Most discussions of Stanley Kubrick's 1971 sci-fi satire "A Clockwork Orange" eventually allude to the film's copious violence. The film's protagonist, Alex DeLarge (Malcolm McDowell) is an amoral 15-year-old delinquent who sees the world as the kindling to ignite the furnace of his drug-laced, sex-crazed, bloodthirsty appetites. He spends his days skipping school, and his nights leading his street gang, the Droogs, into various brutal misadventures. The Droogs pummel other gangs, beat up homeless people for no reason, and even invade people's homes to commit sexual assault.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
- 6/8/2024
- by Witney Seibold
- Slash Film
Some cliche somewhere said that ‘a picture is worth a thousand words.’ This has proven to be the case for me and especially when it comes to fan art. I have always sought out great fan art and have wanted to share it with as many people as possible. “Awesome Art We’ve Found Around The Net” is the outlet for that passion. In this column, I will showcase the kick-ass artwork of some great artists, with the hopes that these artists get the attention they deserve. That’s the aim. If you have any questions or comments, or even suggestions of art or other great artists, feel free to contact me at any time at theodorebond@joblo.com.
Alien by André Barnett
The Batman Who Laughs by Jonathan Edward Mills
The Birds by Jenny Brewer
Breaking Bad by Nuno Fernandes
Cereal Mascots by Steve Chesworth
A Clockwork Orange by...
Alien by André Barnett
The Batman Who Laughs by Jonathan Edward Mills
The Birds by Jenny Brewer
Breaking Bad by Nuno Fernandes
Cereal Mascots by Steve Chesworth
A Clockwork Orange by...
- 6/8/2024
- by Theodore Bond
- JoBlo.com
Clockwise from top left: “Weapon Of Choice,” Fatboy Slim feat. Bootsy Collins; “Karma Police,” Radiohead; “Losing My Religion,” R.E.M.; “Vogue,” MadonnaScreenshot: Fatboy Slim; Radiohead; Remhq; Madonna (YouTube)
In a post-MTV world, it’s easy to write off the music video as an eternally lost art. While that may be true in some ways,...
In a post-MTV world, it’s easy to write off the music video as an eternally lost art. While that may be true in some ways,...
- 6/7/2024
- by Emma Keates
- avclub.com
The year was 1989 when Michael Keaton first donned the cape and cowl for Tim Burton’s Batman, Cher wanted to turn back time, and Marty McFly bungled the most sure-fire get-rich-quick scheme in cinematic history in Robert Zemeckis’ Back to the Future Part II.
After the monumental success of Back to the Future, Univeral Studios approached Robert Zemeckis about creating a sequel to his film that had quickly become a pop culture touchstone. Hesitant about capturing lightning in a bottle twice, Zemeckis said he wouldn’t make the film unless Michael J. Fox and Christopher Lloyd returned as Marty McFly and Doc Brown, respectively. Thankfully, both were game to gas up the DeLorean and push the speedometer to 88mph for another excursion through time. With Fox and Lloyd confirmed, Zemeckis arranged his ceremonial objects to summon his writing partner, Bob Gale, to determine where Marty and Doc would travel next.
After the monumental success of Back to the Future, Univeral Studios approached Robert Zemeckis about creating a sequel to his film that had quickly become a pop culture touchstone. Hesitant about capturing lightning in a bottle twice, Zemeckis said he wouldn’t make the film unless Michael J. Fox and Christopher Lloyd returned as Marty McFly and Doc Brown, respectively. Thankfully, both were game to gas up the DeLorean and push the speedometer to 88mph for another excursion through time. With Fox and Lloyd confirmed, Zemeckis arranged his ceremonial objects to summon his writing partner, Bob Gale, to determine where Marty and Doc would travel next.
- 6/6/2024
- by Steve Seigh
- JoBlo.com
"Once the sound of the future, now awesomely retro..." Every month, the Criterion Channel streaming service (one of the best in cinema) debuts a series of programming collections. Each one features a batch of films with a particular theme or connection by actor / director / composer. This is one of the best sets that I need to feature! One of June's latest offerings is Synth Soundtracks - a collection of 20 films featuring synthesizer scores, ranging from classics like Forbidden Planet (1956) and Thief (1981) to more obscure titles like Space Is the Place (1974) and Cat People (1982). Everyone knows Vangelis' iconic synth score for Blade Runner, but this selection went with Vangelis' other film Missing (1982). I enjoy this kind of curation because there's such a range of unique movies, not only expected classics. This also includes: A Clockwork Orange (1971), Shogun Assassin (1980), The Legend of Hell House (1973), Liquid Sky (1982), Tenebrae (1982), For All Mankind (1989), Delta Space...
- 6/2/2024
- by Alex Billington
- firstshowing.net
Put on any action movie made between 1903’s The Great Train Robbery and 2017’s John Wick, pay attention to the risks playing out before you, and you’ll never stop asking why the hell aren’t stunt performers lauded for their efforts by the Academy Awards. In the 1970s, one of the greatest and most underrated decades for action movies, you could still see every danger to life and limb on screen. CGI wasn’t around yet, and the law was barely paying attention.
The result is an era where bloody martial arts imports and Blaxploitation commentary blended with tight-wire action and terrifyingly real stunts. The very best remain iconic, from the Dirty Harrys to 1979’s global phenomenon, Mad Max. But with the passage of time comes forgetting, and the ‘70s hide some of the best, wildest, and sometimes even edgiest movies waiting for fans to rediscover.
Get Carter (1971)
Once upon a time,...
The result is an era where bloody martial arts imports and Blaxploitation commentary blended with tight-wire action and terrifyingly real stunts. The very best remain iconic, from the Dirty Harrys to 1979’s global phenomenon, Mad Max. But with the passage of time comes forgetting, and the ‘70s hide some of the best, wildest, and sometimes even edgiest movies waiting for fans to rediscover.
Get Carter (1971)
Once upon a time,...
- 6/1/2024
- by David Crow
- Den of Geek
The Dark Knight trilogy saw Gary Oldman step into the role of a good guy. This was a change of pace for the actor, who was used to playing villains throughout his career.
But when he looked at Heath Ledger’s performance as The Joker, Oldman felt it wasn’t too unlike the characters he used to play himself in his younger years.
How Heath Ledger’s Joker could’ve been a ‘Gary Oldman’ role back in the day Heath Ledger | Robert Gauthier/ Getty Images
Out of all the roles he played, Oldman once admitted that he found portraying Commissioner Jim Gordon among his most difficult. Commissioner Gordon was as moral as they came in Christopher Nolan’s Batman series. But Oldman confided that playing someone so good was harder than it looked.
“The good guy, the incorruptible, straight as an arrow Jim Gordon,” Oldman once reflected on BBC Radio 1.
But when he looked at Heath Ledger’s performance as The Joker, Oldman felt it wasn’t too unlike the characters he used to play himself in his younger years.
How Heath Ledger’s Joker could’ve been a ‘Gary Oldman’ role back in the day Heath Ledger | Robert Gauthier/ Getty Images
Out of all the roles he played, Oldman once admitted that he found portraying Commissioner Jim Gordon among his most difficult. Commissioner Gordon was as moral as they came in Christopher Nolan’s Batman series. But Oldman confided that playing someone so good was harder than it looked.
“The good guy, the incorruptible, straight as an arrow Jim Gordon,” Oldman once reflected on BBC Radio 1.
- 5/24/2024
- by Antonio Stallings
- Showbiz Cheat Sheet
Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme. She draws on much of the hyperbolic flamboyance that’s come to define megaplex horror. But unlike 90 percent of those movies, “The Substance” is the work of a filmmaker with a vision. She’s got something primal to say to us.
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
- 5/19/2024
- by Owen Gleiberman
- Variety Film + TV
Once upon a time, I believed any completed movie that found release was a minor miracle. After enduring Harmony Korine’s infrared-only Aggro Dr1ft (written in “leetspeak”), the first production under the filmmaker’s new boundary-pushing “multimedia design collective” Edglrd, that mantra is shattered. This movie is theatrical imprisonment. Its duration? A life sentence. Aggro Dr1ft is an 80-minute music video masquerading as a provocative and startlingly stylized action flick that’s devoid of any provocation, groundbreaking style, or on-screen action.
Aggro Dr1ft follows a downtrodden Miami-based mercenary, Bo (Jordi Mollà), who wishes to vanquish a demonic crimelord and become a stay-at-home family man. It’s a crayon-box blur of fuchsia skies and lavender skin tones, paintball-masked mini militias mean-mugging on yachts with hot tubs, mumbled dialogue lost underneath Edm tracks, and robotic performances so unintelligible you’d think you’re being pranked. Travis Scott randomly appears as a next-generation assassin,...
Aggro Dr1ft follows a downtrodden Miami-based mercenary, Bo (Jordi Mollà), who wishes to vanquish a demonic crimelord and become a stay-at-home family man. It’s a crayon-box blur of fuchsia skies and lavender skin tones, paintball-masked mini militias mean-mugging on yachts with hot tubs, mumbled dialogue lost underneath Edm tracks, and robotic performances so unintelligible you’d think you’re being pranked. Travis Scott randomly appears as a next-generation assassin,...
- 5/15/2024
- by Matt Donato
- DailyDead
Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who’ll debut an 11-title series including the likes of Touch, The Canyons, and Patty Hearst, while Old Boyfriends (written with his brother Leonard) and his own “Adventures in Moviegoing” are also programmed. Five films by Jean Grémillon, a rather underappreciated figure of French cinema, will be showing
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
- 5/14/2024
- by Nick Newman
- The Film Stage
Stanley Kubrick's 1971 dystopian sci-fi film "A Clockwork Orange" points out that a modern British society -- so devoted to stuffy manners, politeness, and keeping evil out of sight -- won't know how to deal with legitimate sociopaths. Alex DeLarge (Malcolm McDowell) is a violent little punk who regularly leads his teen gang -- the Droogs -- into fights, into bars that serve drug-laced milk, and into the locked homes of their victims. Alex beats and assaults people without a scrap of conscience, and sees the world as something to consume, use up, and have sex with. Kubrick toys with the audience a little, presenting Alex as charismatic and funny, even though he's a monster.
When Alex is finally apprehended for his many crimes, the juvenile delinquent is thrown into prison and subjected to a new kind of rehabilitation technique ... involving movies. Alex has his eyes clamped open and he...
When Alex is finally apprehended for his many crimes, the juvenile delinquent is thrown into prison and subjected to a new kind of rehabilitation technique ... involving movies. Alex has his eyes clamped open and he...
- 5/13/2024
- by Witney Seibold
- Slash Film
Magnolia Pictures has released a brand new trailer for "Thelma." This film may not be on your radar just yet, but after watching this trailer, it probably should be. Serving as the feature directorial debut of Josh Margolin, the big hook here is that Oscar-nominee June Squibb is getting to lead a revenge thriller at the age of 94. More than that, it marks the first time that Squibb has been given a leading role in a movie in her long, storied career. Check the trailer out for yourself above.
The trailer is impossibly charming, even though there is an insidious plot at the center of it all. Squibb's character gets scammed out of a bunch of money and, with no options left, she sets out on a path of revenge. It's not unrealistically action-packed or anything like that, but it comes off as quite delightful. Squibb is paired with the late Richard Roundtree,...
The trailer is impossibly charming, even though there is an insidious plot at the center of it all. Squibb's character gets scammed out of a bunch of money and, with no options left, she sets out on a path of revenge. It's not unrealistically action-packed or anything like that, but it comes off as quite delightful. Squibb is paired with the late Richard Roundtree,...
- 5/9/2024
- by Ryan Scott
- Slash Film
One of the greatest visionary directors that Hollywood had the privilege of hosting, Stanley Kubrick revolutionized the process of filmmaking for the foreseeable future. The director of such instant classics as 2001: A Space Odyssey, A Clockwork Orange, and The Shining got around to claiming Tom Cruise, the biggest movie star in the world, in one of his movies shortly before his death.
Eyes Wide Shut [Credit: Warner Bros.]
Although the collaboration was short-lived and tragically bookended, their project was anything but less than glorious. Their 1999 film, Eyes Wide Shut, categorized as an erotic mystery thriller, marked the end of an era – both for Kubrick and the deteriorating relationship between the lead glamorous couple, Tom Cruise and Nicole Kidman.
Nicole Kidman Recalls Her Great Stanley Kubrick Regret
At the advent of her career, the Australian model Nicole Kidman, with her wild red mane and tall lanky figure, was considered a far...
Eyes Wide Shut [Credit: Warner Bros.]
Although the collaboration was short-lived and tragically bookended, their project was anything but less than glorious. Their 1999 film, Eyes Wide Shut, categorized as an erotic mystery thriller, marked the end of an era – both for Kubrick and the deteriorating relationship between the lead glamorous couple, Tom Cruise and Nicole Kidman.
Nicole Kidman Recalls Her Great Stanley Kubrick Regret
At the advent of her career, the Australian model Nicole Kidman, with her wild red mane and tall lanky figure, was considered a far...
- 5/7/2024
- by Diya Majumdar
- FandomWire
Prior to his work on "Star Wars" in 1977, actor and bodybuilder David Prowse had made a career playing goons, creatures, and bodyguards in high-profile movies. Prowse played Frankenstien's monster in the Hammer film "The Horror of Frankenstein," a role he had already played briefly in the 1967 version of "Casino Royale." He played a comedic torturer in "Carry On, Henry," the 21st "Carry On" movie. Most visibly, Prowse played the muscular bodyguard for the injured old Frank (Patrick Magee) in Stanley Kubrick's "A Clockwork Orange." He was the one who got to cradle Malcolm McDowell like a baby. This was easy for Prowse, who stood six-foot-six.
The actor also played Darth Vader "Star Wars," "The Star Wars Holiday Special," "The Empire Strikes Back," and "Return of the Jedi" ... but only in the scenes wherein Darth Vader wore a mask. In "Jedi," when Vader finally revealed his face, Prowse was replaced by actor Sebastian Shaw.
The actor also played Darth Vader "Star Wars," "The Star Wars Holiday Special," "The Empire Strikes Back," and "Return of the Jedi" ... but only in the scenes wherein Darth Vader wore a mask. In "Jedi," when Vader finally revealed his face, Prowse was replaced by actor Sebastian Shaw.
- 5/7/2024
- by Witney Seibold
- Slash Film
Imagine what it was like in the 1990s -- and being constantly told and reminded that Tarantino was revolutionizing cinema.
Not only was Quentin Tarantino's indie project being worshiped by film critics in 1994, but it was also being staged as the antithesis to the year's other subversive comedy, Forrest Gump, starring Tom Hanks.
Forrest Gump represented traditional values and innocence. (Though screenwriter Eric Roth nor Winston Groom ever intended the character that way)
Pulp Fiction represented cynicism and brutality triumphing over good intentions. It was an Oscar race partly conceived by Miramax and Harvey Weinstein, who, believe it or not, used to be good at other things besides...well, you know.
It was impossible for Gen X not to embrace Pulp Fiction as their generation's movie and the one that most spoke to their maturing culture. Maybe amid the media storm, I was the only one who saw what was happening.
Not only was Quentin Tarantino's indie project being worshiped by film critics in 1994, but it was also being staged as the antithesis to the year's other subversive comedy, Forrest Gump, starring Tom Hanks.
Forrest Gump represented traditional values and innocence. (Though screenwriter Eric Roth nor Winston Groom ever intended the character that way)
Pulp Fiction represented cynicism and brutality triumphing over good intentions. It was an Oscar race partly conceived by Miramax and Harvey Weinstein, who, believe it or not, used to be good at other things besides...well, you know.
It was impossible for Gen X not to embrace Pulp Fiction as their generation's movie and the one that most spoke to their maturing culture. Maybe amid the media storm, I was the only one who saw what was happening.
- 5/4/2024
- by Michael Arangua
- TVfanatic
Blue Fox Entertainment has picked up worldwide rights ahead of Cannes to financial thriller The Panic with Donald Sutherland attached to join Carey Elwes, Malcolm McDowell, Justin Chatwin, and Cristiana Dell’Anna.
Daniel Adams, whose credits include The Walk and The Golden Boys, wrote and will direct the feature, which is based on a true story and takes place in 1907 in New York as real-life bankers J. P. Morgan and Charles Barney grapple with a financial crisis sparked by Barney’s failed attempt to manipulate the copper market.
As Morgan strives to safeguard his empire he becomes entangled in a clandestine struggle involving his brilliant mistress,...
Daniel Adams, whose credits include The Walk and The Golden Boys, wrote and will direct the feature, which is based on a true story and takes place in 1907 in New York as real-life bankers J. P. Morgan and Charles Barney grapple with a financial crisis sparked by Barney’s failed attempt to manipulate the copper market.
As Morgan strives to safeguard his empire he becomes entangled in a clandestine struggle involving his brilliant mistress,...
- 5/2/2024
- ScreenDaily
Blue Fox Entertainment has picked up worldwide rights ahead of Cannes to financial thriller The Panic with Donald Sutherland, Carey Elwes, Malcolm McDowell, Justin Chatwin, and Cristiana Dell’Anna attached to star.
Daniel Adams, whose credits include The Walk and The Golden Boys, wrote and will direct the feature, which is based on a true story and takes place in 1907 in New York as real-life bankers J. P. Morgan and Charles Barney grapple with a financial crisis sparked by Barney’s failed attempt to manipulate the copper market.
As Morgan strives to safeguard his empire he becomes entangled in a clandestine struggle involving his brilliant mistress,...
Daniel Adams, whose credits include The Walk and The Golden Boys, wrote and will direct the feature, which is based on a true story and takes place in 1907 in New York as real-life bankers J. P. Morgan and Charles Barney grapple with a financial crisis sparked by Barney’s failed attempt to manipulate the copper market.
As Morgan strives to safeguard his empire he becomes entangled in a clandestine struggle involving his brilliant mistress,...
- 5/2/2024
- ScreenDaily
Lucas Lynggaard Tønnesen, Clara Rugaard and Til Schweiger lead the international cast of “Desperate Journey,” a newly-announced thriller set in the burlesque world of 1940s Paris.
The film — which has now wrapped production — comes from Emblem Pictures, and was written by two-time Oscar nominee Michael Radford (best known for directing 1994 global sensation “Il Postino”) and directed by Emmy winner Annabel Jankel (“Tell It to the Bees”).
Produced by Warren Derosa and Zsófia Kende, “Desperate Journey” is based on the true story of Freddie Knoller (played by Tønnesen), a young man forced to flee Vienna as Nazi hysteria takes hold. Knoller’s captivating story has been widely recognized around the world and he was honored by the late Queen Elizabeth.
Rounding out the supporting cast of the film are Sienna Guillory (“Meg 2: The Trench,” “Clifford the Big Red Dog”), Steven Berkoff, Fernando Guallar (“Love Divided”), Hugo Speer (“The Full Monty...
The film — which has now wrapped production — comes from Emblem Pictures, and was written by two-time Oscar nominee Michael Radford (best known for directing 1994 global sensation “Il Postino”) and directed by Emmy winner Annabel Jankel (“Tell It to the Bees”).
Produced by Warren Derosa and Zsófia Kende, “Desperate Journey” is based on the true story of Freddie Knoller (played by Tønnesen), a young man forced to flee Vienna as Nazi hysteria takes hold. Knoller’s captivating story has been widely recognized around the world and he was honored by the late Queen Elizabeth.
Rounding out the supporting cast of the film are Sienna Guillory (“Meg 2: The Trench,” “Clifford the Big Red Dog”), Steven Berkoff, Fernando Guallar (“Love Divided”), Hugo Speer (“The Full Monty...
- 5/1/2024
- by Alex Ritman
- Variety Film + TV
Itchy and Scratchy are responsible for some of the most memorable episodes of "The Simpsons." Every fan will fondly remember "The Itchy and Scratchy and Poochie Show" or Marge's crusade against the ultra-violent kids' cartoon in "Itchy & Scratchy & Marge." Indeed, "The Itchy and Scratchy and Poochie Show" landed at number five on /Film's ranking of the best episodes of "The Simpsons," with "Itchy and Scratchy Land" coming in at number 15.
Clearly, then, "Itchy and Scratchy" was more than a parody of "Tom & Jerry"-style cartoons. Though the central joke was as simple as "What if Tom & Jerry was super violent," the show-within-a-show was often used as a way to extend the cultural satire that was so integral to "The Simpsons." Plus, as legendary writer John Schwartzwelder once told The New Yorker, it allowed the writers a break from the rules of the show overall:
"We could show...
Clearly, then, "Itchy and Scratchy" was more than a parody of "Tom & Jerry"-style cartoons. Though the central joke was as simple as "What if Tom & Jerry was super violent," the show-within-a-show was often used as a way to extend the cultural satire that was so integral to "The Simpsons." Plus, as legendary writer John Schwartzwelder once told The New Yorker, it allowed the writers a break from the rules of the show overall:
"We could show...
- 4/26/2024
- by Joe Roberts
- Slash Film
In “Boy Kills World,” Bill Skarsgård has burning eyes and model cheekbones, sinewy arms popping out of a dirty red athletic vest, and a feral pout that makes him look like Jean-Claude Van Damme crossed with Lou Reed. He plays a deaf-mute avenger, known only as Boy, who kills people in insanely violent ways. Yet through it all, the character retains his innocence. He’s a wounded wild child in a man’s body.
Raised in a mountain hideaway by a martial-arts trainer and resistance fighter called the Shaman (Yayan Ruhian), who may remind you, at first, of the Zen master in “Kill Bill: Volume 2,” Boy had his past taken away from him by a vicious totalitarian regime. During the Culling, an annual ritual where law and order is maintained by having criminals confront each other in a state-sanctioned televised death match, Boy saw his little sister, Mina (Quinn Copeland...
Raised in a mountain hideaway by a martial-arts trainer and resistance fighter called the Shaman (Yayan Ruhian), who may remind you, at first, of the Zen master in “Kill Bill: Volume 2,” Boy had his past taken away from him by a vicious totalitarian regime. During the Culling, an annual ritual where law and order is maintained by having criminals confront each other in a state-sanctioned televised death match, Boy saw his little sister, Mina (Quinn Copeland...
- 4/26/2024
- by Owen Gleiberman
- Variety Film + TV
For as long as “teenager” has been a demographic, there have been stories about teens breaking free from the status quo. While a lot of the modern great teen rebellion media is confined to the world of TV — where shows like “Euphoria” attract constant buzz — the archetypal troubled teen story remains 1955’s “Rebel Without a Cause.” Starring James Dean in unquestionably his defining role, a rebellious teen struggling with his demons in L.A., Nicholas Ray’s film spoke to young people at the time with its story of high schoolers struggling with, and going against, the social pressures that bring them down. Over the years it became a touchstone because its themes and its honesty transcends generations.
As the teen film has evolved and morphed as a genre, there’s always been room for stories of iconoclastic youth who don’t fit in with the status quo. Oftentimes, these...
As the teen film has evolved and morphed as a genre, there’s always been room for stories of iconoclastic youth who don’t fit in with the status quo. Oftentimes, these...
- 4/23/2024
- by Wilson Chapman
- Indiewire
Beyoncé recently sampled Nancy Sinatra’s “These Boots Are Made for Walkin'” in her new track “Ya Ya.” Sinatra revealed she once begged an icon from a different medium to use that song. He made Sinatra’s dream come true, but in the process, he created a scene with a troubling undercurrent.
Nancy Sinatra wanted ‘These Boots Are Made for Walkin” in a famous movie
Sinatra’s cover of Cher’s “Bang Bang (My Baby Shot Me Down)” was used quite literally in a sequence in Quentin Tarantino’s Kill Bill. During a 2004 interview with Hot Press, Sinatra discussed this scene. “I’m a huge Tarantino fan, so him choosing me over Sonny & Cher was very humbling,” she opined. “I had a similar experience when a year before Full Metal Jacket came out I got word that Stanley Kubrick wanted ‘Boots’ for the soundtrack. I sent him a telegram saying,...
Nancy Sinatra wanted ‘These Boots Are Made for Walkin” in a famous movie
Sinatra’s cover of Cher’s “Bang Bang (My Baby Shot Me Down)” was used quite literally in a sequence in Quentin Tarantino’s Kill Bill. During a 2004 interview with Hot Press, Sinatra discussed this scene. “I’m a huge Tarantino fan, so him choosing me over Sonny & Cher was very humbling,” she opined. “I had a similar experience when a year before Full Metal Jacket came out I got word that Stanley Kubrick wanted ‘Boots’ for the soundtrack. I sent him a telegram saying,...
- 4/13/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Fans are buzzing as a new poster makes the rounds online, supposedly revealing Tom Holland is working on a Clockwork Orange remake for 2024.
Stanley Kubrick's 1971 original Clockwork Orange has cemented itself as a cult classic among cinephiles, earning a level of infamy very few films ever reach.
Based on the 1962 Anthony Burgess novel of the same name, the film centers on a young man living in near-future Britain, as his delinquencies come back to bite him after a particularly deadly night of stirring up mayhem.
Read full article on The Direct.
Stanley Kubrick's 1971 original Clockwork Orange has cemented itself as a cult classic among cinephiles, earning a level of infamy very few films ever reach.
Based on the 1962 Anthony Burgess novel of the same name, the film centers on a young man living in near-future Britain, as his delinquencies come back to bite him after a particularly deadly night of stirring up mayhem.
Read full article on The Direct.
- 4/11/2024
- by Klein Felt
- The Direct
This may be a controversial take, but Christopher Nolan's 2012 film "The Dark Knight Rises" is the best of the three Batman films Nolan directed, and is handily one of the best superhero films ever made. Produced in the wake of the 2011 Occupy Wall Street protests, "The Dark Knight Rises" addressed the issue of Batman's wealth, pointing out explicitly that being a Batman isn't the best use of one's money. Bruce Wayne is a billionaire, and yet Gotham City still languishes. Bane (Tom Hardy) may be a terrorist who takes the entire city hostage, but he also noted that superhero billionaires are at the heart of economic injustice. Superheroes are not the solution.
"The Dark Knight Rises" also finally allows Batman to retire. One can only be infected by angst-based impulses toward vigilantism for so long before his knees begin to give out. "Rises" questioned the efficiency and health of a Batman,...
"The Dark Knight Rises" also finally allows Batman to retire. One can only be infected by angst-based impulses toward vigilantism for so long before his knees begin to give out. "Rises" questioned the efficiency and health of a Batman,...
- 4/9/2024
- by Witney Seibold
- Slash Film
Feature debut of Arvin Chen, “Au Revoir Taipei” may have very little to do with anything France, but still won the Netpac Award at the 2010 Berlin International Film Festival, among a number of other awards around the world, while also being a commercial success in Taiwan.
Follow our tribute to Taiwanese by clicking on the image below
Kai's girlfriend has just left for Paris, supposedly to wait for him there, while he spends his days working in his parent's tavern during the days and in a bookstore learning French during the night. While there, Susie, a feisty girl who works in the shop, takes an interest in him, although he doesn't seem to have the slightest clue. When his girlfriend ditches him on the phone though, Kai decides to travel to France, and to do so, asks for money from a local loan shark who frequents his parent's restaurant,...
Follow our tribute to Taiwanese by clicking on the image below
Kai's girlfriend has just left for Paris, supposedly to wait for him there, while he spends his days working in his parent's tavern during the days and in a bookstore learning French during the night. While there, Susie, a feisty girl who works in the shop, takes an interest in him, although he doesn't seem to have the slightest clue. When his girlfriend ditches him on the phone though, Kai decides to travel to France, and to do so, asks for money from a local loan shark who frequents his parent's restaurant,...
- 3/19/2024
- by Panos Kotzathanasis
- AsianMoviePulse
In his latest podcast/interview, host and screenwriter Stuart Wright talks to with Scala!!! co-directors Jane Giles and Ali Catterall about the making of their documentary about the infamous London cinema and “3 Films That Have Impacted Everything In Your Adult Life,” which include:
Jane Giles’ 3 Films Un Chant D’Amour (1950) A Clockwork Orange (1971) Blade Runner (1982) Ali Catterall’s 3 Films Performance (1970) Theatre Of Blood (1973) The Wicker Man (1973)
“3 Films That Have Impacted Everything In Your Adult Life” is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the alarm goes off for five minutes we move on to the next film.
Powered by RedCircle...
Jane Giles’ 3 Films Un Chant D’Amour (1950) A Clockwork Orange (1971) Blade Runner (1982) Ali Catterall’s 3 Films Performance (1970) Theatre Of Blood (1973) The Wicker Man (1973)
“3 Films That Have Impacted Everything In Your Adult Life” is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the alarm goes off for five minutes we move on to the next film.
Powered by RedCircle...
- 3/15/2024
- by Stuart Wright
- Nerdly
Everyone remembers that David Lynch commercial for the PlayStation 2 in all its Lynchian weirdness. And now it’s come full circle (sort of), thanks to a user by the name of DrJones20, who has recreated Lynch’s surreal masterpiece Eraserhead in Media Molecule’s Dreams for the PlayStation 5.
It’s obviously not the full length film, but this compressed version still includes many of the film’s iconic characters and scenes, and uses the audio from the film and a grainy 4:3 filter to complete the tribute. DrJones20 had apparently been working on this for quite some time, having teased the infamous baby a while back on Reddit.
This isn’t the first time that Dreams has been giving creators a chance to flex their muscles. We’ve had recreations of games like the original Dead Space and Resident Evil, as well as scenes from films like Stanley Kubrick‘s...
It’s obviously not the full length film, but this compressed version still includes many of the film’s iconic characters and scenes, and uses the audio from the film and a grainy 4:3 filter to complete the tribute. DrJones20 had apparently been working on this for quite some time, having teased the infamous baby a while back on Reddit.
This isn’t the first time that Dreams has been giving creators a chance to flex their muscles. We’ve had recreations of games like the original Dead Space and Resident Evil, as well as scenes from films like Stanley Kubrick‘s...
- 3/14/2024
- by Mike Wilson
- bloody-disgusting.com
Graphic: The A.V. Club, The A.V. Club, The A.V. Club, Photo: Warner Bros. Pictures, Ben King/Prime, Prime Video, Searchlight Pictures; Warner Bros. Pictures; Universal Pictures; Focus Features; Apple TV, Image: DreamWorks Animation10 great films from this century that didn’t win a single OscarClockwise from top left:...
- 3/9/2024
- avclub.com
Clockwise from top left: Lady Bird (A24), True Grit (Paramount Pictures), The Royal Tenenbaums (Touchstone Pictures), The Irishman (Netflix)Graphic: The A.V. Club
If winning an Oscar wasn’t a big deal, why are the year’s biggest snubs and surprises the first topic of discussion following every nomination announcement?...
If winning an Oscar wasn’t a big deal, why are the year’s biggest snubs and surprises the first topic of discussion following every nomination announcement?...
- 3/6/2024
- by Cindy White
- avclub.com
The late Hollywood legend Stanley Kubrick is often known for his classic works and his perfectionism in the entertainment industry. Offering audiences with iconic works like 2001: A Space Odyssey, The Shining, and A Clockwork Orange, Kubrick left behind a massive unfillable hole in Hollywood.
Shelley Duvall in The Shining
However, while the director is appreciated for his perfectionism, determination, and passion, there are a few stars who experienced a difficult time with Stanley Kubrick. One such collaborator was Shelley Duvall who called out the filmmaker’s ruthless side that she witnessed while filming The Shining, opposite Jack Nicholson.
Shelley Duvall Faced Creative Differences With Stanley Kubrick
Famed for his classic movies, unique filmmaking, and perfectionism, the late legend Stanley Kubrick left an unfillable hole in the entertainment industry following his demise. Offering timeless classics like 2001: A Space Odyssey, Kubrick was a highly sought-after filmmaker in Hollywood. Collaborating with A-listers,...
Shelley Duvall in The Shining
However, while the director is appreciated for his perfectionism, determination, and passion, there are a few stars who experienced a difficult time with Stanley Kubrick. One such collaborator was Shelley Duvall who called out the filmmaker’s ruthless side that she witnessed while filming The Shining, opposite Jack Nicholson.
Shelley Duvall Faced Creative Differences With Stanley Kubrick
Famed for his classic movies, unique filmmaking, and perfectionism, the late legend Stanley Kubrick left an unfillable hole in the entertainment industry following his demise. Offering timeless classics like 2001: A Space Odyssey, Kubrick was a highly sought-after filmmaker in Hollywood. Collaborating with A-listers,...
- 3/6/2024
- by Krittika Mukherjee
- FandomWire
Tenacious D in the Pick of Destiny released from Shout! Factory on February 13th, 2024.
Jack Black is among my favorite comedic leading men. The first film I ever reviewed was School of Rock for my high school newspaper. His physical delivery is unmatched, and he’s able to make nearly every character, no matter how absurd, feel relatable and approachable. Despite my adoration for the man, Tenacious D in the Pick of Destiny had evaded me for eighteen long years. Now, thanks to the fine folks at Shout! Factory, that’s all changed.
Tenacious D in the Pick of Destiny Critique Jack Black in ‘Tenacious D in the Pick of Destiny’ Also Read: Shout! Factory: Shaw Brothers Classics Vol. 4 Review
I was twenty-years-old when Tenacious D in the Pick of Destiny released to theaters. That’s seemingly the perfect age for an R-rated comedy comprised of utter silliness and rock-and-roll.
Jack Black is among my favorite comedic leading men. The first film I ever reviewed was School of Rock for my high school newspaper. His physical delivery is unmatched, and he’s able to make nearly every character, no matter how absurd, feel relatable and approachable. Despite my adoration for the man, Tenacious D in the Pick of Destiny had evaded me for eighteen long years. Now, thanks to the fine folks at Shout! Factory, that’s all changed.
Tenacious D in the Pick of Destiny Critique Jack Black in ‘Tenacious D in the Pick of Destiny’ Also Read: Shout! Factory: Shaw Brothers Classics Vol. 4 Review
I was twenty-years-old when Tenacious D in the Pick of Destiny released to theaters. That’s seemingly the perfect age for an R-rated comedy comprised of utter silliness and rock-and-roll.
- 2/26/2024
- by Joshua Ryan
- FandomWire
Some cliche somewhere said that ‘a picture is worth a thousand words.’ This has proven to be the case for me and especially when it comes to fan art. I have always sought out great fan art and have wanted to share it with as many people as possible. “Awesome Art We’ve Found Around The Net” is the outlet for that passion. In this column, I will showcase the kick-ass artwork of some great artists, with the hopes that these artists get the attention they deserve. That’s the aim. If you have any questions or comments, or even suggestions of art or other great artists, feel free to contact me at any time at theodorebond@joblo.com.
A Clockwork Orange by Graham Corcoran
The Crow by Serhan Soner
Devastator by Terry Huddleston
Dune Part Two by Matthew Ceo
Kill Bill Vol. 1 by Dave Merrell
The Legend of...
A Clockwork Orange by Graham Corcoran
The Crow by Serhan Soner
Devastator by Terry Huddleston
Dune Part Two by Matthew Ceo
Kill Bill Vol. 1 by Dave Merrell
The Legend of...
- 2/24/2024
- by Theodore Bond
- JoBlo.com
John Savident, who played the booming voiced Fred Elliott in British soap Coronation Street, died Wednesday. He was 86.
His agent confirmed his passing in a statement to press, saying: “We are sad to announce the death of the actor John Savident who died on Wednesday 21 February. He was a much-loved husband and father of two and will be sorely missed by all who knew him.”
Savident joined ITV soap in 1994 as a butcher with a disastrous love life. His comic timing and turn of phrase made him one of the long-running program’s most familiar faces before his character was killed off in 2006 after almost 1,000 episodes. His quirk of adding the words, “I say” in between others has been widely parodied in the UK.
The Coronation Street X account shared an image of the actor, and wrote: “Everyone at Coronation Street is deeply saddened to learn of John Savident’s death.
His agent confirmed his passing in a statement to press, saying: “We are sad to announce the death of the actor John Savident who died on Wednesday 21 February. He was a much-loved husband and father of two and will be sorely missed by all who knew him.”
Savident joined ITV soap in 1994 as a butcher with a disastrous love life. His comic timing and turn of phrase made him one of the long-running program’s most familiar faces before his character was killed off in 2006 after almost 1,000 episodes. His quirk of adding the words, “I say” in between others has been widely parodied in the UK.
The Coronation Street X account shared an image of the actor, and wrote: “Everyone at Coronation Street is deeply saddened to learn of John Savident’s death.
- 2/23/2024
- by Jesse Whittock
- Deadline Film + TV
Stars: Isaac Versaw, Katherine Barber, Whitney Rose Pynn, Jared Noble, Malcolm McDowell, Justin Malik Jackson | Written by Rachel Sommer | Directed by Luke Sommer
As Cellphone opens, Brian (Isaac Versaw; Eleutheromania) wanders through a house, seemingly looking for something or following a trail. The odd thing is he’s not looking at whatever it is directly, he’s using his phone’s camera as some kind of lens. He ends up in the bedroom where Jeanie is sleeping. The next we see of him, he has apparently hung himself.
Wynne is trying to get past the guilt she feels over the death of her fiancé Liam in a car accident that happened while she was driving. Hoping a change of scenery will help, she moves into an old house, formerly an inn owned by Bob who we don’t see, but he does call Wynne on the phone occasionally.
The first...
As Cellphone opens, Brian (Isaac Versaw; Eleutheromania) wanders through a house, seemingly looking for something or following a trail. The odd thing is he’s not looking at whatever it is directly, he’s using his phone’s camera as some kind of lens. He ends up in the bedroom where Jeanie is sleeping. The next we see of him, he has apparently hung himself.
Wynne is trying to get past the guilt she feels over the death of her fiancé Liam in a car accident that happened while she was driving. Hoping a change of scenery will help, she moves into an old house, formerly an inn owned by Bob who we don’t see, but he does call Wynne on the phone occasionally.
The first...
- 2/15/2024
- by Jim Morazzini
- Nerdly
Gravitas Ventures’ latest, Cellphone, highlights the perils and horror of technology surrounding the piece of tech we rely on most: our phones. An exclusive clip takes it a step further, with strange phenomena taking place in broad daylight.
Check out the exclusive clip below, which sees Malcolm McDowell interrupt supernatural activity with a phone call.
In Cellphone, “Wynne, who is grieving the death of her fiancé, starts seeing disturbing images on her cell phone about her future. If she doesn’t figure them out in time, she will die.”
Gravitas Ventures releases Cellphone on VOD and Digital on February 13, 2024.
Whitney Rose Pynn, Justin Malik Jackson, Jared Noble, Isaac Versaw, and Katherine Barber star alongside Malcolm McDowell in the tech thriller.
The tech thriller was written by Rachel Sommer and directed by Luke Sommer, based on their 2012 short film “Cell Phone.” Cellphone marks the feature debut for both.
In the short film that inspired the film,...
Check out the exclusive clip below, which sees Malcolm McDowell interrupt supernatural activity with a phone call.
In Cellphone, “Wynne, who is grieving the death of her fiancé, starts seeing disturbing images on her cell phone about her future. If she doesn’t figure them out in time, she will die.”
Gravitas Ventures releases Cellphone on VOD and Digital on February 13, 2024.
Whitney Rose Pynn, Justin Malik Jackson, Jared Noble, Isaac Versaw, and Katherine Barber star alongside Malcolm McDowell in the tech thriller.
The tech thriller was written by Rachel Sommer and directed by Luke Sommer, based on their 2012 short film “Cell Phone.” Cellphone marks the feature debut for both.
In the short film that inspired the film,...
- 2/12/2024
- by Meagan Navarro
- bloody-disgusting.com
Curb Your Enthusiasm returns to Max this month in what’s being called the show’s final season (for now). If you’re not ready for the Larry David-centric comedy series to end, you can binge all eleven of the show’s previous seasons on Max right now before hitting the new episodes.
Tokyo Vice will also be back in February for season 2. Stars Ansel Elgort, Ken Watanabe, Rinko Kikuchi, Rachel Keller, Show Kasamatsu, and Ayumi Ito are joined by Kubozuka and Miki Maya this time around, as Jake Adelstein feels the danger closing in on him. Max also welcomes you to the premiere of the highly acclaimed (and highly depraved) Dicks: The Musical this month, as a couple of self-obsessed businessmen discover they’re identical twins and decided to bring their divorced parents back together.
Here’s everything coming to (and leaving) HBO and Max this month…
HBO...
Tokyo Vice will also be back in February for season 2. Stars Ansel Elgort, Ken Watanabe, Rinko Kikuchi, Rachel Keller, Show Kasamatsu, and Ayumi Ito are joined by Kubozuka and Miki Maya this time around, as Jake Adelstein feels the danger closing in on him. Max also welcomes you to the premiere of the highly acclaimed (and highly depraved) Dicks: The Musical this month, as a couple of self-obsessed businessmen discover they’re identical twins and decided to bring their divorced parents back together.
Here’s everything coming to (and leaving) HBO and Max this month…
HBO...
- 2/1/2024
- by Kirsten Howard
- Den of Geek
February may be the shortest month, but Max is staying true to its name with a jam-packed schedule of additions all month long!
In addition to dozens of library shows and movies getting added to the platform throughout February—from classics like “Citizen Kane” and “A Clockwork Orange” to recent A24 favorites like “Midsommar” and “Dicks: The Musical“—several major HBO premieres are coming this week to the cabler and its streamer, including Season 11 of “Last Week Tonight with John Oliver” and the final season of the long-running “Curb Your Enthusiasm.”
Find out The Streamable’s top picks for February, and continue below to the full list of everything new on Max this month!
7-Day Free Trial $9.99+ / month Max via amazon.com What are the 5 Best Shows and Movies Coming to Max in February 2024? “Chasing Flavor” | Thursday, Feb. 1
“The Chew” host and “Top Chef” fan favorite Carla Hall hits the...
In addition to dozens of library shows and movies getting added to the platform throughout February—from classics like “Citizen Kane” and “A Clockwork Orange” to recent A24 favorites like “Midsommar” and “Dicks: The Musical“—several major HBO premieres are coming this week to the cabler and its streamer, including Season 11 of “Last Week Tonight with John Oliver” and the final season of the long-running “Curb Your Enthusiasm.”
Find out The Streamable’s top picks for February, and continue below to the full list of everything new on Max this month!
7-Day Free Trial $9.99+ / month Max via amazon.com What are the 5 Best Shows and Movies Coming to Max in February 2024? “Chasing Flavor” | Thursday, Feb. 1
“The Chew” host and “Top Chef” fan favorite Carla Hall hits the...
- 1/29/2024
- by Ashley Steves
- The Streamable
A half hour into Barnaby Clay’s debut narrative feature, “The Seeding,” Scott Haze drops to his knees and begs, “Will someone just tell me What is going on?” It’s an uncharacteristically funny beat coming from a character deadass named Wyndham Stone, a photographer who explicitly shops at Brooks Brothers and boasts all the personality of half-off wrinkle guard. But the unintentionally self-aware line is an early pop of entertainment in this otherwise maddening experiment in atmospheric dread. “What Is going on?” you’ll wonder ad nauseam — only to be forced-fed an answer less satisfying than a hunk of moldy bread. At least the table setting works.
Shot in a rust-red canyon in Utah, this meditation on domestic despair begins with an arresting image; a young child, no more than two-years-old, toddles through the desert alone munching on a human finger. It’s a stomach-churning cold open for the...
Shot in a rust-red canyon in Utah, this meditation on domestic despair begins with an arresting image; a young child, no more than two-years-old, toddles through the desert alone munching on a human finger. It’s a stomach-churning cold open for the...
- 1/26/2024
- by Alison Foreman
- Indiewire
Curb Your Enthusiasm begins its 12th and final season and Tokyo Vice returns for season two as part of Max’s February 2024 lineup. The streaming service has also set a February 18th launch date for season 11 of the award-winning, critically acclaimed series Last Week Tonight with John Oliver.
Chef and bestselling author Carla Hall’s Chasing Flavor makes its debut on February 1st, and one of the best seasons of True Detective, True Detective: Night Country with Jodie Foster and Kali Reis, wraps up its too-short season on February 25th. The popular animated series Clone High releases new season two episodes beginning on February 1st.
‘Last Week Tonight with John Oliver’ (Photograph by Courtesy of HBO) Series & Films Arriving On Max In January 2024
February 1
Bad Education (2004)
Batman vs. Robin (2015)
Batman: Bad Blood (2016)
The Bling Ring (2013)
Brooklyn (2015)
Chitty Chitty Bang Bang (1968)
Citizen Kane (1941)
A Clockwork Orange (1971)
Dying of the Light (2014)
Everest...
Chef and bestselling author Carla Hall’s Chasing Flavor makes its debut on February 1st, and one of the best seasons of True Detective, True Detective: Night Country with Jodie Foster and Kali Reis, wraps up its too-short season on February 25th. The popular animated series Clone High releases new season two episodes beginning on February 1st.
‘Last Week Tonight with John Oliver’ (Photograph by Courtesy of HBO) Series & Films Arriving On Max In January 2024
February 1
Bad Education (2004)
Batman vs. Robin (2015)
Batman: Bad Blood (2016)
The Bling Ring (2013)
Brooklyn (2015)
Chitty Chitty Bang Bang (1968)
Citizen Kane (1941)
A Clockwork Orange (1971)
Dying of the Light (2014)
Everest...
- 1/26/2024
- by Rebecca Murray
- Showbiz Junkies
Julian Senior, the veteran Warner Bros. marketing and publicity executive in Europe who enjoyed close relationships with filmmakers including Oscar winners Stanley Kubrick, Clint Eastwood, David Puttnam and Neil Jordan, has died. He was 85.
Senior died Jan. 1 of pneumonia and heart failure in a hospital near his home in Borehamwood, England, Conor Nolan, his friend and onetime Warner Bros. colleague, told The Hollywood Reporter.
A native of South Africa, Senior joined Warner Bros. in 1970 after an eight-year run at MGM, where he was an advertising and publicity consultant in its European Regional Office, and he stuck with the studio through 2000.
At the start, Senior helped mastermind the advertising and publicity campaign for the landmark Kubrick film A Clockwork Orange (1971), and he also worked with the famed director on The Shining (1980), Full Metal Jacket (1987) and Eyes Wide Shut (1999).
“He taught me how publicity, advertising and marketing operates,” Senior once said of Kubrick.
Senior died Jan. 1 of pneumonia and heart failure in a hospital near his home in Borehamwood, England, Conor Nolan, his friend and onetime Warner Bros. colleague, told The Hollywood Reporter.
A native of South Africa, Senior joined Warner Bros. in 1970 after an eight-year run at MGM, where he was an advertising and publicity consultant in its European Regional Office, and he stuck with the studio through 2000.
At the start, Senior helped mastermind the advertising and publicity campaign for the landmark Kubrick film A Clockwork Orange (1971), and he also worked with the famed director on The Shining (1980), Full Metal Jacket (1987) and Eyes Wide Shut (1999).
“He taught me how publicity, advertising and marketing operates,” Senior once said of Kubrick.
- 1/23/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Julian Senior, a veteran international marketing executive for Warners and MGM who enjoyed a long working relationship with Stanley Kubrick and many other notable filmmakers, died Jan. 1. He was 85.
His death was announced by former Warners executive Conor Nolan.
Born in South Africa, Senior was at MGM for eight years before joining Warners in 1970 as an advertising and publicity consultant in Europe, and soon after was appointed VP of European advertising and publicity.
He became senior VP of European regional advertising and publicity in 1993, and oversaw dozens of Warner Bros. film campaigns. Senior retired in 2000 and handed over the marketing and publicity reins to Con Gornell and Nolan.
His friendship with Kubrick began in 1970 when the director finished “A Clockwork Orange.” Senior oversaw the advertising and publicity campaigns for “The Shining,” “Full Metal Jacket” and Kubrick’s final film, “Eyes Wide Shut” with Tom Cruise and Nicole Kidman.
Senior once...
His death was announced by former Warners executive Conor Nolan.
Born in South Africa, Senior was at MGM for eight years before joining Warners in 1970 as an advertising and publicity consultant in Europe, and soon after was appointed VP of European advertising and publicity.
He became senior VP of European regional advertising and publicity in 1993, and oversaw dozens of Warner Bros. film campaigns. Senior retired in 2000 and handed over the marketing and publicity reins to Con Gornell and Nolan.
His friendship with Kubrick began in 1970 when the director finished “A Clockwork Orange.” Senior oversaw the advertising and publicity campaigns for “The Shining,” “Full Metal Jacket” and Kubrick’s final film, “Eyes Wide Shut” with Tom Cruise and Nicole Kidman.
Senior once...
- 1/22/2024
- by Pat Saperstein
- Variety Film + TV
Julian Senior, former Warner Bros European marketing and publicity executive, passed away on January 1, 2024 at the age of 85.
Senior joined Warner Bros in 1970, after an eight-year stint at MGM, as an advertising and publicity consultant in the studio’s European region office. He was soon appointed vice president of European advertising and publicity at the studio and, in 1993, was promoted to senior vice president.
The South Africa-born executive had a close working and personal relationship with Stanley Kubrick and worked with the filmmaker on the campaigns for A Clockwork Orange, The Shining, Full Metal Jacket and Eyes Wide Shut.
During his career,...
Senior joined Warner Bros in 1970, after an eight-year stint at MGM, as an advertising and publicity consultant in the studio’s European region office. He was soon appointed vice president of European advertising and publicity at the studio and, in 1993, was promoted to senior vice president.
The South Africa-born executive had a close working and personal relationship with Stanley Kubrick and worked with the filmmaker on the campaigns for A Clockwork Orange, The Shining, Full Metal Jacket and Eyes Wide Shut.
During his career,...
- 1/22/2024
- ScreenDaily
A Screenwriting Professor Experiences a Kafkaesque Descent in Harry Sherriff’s ‘Jeremy: A Nightmare’
The joy of seeing a promising young filmmaker grow and grow with each new project is one of the great privileges we get here at Dn. Director Harry Sherriff is one of those filmmakers, someone who we first featured for his craft-building exercise of making a film every month for a whole year, then more recently with his ambitious self-aware dark comedy Harry is Not Okay, and now Jeremy: A Nightmare, his brilliant and most assured work to date. Jeremy is a screenwriting professor whose world starts to fold in when someone who looks exactly like him turns up to potentially take his job. It’s dark, high-concept, strange and utterly compelling and Dn is delighted to premiere Jeremy: A Nightmare alongside an extensive conversation with Sherriff, where he talks through his development as a filmmaker at the Nfts, the joys of creative overlapping with his crew, and the vision...
- 1/16/2024
- by James Maitre
- Directors Notes
Franz Rogowski plays a Nazi ringmaster in a deluded blend of magical realism, gratuitous violence and sentimentality
What better way to start the new year with what will surely be remembered as one of its worst films. This mashup of magical realism, gratuitous violence and sentimentality is an atrocity in filmic form. It’s only a bit offensive for its appropriation of the Holocaust as a dramatic engine. What really stirs revulsion is the film’s smug delusions of quality, a self-belief so strong that it has the gall to take two hours and 21 minutes to unfurl itself to the end. Everyone who whined about Martin Scorsese’s Killers of the Flower Moon being too long should be strapped to a chair, like Malcolm McDowell in A Clockwork Orange, and forced to watch this in order to understand the difference between a film that’s long because it has a...
What better way to start the new year with what will surely be remembered as one of its worst films. This mashup of magical realism, gratuitous violence and sentimentality is an atrocity in filmic form. It’s only a bit offensive for its appropriation of the Holocaust as a dramatic engine. What really stirs revulsion is the film’s smug delusions of quality, a self-belief so strong that it has the gall to take two hours and 21 minutes to unfurl itself to the end. Everyone who whined about Martin Scorsese’s Killers of the Flower Moon being too long should be strapped to a chair, like Malcolm McDowell in A Clockwork Orange, and forced to watch this in order to understand the difference between a film that’s long because it has a...
- 1/8/2024
- by Leslie Felperin
- The Guardian - Film News
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
In 2023, I wanted to laugh. Perhaps more than I realized, because when I finally calculated my top-rated films that came out this year, a great portion of my selections turned out to be either straight-up comedies or gripping comedy-dramas. 2023 was the year I embraced funny and moving movie coming-of-age stories probably more than any other, but to me, that genre isn’t only limited to what happens when 11-year-old girls experience their period for the first time or when Elvis Presley decides to take a child bride. For example, Paul Giamatti’s acidic classics teacher experiences something like a middle-aged puberty when he’s forced to care for an abandoned prep school kid during Christmas break in The Holdovers. In Beau is Afraid, we watch a stunted...
In 2023, I wanted to laugh. Perhaps more than I realized, because when I finally calculated my top-rated films that came out this year, a great portion of my selections turned out to be either straight-up comedies or gripping comedy-dramas. 2023 was the year I embraced funny and moving movie coming-of-age stories probably more than any other, but to me, that genre isn’t only limited to what happens when 11-year-old girls experience their period for the first time or when Elvis Presley decides to take a child bride. For example, Paul Giamatti’s acidic classics teacher experiences something like a middle-aged puberty when he’s forced to care for an abandoned prep school kid during Christmas break in The Holdovers. In Beau is Afraid, we watch a stunted...
- 1/1/2024
- by Robyn Bahr
- The Film Stage
Chicago – The world was rocked on December 27th, 2023, when the report came through that South Korean (Sk) actor Lee Sun-kyun – who had a prominent role in the 2019 Oscar Best Picture “Parasite’ – had died from an apparent suicide in Seoul (Sk), months after his appearance during Closing Night at Chicago’s Asian Pop-Up Cinema (Apuc), where he represented his outrageous new comedy, “Killing Romance.” His apparent suicide was on the heels of government pressure due to his alleged drug consumption. Lee Sun-kyun was 48.
After beginning his career in musical theatre, Lee was relegated to minor and supporting roles onscreen as he began in TV and film. His breakthrough was in Sk TV’s “Coffee Prince” and the medical drama “Behind the White Tower,” both in 2007. He gained more popularity with “My Mister,” (2018) which is currently on Netflix.
Lee Sun-kyun Accepts Apuc’s Excellent Achievement in Film Award
Photo credit: AsianPopUpCinema.org...
After beginning his career in musical theatre, Lee was relegated to minor and supporting roles onscreen as he began in TV and film. His breakthrough was in Sk TV’s “Coffee Prince” and the medical drama “Behind the White Tower,” both in 2007. He gained more popularity with “My Mister,” (2018) which is currently on Netflix.
Lee Sun-kyun Accepts Apuc’s Excellent Achievement in Film Award
Photo credit: AsianPopUpCinema.org...
- 12/27/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ah, Christmas. It’s a time of family get-togethers, going into debt, and TV and movie studios trying their best to cater to everyone. Unless you’re on the Hallmark Channel, and it’s pretty obvious you’ve got one specific demo you are targeting with extreme prejudice.
Over the years, many Christmas-themed movies and TV specials have danced across screens, both big and small. Some of them are classics like A Muppet Christmas Carol, or It’s a Wonderful Life. Others go out of their way to try and be extreme in their counter-programming, like Silent Night, Deadly Night (which has somehow made six total films over the years…good lord).
And then others are just so odd and unexpected that they deserve their own list, and that’s what we’re doing today. I’m not sure this list should be counted as Nice or Naughty; we’ll say...
Over the years, many Christmas-themed movies and TV specials have danced across screens, both big and small. Some of them are classics like A Muppet Christmas Carol, or It’s a Wonderful Life. Others go out of their way to try and be extreme in their counter-programming, like Silent Night, Deadly Night (which has somehow made six total films over the years…good lord).
And then others are just so odd and unexpected that they deserve their own list, and that’s what we’re doing today. I’m not sure this list should be counted as Nice or Naughty; we’ll say...
- 12/23/2023
- by Jessica Dwyer
- JoBlo.com
Ryan O’Neal, the boyish leading man who kicked off an extraordinary 1970s run in Hollywood with his Oscar-nominated turn as the Harvard preppie Oliver in the legendary romantic tearjerker Love Story, has died. He was 82.
O’Neal died Friday, his son Patrick O’Neal, a sportscaster with Bally Sports West in Los Angeles, reported on Instagram. He had been diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“As a human being, my father was as generous as they come,” Patrick wrote. “And the funniest person in any room. And the most handsome clearly, but also the most charming. Lethal combo. He loved to make people laugh. It’s pretty much his goal. Didn’t matter the situation, if there was a joke to be found, he nailed it. He really wanted us laughing. And we did all laugh. Every time. We had fun. Fun in the sun.”
On the...
O’Neal died Friday, his son Patrick O’Neal, a sportscaster with Bally Sports West in Los Angeles, reported on Instagram. He had been diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“As a human being, my father was as generous as they come,” Patrick wrote. “And the funniest person in any room. And the most handsome clearly, but also the most charming. Lethal combo. He loved to make people laugh. It’s pretty much his goal. Didn’t matter the situation, if there was a joke to be found, he nailed it. He really wanted us laughing. And we did all laugh. Every time. We had fun. Fun in the sun.”
On the...
- 12/8/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
There are a lot of intense fandoms out there, but few have been as intense for as long as the "Star Trek" fandom, which has been going strong since 1966. There are few things more sacred to Trekkies than their starship captains, and in 1994, the franchise committed a serious sin by killing off the beloved James Tiberius Kirk, played by William Shatner, in the film "Star Trek: Generations." It was supposed to be a kind of passing of the baton from Kirk to Captain Jean-Luc Picard, played by Patrick Stewart, but in the end all it did was upset fans. Of course, they knew that the seemingly immortal Kirk would eventually die, but they didn't really want or need to see it, and that led to a whole lot of anger directed at the man responsible for Kirk's death: Dr. Tolian Soran, played by Malcolm McDowell.
When Dr. Toran tries to...
When Dr. Toran tries to...
- 12/5/2023
- by Danielle Ryan
- Slash Film
Based on the novel by Anthony Burgess, Stanley Kubrick's 1971 film "A Clockwork Orange" is set in the not-too-distant future when roving British teenage gangs have mutated into bizarre, ultra-violent, morals-free hedonists who commit crimes to their hearts' content. The protagonist is Alex DeLarge (Malcolm McDowell) a 15-year-old punk who drinks drug-laced milk before taking to the street with his gang of droogs to savagely and gleefully beat and assault anyone who passes into their field of vision. Alex is eventually arrested and put into prison where the government subjects him to bizarre new rehabilitation techniques in an attempt to turn his mind away from violence.
Throughout, Alex is depicted as clearly beyond redemption. He has no compassion and will never have compassion. When he reads about Jesus Christ being crucified, he imagines himself to be the Roman soldier whipping him. The government's brainwashing techniques only instill in him a...
Throughout, Alex is depicted as clearly beyond redemption. He has no compassion and will never have compassion. When he reads about Jesus Christ being crucified, he imagines himself to be the Roman soldier whipping him. The government's brainwashing techniques only instill in him a...
- 12/4/2023
- by Witney Seibold
- Slash Film
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