapaglia,...
- 5/31/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
- 5/31/2024
- by Todd Gilchrist and Clayton Davis
- Variety Film + TV
The MCU has had its ups and downs in the last few years, but it’s still the most successful franchise ever. What started as a single movie in 2008 has grown over 16 years into the largest cinematic universe, including both live-action movies and TV shows.
Despite this success, it’s become common for famous directors to criticize the MCU and superhero movies. Big names like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola have mocked them, saying superhero movies aren’t true cinema.
Five years ago, Martin Scorsese, one of the most acclaimed directors of all time, took a few shots at the genre by saying he didn’t consider superhero movies to be real cinema.
I don’t see them. I tried, you know? But that’s not cinema. Honestly, the closest I can think of them, as well-made as they are, with actors doing the best they can under the circumstances,...
Despite this success, it’s become common for famous directors to criticize the MCU and superhero movies. Big names like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola have mocked them, saying superhero movies aren’t true cinema.
Five years ago, Martin Scorsese, one of the most acclaimed directors of all time, took a few shots at the genre by saying he didn’t consider superhero movies to be real cinema.
I don’t see them. I tried, you know? But that’s not cinema. Honestly, the closest I can think of them, as well-made as they are, with actors doing the best they can under the circumstances,...
- 5/31/2024
- by Valentina Kraljik
- Fiction Horizon
MCU has had it’s up and downs in the last couple of years, but despite that, it’s still the most successful franchise of all times. What started out as a single movie released in 2008 over the course of 16 years grew into the largest cinematic universe to date which includes both live-action movies, and TV Shows.
Despite this impressive track record, it’s become sort of a trend among high-profile directors to criticize the MCU and superhero movies in general. Some of the biggest names in the industry like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola mocked the premises and the executions, lauding that superhero movies are no true cinema.
5 years, ago Martin Scorsese one of the most critically acclaimed directors of all time decided to fire a couple of shots at the genre, saying that he didn’t see them as cinema.
I don’t see them.
Despite this impressive track record, it’s become sort of a trend among high-profile directors to criticize the MCU and superhero movies in general. Some of the biggest names in the industry like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola mocked the premises and the executions, lauding that superhero movies are no true cinema.
5 years, ago Martin Scorsese one of the most critically acclaimed directors of all time decided to fire a couple of shots at the genre, saying that he didn’t see them as cinema.
I don’t see them.
- 5/31/2024
- by Valentina Kraljik
- Comic Basics
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.
Today we talk about one of the great ones: Martin Scorsese. Who’s better than Marty? Myself, Conor O’Donnell, and guest Jake Kring-Schreifels. Our B-Sides today include Italianamerican, Kundun, Bringing Out the Dead, and Silence.
We talk about a lot in this one. How to pronounce Scorsese! How to pronounce Coppola! Catholicism! Buddhism! Making films about religions in your life! This is an episode with lofty ambitions, not unlike most Scorsese pictures!
In examining Italianamerican we muse on Marty as documentarian, including the mention of an incredibly-underrated Scorsese documentary that’s hard to find: Public Speaking starring Fran Lebowitz. We reflect on the guardedness of memory by older generations. We also recount the Muddy Waters – László Kovács...
Today we talk about one of the great ones: Martin Scorsese. Who’s better than Marty? Myself, Conor O’Donnell, and guest Jake Kring-Schreifels. Our B-Sides today include Italianamerican, Kundun, Bringing Out the Dead, and Silence.
We talk about a lot in this one. How to pronounce Scorsese! How to pronounce Coppola! Catholicism! Buddhism! Making films about religions in your life! This is an episode with lofty ambitions, not unlike most Scorsese pictures!
In examining Italianamerican we muse on Marty as documentarian, including the mention of an incredibly-underrated Scorsese documentary that’s hard to find: Public Speaking starring Fran Lebowitz. We reflect on the guardedness of memory by older generations. We also recount the Muddy Waters – László Kovács...
- 5/31/2024
- by Dan Mecca
- The Film Stage
Al Pacino and Robert De Niro are two of the most prolific veteran actors currently working in Hollywood. The legends have won Oscars and have featured in multiple acclaimed films. They have also worked with legendary directors such as Martin Scorsese, Quentin Tarantino, Francis Ford Coppola, and more.
De Niro and Pacino have worked together on four films to date, with the last being The Irishman. Though they first featured in the film The Godfather – Part II, they never shared the screen as their roles were set in different periods. The first time they ever shared a screen was in Michael Mann’s cult classic film Heat.
Michael Mann Brought Together Al Pacino And Robert De Niro On Screen Robert De Niro and Al Pacino in The Irishman | Credits: Tribeca Productions/Sikelia Productions/Winkler Films/Netflix
Al Pacino and Robert De Niro have been featured together in four films to date.
De Niro and Pacino have worked together on four films to date, with the last being The Irishman. Though they first featured in the film The Godfather – Part II, they never shared the screen as their roles were set in different periods. The first time they ever shared a screen was in Michael Mann’s cult classic film Heat.
Michael Mann Brought Together Al Pacino And Robert De Niro On Screen Robert De Niro and Al Pacino in The Irishman | Credits: Tribeca Productions/Sikelia Productions/Winkler Films/Netflix
Al Pacino and Robert De Niro have been featured together in four films to date.
- 5/30/2024
- by Nishanth A
- FandomWire
Christopher Nolan’s biopic thriller Oppenheimer dominated the box office last year, and the film has been praised for its compelling storyline and incredible portrayal of the father of the atomic bomb. Fans should know that this is not Nolan’s first rodeo when it comes to adapting the life of a real person on the big screen.
Cillian Murphy in Oppenheimer / Universal Pictures
He has written a script long ago on the life of aviator Howard Hughes, but the project did not get off the ground because he was beaten to it by fellow veteran filmmaker Martin Scorsese. The latter directed 2004’s The Aviator starring Leonardo DiCaprio.
Christopher Nolan Wrote A Howard Hughes Biopic Before Oppenheimer
Christopher Nolan revealed he wrote Oppenheimer pretty quickly because he already had experience writing biographical films. He shared with Total Film magazine via Yahoo Entertainment:
When I wrote my Howard Hughes script,...
Cillian Murphy in Oppenheimer / Universal Pictures
He has written a script long ago on the life of aviator Howard Hughes, but the project did not get off the ground because he was beaten to it by fellow veteran filmmaker Martin Scorsese. The latter directed 2004’s The Aviator starring Leonardo DiCaprio.
Christopher Nolan Wrote A Howard Hughes Biopic Before Oppenheimer
Christopher Nolan revealed he wrote Oppenheimer pretty quickly because he already had experience writing biographical films. He shared with Total Film magazine via Yahoo Entertainment:
When I wrote my Howard Hughes script,...
- 5/30/2024
- by Ariane Cruz
- FandomWire
"A valentine to British cinema's greatest dreamers." This one is for all the die-hard cinephiles! Mubi has unveiled the official trailer for the cinema history documentary film called Made in England: The Films of Powell & Pressburger, made by filmmaker David Hinton. This originally premiered at the 2024 Berlin Film Festival earlier this year, and it's next screening at the 2024 Tribeca Film Festival in NYC coming up this June. The doc is narrated and presented by Martin Scorsese, who explores the history of these two famous filmmakers: Michael Powell and Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships." Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and Hungarian Pressburger who thrived in...
- 5/30/2024
- by Alex Billington
- firstshowing.net
Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him Best Film Editing at the Golden Horse Awards, Taiwan’s equivalent to the Oscars. This year he edited three films in Cannes: Caught by the Tides in Competition, Black Dog in Un Certain Regard, and Meeting with Pol Pot in Cannes Premiere. We sat down with him during the festival and discussed his work on all three films. This interview is originally commissioned by Directube 导筒. The Chinese version will be published on Directube later.
The Film Stage: First, I want to congratulate you for having three films in the Official Selection at this year’s Cannes. How did you get involved with all three? Obviously, you worked with Jia Zhangke since A Touch of Sin but it’s your first time...
The Film Stage: First, I want to congratulate you for having three films in the Official Selection at this year’s Cannes. How did you get involved with all three? Obviously, you worked with Jia Zhangke since A Touch of Sin but it’s your first time...
- 5/30/2024
- by Frank Yan
- The Film Stage
While Oppenheimer was Christopher Nolan’s first biographical drama to hit the big screens, this wasn’t the Oscar-winner’s first time penning a script surrounding a real-life figure. Before changing the superhero landscape with The Dark Knight, the director had plans to make a biopic about the American aerospace engineer Howard Hughes, for which he even wrote a script.
But as the story goes, Nolan’s passion project never materialized as before the director could make his pitch, Martin Scorsese was already working on Hughes’ biopic, The Aviator. However, it wasn’t all in vain for Nolan, as his experience working on the script for his Howard Hughes biopic came in handy while penning Oppenheimer.
The Unmade Biopic Made Christopher Nolan’s Experience Penning Oppenheimer Easier A still from The Aviator | Warner Bros.
Speaking of the unmade biopic, Christopher Nolan deemed his script for the canned project the best he’d ever written.
But as the story goes, Nolan’s passion project never materialized as before the director could make his pitch, Martin Scorsese was already working on Hughes’ biopic, The Aviator. However, it wasn’t all in vain for Nolan, as his experience working on the script for his Howard Hughes biopic came in handy while penning Oppenheimer.
The Unmade Biopic Made Christopher Nolan’s Experience Penning Oppenheimer Easier A still from The Aviator | Warner Bros.
Speaking of the unmade biopic, Christopher Nolan deemed his script for the canned project the best he’d ever written.
- 5/30/2024
- by Santanu Roy
- FandomWire
Martin Scorsese is one of the most acclaimed filmmakers in Hollywood, and even at the age of 81 is churning out pieces of art. The filmmaker last helmed the crime-Western Killers of the Flower Moon, and is already gearing up for his next project. He remains one of the few individual voices still making films today.
Scorsese’s statements about cinema and the way superhero films were taking over the medium had drawn a lot of flack from fans. The director’s comparison of Marvel movies to theme parks sparked outrage as well as a popular meme template. However, even he would agree to one scene from Henry Cavill’s Man of Steel as cinema.
Beau DeMayo Exhibits Man of Steel Scene To Prove Superhero Films Can Be Cinema Martin Scorsese | Credits: Criterion Channel
Martin Scorsese has often discussed, publicly, his disdain towards the superhero genre of films, especially Marvel films.
Scorsese’s statements about cinema and the way superhero films were taking over the medium had drawn a lot of flack from fans. The director’s comparison of Marvel movies to theme parks sparked outrage as well as a popular meme template. However, even he would agree to one scene from Henry Cavill’s Man of Steel as cinema.
Beau DeMayo Exhibits Man of Steel Scene To Prove Superhero Films Can Be Cinema Martin Scorsese | Credits: Criterion Channel
Martin Scorsese has often discussed, publicly, his disdain towards the superhero genre of films, especially Marvel films.
- 5/29/2024
- by Nishanth A
- FandomWire
Marvel and DC Comics have long served as twin colossi in the boundless universe of pop culture, inspiring legions of impassioned devotees. These two powerhouses of the comic book world have long been at odds, with fans fiercely defending their favorite superheroes and storylines. However, amidst the constant bickering and rivalry between Marvel and DC fans, there is one figure who has managed to earn respect and love for his achievements in the DC universe: Zack Snyder.
Henry Cavill in Man of Steel | Warner Bros. Pictures
Snyder’s distinctive vision within the DC Extended Universe, especially with his Man of Steel, which starred Henry Cavill, has become a beacon for discourse. So much so that Beau DeMayo, the creative force behind highly acclaimed X-Men ‘97, boldly soared into the fray, championing Snyder’s work and skillfully parrying Martin Scorsese’s scathing comments about superhero flicks.
Beau DeMayo Considers Zack Snyder...
Henry Cavill in Man of Steel | Warner Bros. Pictures
Snyder’s distinctive vision within the DC Extended Universe, especially with his Man of Steel, which starred Henry Cavill, has become a beacon for discourse. So much so that Beau DeMayo, the creative force behind highly acclaimed X-Men ‘97, boldly soared into the fray, championing Snyder’s work and skillfully parrying Martin Scorsese’s scathing comments about superhero flicks.
Beau DeMayo Considers Zack Snyder...
- 5/29/2024
- by Siddhika Prajapati
- FandomWire
As the driving force behind a blockbuster franchise, Peter Jackson has not only secured a place among some of the most celebrated filmmakers in the industry, but has also made quite a fortune for himself. His journey to Tinseltown has been nothing short of extraordinary, and began with an early start in New Zealand, with multiple short films and cult classics like Bad Taste.
Peter Jackson | Credit: Canal Cat Films
However, his filmmaking journey truly commenced with a 16 mm camera with his two years of savings, which has since transformed into a fortune that now surpasses the combined wealth of two Hollywood giants, Martin Scorsese and James Cameron.
Peter Jackson Reflected on His Humble Beginnings
Peter Jackson’s initial fascination with the world of cinema began with the TV series Thunderbirds and the 1933 film King Kong, which led him to experiment with his family’s home camera and stop-motion animation technique.
Peter Jackson | Credit: Canal Cat Films
However, his filmmaking journey truly commenced with a 16 mm camera with his two years of savings, which has since transformed into a fortune that now surpasses the combined wealth of two Hollywood giants, Martin Scorsese and James Cameron.
Peter Jackson Reflected on His Humble Beginnings
Peter Jackson’s initial fascination with the world of cinema began with the TV series Thunderbirds and the 1933 film King Kong, which led him to experiment with his family’s home camera and stop-motion animation technique.
- 5/28/2024
- by Laxmi Rajput
- FandomWire
George Lucas defends Marvel as cinema and says Scorsese “has kind of changed his mind” on his stance
George Lucas is part of the 70s class of filmmakers who reshaped movies. Lucas and his peers — Martin Scorsese, Steven Spielberg and Francis Ford Coppola — have been back in the spotlight as of late. While Scorsese and Coppola have resided on the less commercial side of films for the majority of their legacy, they have also been the ones who have famously come out against the long-running popular genre of comic book superhero movies in recent years. Scorsese would not completely count out the entertainment of Marvel films, but the Killers of the Flower Moon director would make his statement that Marvel isn’t cinema. Coppola, however, would be less diplomatic about the matter and not only agree with Scorsese’s statement but also refer to them as “despicable.”
This year, at the Cannes Film Festival, George Lucas would be honored with a Palm d’Or for his contribution to...
This year, at the Cannes Film Festival, George Lucas would be honored with a Palm d’Or for his contribution to...
- 5/28/2024
- by EJ Tangonan
- JoBlo.com
The MCU has seen its highs and lows in recent years, yet it remains the most successful franchise of all time. What began with a single movie in 2008 has evolved over 16 years into the largest cinematic universe to date, spanning both live-action films and TV shows.
Despite this remarkable achievement, there’s been a growing trend among prominent directors to criticize the MCU and superhero movies in general. Filmmakers like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola have mocked their concepts and execution, arguing that superhero movies don’t qualify as true cinema.
Five years ago, Martin Scorsese, one of the most acclaimed directors of all time, took aim at the genre, stating that he didn’t view them as cinema.
I don’t see them. I tried, you know? But that’s not cinema. Honestly, the closest I can think of them, as well made as they are,...
Despite this remarkable achievement, there’s been a growing trend among prominent directors to criticize the MCU and superhero movies in general. Filmmakers like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola have mocked their concepts and execution, arguing that superhero movies don’t qualify as true cinema.
Five years ago, Martin Scorsese, one of the most acclaimed directors of all time, took aim at the genre, stating that he didn’t view them as cinema.
I don’t see them. I tried, you know? But that’s not cinema. Honestly, the closest I can think of them, as well made as they are,...
- 5/28/2024
- by Valentina Kraljik
- Fiction Horizon
MCU has had it’s up and downs in the last couple of years, but despite that, it’s still the most successful franchise of all times. What started out as a single movie released in 2008 over the course of 16 years grew into the largest cinematic universe to date which includes both live-action movies, and TV Shows.
Despite this impressive track record, it’s become sort of a trend among high-profile directors to criticize the MCU and superhero movies in general. Some of the biggest names in the industry like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola mocked the premises and the executions, lauding that superhero movies are no true cinema.
5 years, ago Martin Scorsese one of the most critically acclaimed directors of all time decided to fire a couple of shots at the genre, saying that he didn’t see them as cinema.
I don’t see them.
Despite this impressive track record, it’s become sort of a trend among high-profile directors to criticize the MCU and superhero movies in general. Some of the biggest names in the industry like Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola mocked the premises and the executions, lauding that superhero movies are no true cinema.
5 years, ago Martin Scorsese one of the most critically acclaimed directors of all time decided to fire a couple of shots at the genre, saying that he didn’t see them as cinema.
I don’t see them.
- 5/28/2024
- by Valentina Kraljik
- Comic Basics
In Martin Scorsese’s The Killers of the Flower Moon, Native American actress Lily Gladstone portrayed Mollie Burkhart, the wife of Leonardo DiCaprio’s character in the movie. Molly went through Hell in the movie as her husband and his corrupt friends wanted to take what was not theirs for themselves. Her performance in the movie was lauded by fans and critics, and she was the favorite to win an Oscar in the main actress category. And while Gladstone ultimately lost out to Emma Stone, whose performance in Poor Things was absolutely majestic, the Oscar loss did not hold her back in any way.
In a recent talk with Empire, the actress revealed that she has numerous projects lined up and that offers just keep coming in. Knowing that she had almost given up acting, this is certainly a brilliant piece of information that confirms that the talented actress is...
In a recent talk with Empire, the actress revealed that she has numerous projects lined up and that offers just keep coming in. Knowing that she had almost given up acting, this is certainly a brilliant piece of information that confirms that the talented actress is...
- 5/27/2024
- by Arthur S. Poe
- Fiction Horizon
For years the debate about Marvel movies not being cinema has become the favorite topic of many directors, filmmakers, celebrities, and more. While it was Martin Scorcese, back in 2019, who made a significant contribution to this discourse by stating that such movies are not cinema, over the years several others have joined in to agree or disagree with him. And George Lucas is the latest to chime in.
A still from the Marvel Cinematic Universe | Marvel Entertainment
In a rare interview at Cannes, the Star Wars creator subtly betrayed his Hollywood contemporary to state that such movies are, in fact, cinema, at least according to his definition of Cinema.
George Lucas Responds to Martin Scorsese’s Marvel Comments Hollywood filmmaker George Lucas (PC: Joi Ito | Wikimedia Commons)
Back in 2019, the acclaimed multiple-award-winning filmmaker, Martin Scorsese stated that Marvel movies and other superhero movies are far from cinema. Although such a...
A still from the Marvel Cinematic Universe | Marvel Entertainment
In a rare interview at Cannes, the Star Wars creator subtly betrayed his Hollywood contemporary to state that such movies are, in fact, cinema, at least according to his definition of Cinema.
George Lucas Responds to Martin Scorsese’s Marvel Comments Hollywood filmmaker George Lucas (PC: Joi Ito | Wikimedia Commons)
Back in 2019, the acclaimed multiple-award-winning filmmaker, Martin Scorsese stated that Marvel movies and other superhero movies are far from cinema. Although such a...
- 5/27/2024
- by Maria Sultan
- FandomWire
Martin Scorsese’s war with Marvel seems to be over as filmmaker George Lucas recently revealed that the director might have eased his opinions about the MCU. The Departed filmmaker came under fire back in 2019 when he compared Marvel with theme park rides and said that they were not cinema, sparking controversy and a bunch of memes.
While the filmmaker was commenting on the lack of originality in Hollywood and how the only films getting made were superhero films, many fans took issue with him insulting their beloved franchise. However, the director seemed to have calmed down about the issue, according to George Lucas.
Did Martin Scorsese End His War With Marvel? Martin Scorsese in Hugo | Credits: Gk Films/Infinitum Nihil
Martin Scorsese has been the mastermind behind many of Hollywood’s greatest films in the New Wave era. The filmmaker helmed classics such as Goodfellas, Casino, Taxi Driver, Raging Bull,...
While the filmmaker was commenting on the lack of originality in Hollywood and how the only films getting made were superhero films, many fans took issue with him insulting their beloved franchise. However, the director seemed to have calmed down about the issue, according to George Lucas.
Did Martin Scorsese End His War With Marvel? Martin Scorsese in Hugo | Credits: Gk Films/Infinitum Nihil
Martin Scorsese has been the mastermind behind many of Hollywood’s greatest films in the New Wave era. The filmmaker helmed classics such as Goodfellas, Casino, Taxi Driver, Raging Bull,...
- 5/27/2024
- by Nishanth A
- FandomWire
It was only a matter of time before Martin Scorsese and Timothée Chalamet worked together. But unfortunately, it’s not for a big screen project; instead, it’s for a Chanel ad. This might not be the project we were all hoping for but it’s still a compelling commercial and hopefully the start of a genuine working relationship.
The Scorsese and Chalamet Chanel ad briefly opens with an almost Who’s That Knocking at My Door? rawness, with Chalamet waking too late for an appointment and being rushed into a waiting car, where he’ll be taken to a late night talk show appearance. Complete with a nearly constantly moving camera and a charismatic turn from Chalamet, it’s actually a pretty snazzy ad for a product most of us will never buy.
As described by Chanel, the commercial offers “an invitation to discover the many facets of a...
The Scorsese and Chalamet Chanel ad briefly opens with an almost Who’s That Knocking at My Door? rawness, with Chalamet waking too late for an appointment and being rushed into a waiting car, where he’ll be taken to a late night talk show appearance. Complete with a nearly constantly moving camera and a charismatic turn from Chalamet, it’s actually a pretty snazzy ad for a product most of us will never buy.
As described by Chanel, the commercial offers “an invitation to discover the many facets of a...
- 5/26/2024
- by Mathew Plale
- JoBlo.com
There are many things that every person goes through in life, both pleasant and very unpleasant. One of the things you'd rather leave to the enemy is going through a painful breakup.
It may sound silly to some people, but it is one of the most devastating things that can happen to a person. Your whole life comes crashing down and you find yourself completely lost.
In moments like this, the only thing you can do is focus on yourself, but that's just too hard to do when you're freshly heartbroken. So maybe instead you should watch a bunch of movies to help you forget that your ex ever existed?
Here's a list of movies that solve the problem perfectly, despite being so different.
1. The Thing (1982)
A lot of redditors advised this particular John Carpenter movie as the best option in cases like we described. Why not? An old sci-fi...
It may sound silly to some people, but it is one of the most devastating things that can happen to a person. Your whole life comes crashing down and you find yourself completely lost.
In moments like this, the only thing you can do is focus on yourself, but that's just too hard to do when you're freshly heartbroken. So maybe instead you should watch a bunch of movies to help you forget that your ex ever existed?
Here's a list of movies that solve the problem perfectly, despite being so different.
1. The Thing (1982)
A lot of redditors advised this particular John Carpenter movie as the best option in cases like we described. Why not? An old sci-fi...
- 5/25/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
In 2019, filmmaker Martin Scorsese opened a can of worms when he decided to make the declaration that superhero movies are not "cinema."
The past five years have seen countless writers, directors, and actors hit back at his comments, while plenty of others have rallied around Scorsese and agreed with his appraisal. Which camp does legendary Star Wars creator George Lucas fall into?
In a rare interview conducted at Cannes this week, Lucas was asked for his thoughts on Scorsese's scathing take on superhero fare (the topic turns to Marvel around the 8:00 mark in the video below).
"Look. Cinema is the art of a moving image," he responded. "So if the image moves, then it's cinema. I think Marty has kind of changed his mind a little bit." Lucas then shifted gears to talk about how he pioneered digital film and the fact many directors, Scorsese included, were initially adamant...
The past five years have seen countless writers, directors, and actors hit back at his comments, while plenty of others have rallied around Scorsese and agreed with his appraisal. Which camp does legendary Star Wars creator George Lucas fall into?
In a rare interview conducted at Cannes this week, Lucas was asked for his thoughts on Scorsese's scathing take on superhero fare (the topic turns to Marvel around the 8:00 mark in the video below).
"Look. Cinema is the art of a moving image," he responded. "So if the image moves, then it's cinema. I think Marty has kind of changed his mind a little bit." Lucas then shifted gears to talk about how he pioneered digital film and the fact many directors, Scorsese included, were initially adamant...
- 5/25/2024
- ComicBookMovie.com
In 2019, filmmaker Martin Scorsese opened a can of worms when he decided to make the declaration that superhero movies are not "cinema."
The past five years have seen countless writers, directors, and actors hit back at his comments, while plenty of others have rallied around Scorsese and agreed with his appraisal. Which camp does legendary Star Wars creator George Lucas fall into?
In a rare interview conducted at Cannes this week, Lucas was asked for his thoughts on Scorsese's scathing take on superhero fare (the topic turns to Marvel around the 8:00 mark in the video below).
"Look. Cinema is the art of a moving image," he responded. "So if the image moves, then it's cinema. I think Marty has kind of changed his mind a little bit." Lucas then shifted gears to talk about how he pioneered digital film and the fact many directors, Scorsese included, were initially adamant...
The past five years have seen countless writers, directors, and actors hit back at his comments, while plenty of others have rallied around Scorsese and agreed with his appraisal. Which camp does legendary Star Wars creator George Lucas fall into?
In a rare interview conducted at Cannes this week, Lucas was asked for his thoughts on Scorsese's scathing take on superhero fare (the topic turns to Marvel around the 8:00 mark in the video below).
"Look. Cinema is the art of a moving image," he responded. "So if the image moves, then it's cinema. I think Marty has kind of changed his mind a little bit." Lucas then shifted gears to talk about how he pioneered digital film and the fact many directors, Scorsese included, were initially adamant...
- 5/25/2024
- ComicBookMovie.com
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
- 5/24/2024
- by Nick Newman
- The Film Stage
Martin Scorsese has a new smash hit on his hands. No, it’s not a Chanel ad or an epic Oscar nominee but yet another TikTok video courtesy of daughter Francesca Scorsese. But this one stands out in how it gives fans a look at his movie shrine, complete with vintage posters, props and, of course, a home theater.
The video is a play on TikTok’s We Are trend, with a general format that goes something like: “We’re ____, of course we _____.” The TikTok trend can be a fun way to poke fun at or champion cliches and stereotypes, but when Scorsese does it, it’s purely out of love for cinema…and directing his daughter. In the first clip, Francesca begins with, “We’re movie lovers, of course we have film posters all over our house.” Unfortunately, she doesn’t give the right delivery for hyping The Paradine Case...
The video is a play on TikTok’s We Are trend, with a general format that goes something like: “We’re ____, of course we _____.” The TikTok trend can be a fun way to poke fun at or champion cliches and stereotypes, but when Scorsese does it, it’s purely out of love for cinema…and directing his daughter. In the first clip, Francesca begins with, “We’re movie lovers, of course we have film posters all over our house.” Unfortunately, she doesn’t give the right delivery for hyping The Paradine Case...
- 5/22/2024
- by Mathew Plale
- JoBlo.com
Martin Scorsese’s epic Killers of the Flower Moon shined a light on one of the lesser-known dark chapters of American history – the wholesale slaughter of dozens of members of the Osage Indian Nation by their supposed guardians, neighbors and friends. A dramatic gut-punch of a film, it was adapted by Scorsese and Eric Roth from the 2017 David Grann book of the same name. The book took about five years to research, and the film took just as long to arrive on the big screen, with both taking great pains to authentically communicate the tragic nature of the Osage murders. While the film obviously takes a handful of liberties necessary to dramatize Grann’s book, by all accounts it’s an incredibly faithful telling of the story, accurately recreating the book’s major events as realistically as possible. Let’s take a look at What Really Happened to Killers of the Flower Moon.
- 5/22/2024
- by Eric Walkuski
- JoBlo.com
One of the most gripping elements of 1976’s Taxi Driver — which we still debate nearly 50 years later — is the ending. The ambiguity for many has left a number of questions: Did Travis survive the shootout? Was the final scene with him and Betsy just a fantasy? According to Robert De Niro, not only did Travis survive (and perhaps his encounter with Betsy real), but the character still had a number of moments worth exploring in a sequel to Taxi Driver.
According to Taxi Driver scribe Paul Schrader (via IndieWire), he never once wanted to expand on that world, saying it was all the doing of De Niro. “Now, I don’t want to slag De Niro, but a lot of his decisions sometimes have financial motivations. I’m sure someone had said to him, ‘You know, if you do ‘Taxi Driver 2,’ they can pay.’” Apparently, director Martin Scorsese — of course...
According to Taxi Driver scribe Paul Schrader (via IndieWire), he never once wanted to expand on that world, saying it was all the doing of De Niro. “Now, I don’t want to slag De Niro, but a lot of his decisions sometimes have financial motivations. I’m sure someone had said to him, ‘You know, if you do ‘Taxi Driver 2,’ they can pay.’” Apparently, director Martin Scorsese — of course...
- 5/22/2024
- by Mathew Plale
- JoBlo.com
Sean Baker’s previous film, 2022’s Red Rocket (2022), began with *Nsync’s Spotify-topping “Bye Bye Bye,” but Anora starts with the slightly lesser-known “Greatest Days” by British boy band Take That. Musically, it’s a bold choice, at odds with the frenetic spirit of what for over half its running time is a high-decibel screwball comedy that spends a lot of time in its establishing scenes in a New York strip joint.
The tentative nature of the lyric however — “This could be the greatest day of our lives” — is slyly indicative of where this modern Cinderella story is going, a film of three parts that accelerates at speed, cruises at high altitude for a surprisingly long time, then comes back down to earth with a deeply affecting and almost unbearably melancholy coda that sends the audience out in silence.
The opening suggests a sister piece to Baker’s 2012 film Starlet,...
The tentative nature of the lyric however — “This could be the greatest day of our lives” — is slyly indicative of where this modern Cinderella story is going, a film of three parts that accelerates at speed, cruises at high altitude for a surprisingly long time, then comes back down to earth with a deeply affecting and almost unbearably melancholy coda that sends the audience out in silence.
The opening suggests a sister piece to Baker’s 2012 film Starlet,...
- 5/21/2024
- by Damon Wise
- Deadline Film + TV
Hollywood gentleman Steven Spielberg’s prowess as a director is well known to the world. The director is now one of the richest celebrities of all time, but he once went through a phase where he could not even think of dating anyone. Thanks to his endurance, the world is blessed with a legendary filmmaker who has several astonishing titles to his credit.
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
- 5/21/2024
- by Lachit Roy
- FandomWire
Steven Spielberg has managed to make a fortune off of his contributions to cinema. But the acclaimed director felt he was better off not knowing how much money he accumulated over the years.
What Steven Spielberg wants to do with his money Steven Spielberg | Stewart Cook/Getty Images
Spielberg has become one of the richest figures in the entertainment industry, constantly topping lists like Forbes. According to Celebrity Net Worth, the director has a net worth of $8 billion and earns $150 million annually. Spielberg has spent his earnings on a few extravagant purchases. He’s owned expensive homes, including his massive Los Angeles compound equipped with its own vineyard.
Still, the filmmaker has always dedicated himself to investing his money in more altruistic endeavors. This included forming the Shoah Foundation, which aimed to further educate on the Holocaust through video footage from survivors, documents, and photographs. He’s also tried to...
What Steven Spielberg wants to do with his money Steven Spielberg | Stewart Cook/Getty Images
Spielberg has become one of the richest figures in the entertainment industry, constantly topping lists like Forbes. According to Celebrity Net Worth, the director has a net worth of $8 billion and earns $150 million annually. Spielberg has spent his earnings on a few extravagant purchases. He’s owned expensive homes, including his massive Los Angeles compound equipped with its own vineyard.
Still, the filmmaker has always dedicated himself to investing his money in more altruistic endeavors. This included forming the Shoah Foundation, which aimed to further educate on the Holocaust through video footage from survivors, documents, and photographs. He’s also tried to...
- 5/21/2024
- by Antonio Stallings
- Showbiz Cheat Sheet
"So, when you're inside a role, do you destroy who you are?" "No, no – you reach into yourself... you find yourself. And only after that, are you free to be who you really are." There's another Martin Scorsese-directed advertisement to enjoy if you're into these kind of videos. Chanel just launched a new ad for their male perfume line called Bleu de Chanel, featuring celebrated actor Timothée Chalamet as the global ambassador. "The perfume of a man who chooses his way." These kind of promotions always seem so stale and strange - this works on people? The ad was shot by Scorsese and features Chalamet dealing with a late night talk show appearance, discussing his work as an actor and allowing himself to "be who you really are." Chanel adds that it's "an actor's conflict between celebrity and staying true to himself." It's only a 90 second video and goes by pretty fast,...
- 5/20/2024
- by Alex Billington
- firstshowing.net
Cannes film festival
Ali Abbasi’s film presents young Donald as an amoral narcissist, wastes the talent of Jeremy Strong and includes a grisly rape scene that is quickly glossed over
News: new film about Donald Trump depicts him as a rapist
Donald Trump will not be the smallest bit worried by this genially ironic, lenient TV movie-style treatment of his early adventures in 70s landlordism, property and tabloid celebrity – and his own apprentice relationship with dark legal sorcerer and Nixon intimate Roy Cohn, the bully whose connections added to Donald’s wealth and who taught him to lie to others and himself and never admit defeat. There had been many rumours here in Cannes before this film screened about its rape scene, of which, more in a moment.
Director Ali Abbasi has given us fascinating monsters in the past with Holy Spider and Border but the monstrosity here is almost sentimental,...
Ali Abbasi’s film presents young Donald as an amoral narcissist, wastes the talent of Jeremy Strong and includes a grisly rape scene that is quickly glossed over
News: new film about Donald Trump depicts him as a rapist
Donald Trump will not be the smallest bit worried by this genially ironic, lenient TV movie-style treatment of his early adventures in 70s landlordism, property and tabloid celebrity – and his own apprentice relationship with dark legal sorcerer and Nixon intimate Roy Cohn, the bully whose connections added to Donald’s wealth and who taught him to lie to others and himself and never admit defeat. There had been many rumours here in Cannes before this film screened about its rape scene, of which, more in a moment.
Director Ali Abbasi has given us fascinating monsters in the past with Holy Spider and Border but the monstrosity here is almost sentimental,...
- 5/20/2024
- by Peter Bradshaw
- The Guardian - Film News
If Heat and The Insider are agreed upon as Michael Mann’s all-time best films, what is the director’s most underrated feature to date? Is it Thief? The Keep? Manhunter? Public Enemies? Nah. There’s only one acceptable answer: 2004’s criminally overlooked nocturnal neo-noir Collateral. Featuring a rare villainous turn by Tom Cruise and a restrained Oscar-nominated performance by Jamie Foxx, the L.A. crime story was the first film in history to utilize the Viper FilmStream High Definition Camera. The digital format that David Fincher would later adopt for use on Zodiac and Benjamin Button. Beyond the cutting-edge technology, the remote locations Mann and his production team gave viewers a much different glimpse of Los Angeles away from the glamor of Hollywood and into the seedy, sinister parts of town rarely seen on the big screen.
Believe it or not, Collateral was conceived by screenwriter Stuart Beattie when...
Believe it or not, Collateral was conceived by screenwriter Stuart Beattie when...
- 5/20/2024
- by Jake Dee
- JoBlo.com
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