Seemingly from out of nowhere, actor turned director Gilles Lellouche throws a Molotov Flanby into the Competition with only his second feature, a terrific and unexpectedly potent piece of genre filmmaking that could, to avoid spoilers, be described as a kind of mash-up of Badlands and La Haine, as if directed by Walter Hill. Throw in a little Eurocrime, from the likes of Fernando Di Leo and late-period Jean-Pierre Melville, and you’re getting close to what Lellouche has achieved here, a romantic banlieue opera that delivers all the gritty, vicarious thrills of the now-standard post-Goodfellas gangster movie but also burrows into issues of class and gender in refreshingly unpredictable ways.
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? by Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? by Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
- 5/24/2024
- by Damon Wise
- Deadline Film + TV
Kinology has boarded international sales to “The Big War,” an epic €30-million live action-cgi characters hybrid movie which will mark the directorial comeback of “La Haine” filmmaker Mathieu Kassovitz.
The ambitious feature is adapted from “La Bête Est Morte,” an iconic two-part graphic novel illustrated by Edmond Calvo during War World 2 in Nazi-Occupied France and published after the country was liberated.
Pitched as a “”Paddington” meets ‘Saving Private Ryan,'” “The Big War” is a true passion project for Kassovitz who bought rights to “La Bête est Morte” nearly two decades ago and has now joined forces with well-respected animation producer Aton Soumache, whose credits range from literary adaptations such as the Cesar-winning “The Little Prince” to the global smash-hit “Miraculous: Ladybug & Cat Noir, the Movie.”
Kassovitz and Soumache have assembled a dream team for “The Big War,” including Caroline Thompson, the award-winning screenwriter of “Edward Scissorhands” and “The Nightmare before Christmas,...
The ambitious feature is adapted from “La Bête Est Morte,” an iconic two-part graphic novel illustrated by Edmond Calvo during War World 2 in Nazi-Occupied France and published after the country was liberated.
Pitched as a “”Paddington” meets ‘Saving Private Ryan,'” “The Big War” is a true passion project for Kassovitz who bought rights to “La Bête est Morte” nearly two decades ago and has now joined forces with well-respected animation producer Aton Soumache, whose credits range from literary adaptations such as the Cesar-winning “The Little Prince” to the global smash-hit “Miraculous: Ladybug & Cat Noir, the Movie.”
Kassovitz and Soumache have assembled a dream team for “The Big War,” including Caroline Thompson, the award-winning screenwriter of “Edward Scissorhands” and “The Nightmare before Christmas,...
- 5/10/2024
- by Elsa Keslassy
- Variety Film + TV
Mathieu Kassovitz, whose last film was the 2011 French action-drama Rebellion, is returning behind the camera thirteen years later. According to Deadline, Kassovitz will be taking on a passion project — a film titled The Big War. The Big War will be an English-language film that aims to showcase a hybrid of live-action and animation. The script will reportedly be written by The Nightmare Before Christmas, Corpse Bride and Edward Scissorhands screenwriter Caroline Thompson. Kassovitz explains, “This is a project I’ve been working on for twenty years.”
Kassovitz is also known for working in front of the camera as an actor on projects such as Amélie and Munich and the hit TV series Le Bureau Des Legendes. He expounds on his new upcoming film, “It is inspired by cult French graphic novel La Bete Est Morte, which was written during the Second World War. It reimagines that war as enacted by animals.
Kassovitz is also known for working in front of the camera as an actor on projects such as Amélie and Munich and the hit TV series Le Bureau Des Legendes. He expounds on his new upcoming film, “It is inspired by cult French graphic novel La Bete Est Morte, which was written during the Second World War. It reimagines that war as enacted by animals.
- 4/9/2024
- by EJ Tangonan
- JoBlo.com
Exclusive: La Haine filmmaker Mathieu Kassovitz is returning to the director’s chair to make English-language passion project The Big War, which will mark the first movie he has helmed in 13 years.
“This is a project I’ve been working on for twenty years,” Kassovitz explained about the live action-animation hybrid project, which he has scripted with The Nightmare Before Christmas, Corpse Bride and Edward Scissorhands scribe Caroline Thompson.
“It is inspired by cult French graphic novel La Bete Est Morte, which was written during the Second World War,” says the Frenchman, also known for starring in movies including Amélie and Munich and hit TV series Le Bureau Des Legendes. “It reimagines that war as enacted by animals. The Nazis are the wolves who go after the ‘vermin’ — the rabbits — who represent the war’s victims. The story focuses on two rabbits who go after their family who have been...
“This is a project I’ve been working on for twenty years,” Kassovitz explained about the live action-animation hybrid project, which he has scripted with The Nightmare Before Christmas, Corpse Bride and Edward Scissorhands scribe Caroline Thompson.
“It is inspired by cult French graphic novel La Bete Est Morte, which was written during the Second World War,” says the Frenchman, also known for starring in movies including Amélie and Munich and hit TV series Le Bureau Des Legendes. “It reimagines that war as enacted by animals. The Nazis are the wolves who go after the ‘vermin’ — the rabbits — who represent the war’s victims. The story focuses on two rabbits who go after their family who have been...
- 4/9/2024
- by Andreas Wiseman and Melanie Goodfellow
- Deadline Film + TV
The Criterion Collection reaches out to encompass more radical works of cinema in April 2024, led by Mathieu Kassovitz's completely unsettling La Haine (1995); the seminal Werckmeister Harmonies (2000), described by Criterion as "a hypnotic parable of societal collapse from auteur Béla Tarr and codirector-editor Ágnes Hranitzky;" the remarkable I Am Cuba (1964) from director Mikhail Kalatozov; Nancy Savoca's under-appreciated Dogfight, starring Lili Taylor and River Phoenix; and Peter Weir's dreamy and mysterious Picnic at Hanging Rock (1975), available in 4K. La Haine, Werckmeister Harmonies, and I Am Cuba are also being issued in 4K, so it's a splendid time for world cinema fans to dust off their wallets and indulge. (I say that knowing that April 15 is also looming as an important date...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 1/16/2024
- Screen Anarchy
The episode of Best Horror Movie You Never Saw covering Gothika was Written and Edited by Paul Bookstaber, Narrated by Kier Gomes, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.
Back in the late 90’s, early 2000s the horror genre was in that weird phase of encapsulating what it truly wanted to be. Hot off the heels of Scream, horror movies focused much more on the teenage angst, and lifestyle. But there comes a time when some hidden gems make their way to the silver screen that branch off the beaten path with a more adult-themed tale, drenched in psychological/mental horror. What if one day you’re living your average life, working your 9-5, and suddenly black, out only to wake up, institutionalized and accused of committing a crime you can’t seem to remember doing? In 2003, director Mathieu Kassovitz gave us a True...
Back in the late 90’s, early 2000s the horror genre was in that weird phase of encapsulating what it truly wanted to be. Hot off the heels of Scream, horror movies focused much more on the teenage angst, and lifestyle. But there comes a time when some hidden gems make their way to the silver screen that branch off the beaten path with a more adult-themed tale, drenched in psychological/mental horror. What if one day you’re living your average life, working your 9-5, and suddenly black, out only to wake up, institutionalized and accused of committing a crime you can’t seem to remember doing? In 2003, director Mathieu Kassovitz gave us a True...
- 1/2/2024
- by Cody Hamman
- JoBlo.com
We made it to 2024! Or, rather, we've almost made it at the time of writing. It's been a long year wherein a historical dual strike that was prompted (and then unnecessarily prolonged) by studio greed brought the film and TV industry to a grinding halt for months. But all that's behind us now, and it's time for a fresh start. Even Netflix is turning over a new leaf by making viewership data available for just about every title on the platform. Well, sort of. It's still Netflix, so, of course, its newfound transparency comes with an asterisk or two.
Staying on the positive beat, things aren't slowing down on the Netflix front in January. In fact, after a 12-month period that saw the streamer releasing a veritable treasure trove of notable animated features, international films, and star-studded projects (be sure and peruse through the /Film team's ranking of the 12 best...
Staying on the positive beat, things aren't slowing down on the Netflix front in January. In fact, after a 12-month period that saw the streamer releasing a veritable treasure trove of notable animated features, international films, and star-studded projects (be sure and peruse through the /Film team's ranking of the 12 best...
- 12/16/2023
- by Sandy Schaefer
- Slash Film
For years now, Daniel Kaluuya has been an incredible screen presence – bringing his considerable acting talent to the likes of :a[Get Out]{href='https://www.empireonline.com/movies/reviews/get-2-review/' target='_blank' rel='noreferrer noopener'}, :a[Nope]{href='https://www.empireonline.com/movies/reviews/nope/' target='_blank' rel='noreferrer noopener'}, :a[Widows]{href='https://www.empireonline.com/movies/reviews/widows-review/' target='_blank' rel='noreferrer noopener'}, :a[Queen & Slim]{href='https://www.empireonline.com/movies/reviews/queen-slim/' target='_blank' rel='noreferrer noopener'}, and :a[Judas And The Black Messiah]{href='https://www.empireonline.com/movies/reviews/judas-and-the-black-messiah/' target='_blank' rel='noreferrer noopener'}. Oh, and a certain seismic behemoth by the name of :a[Black Panther]{href='https://www.empireonline.com/movies/reviews/black-panther-review-2/' target='_blank' rel='noreferrer noopener'}. Next up, he’s moving behind the camera, making his directorial debut – alongside co-director Kibwe Tavares – with The Kitchen.
- 11/23/2023
- by Ben Travis
- Empire - Movies
Sibling rivalries are as ancient as Cain and Abel. Cinema has seen so many stories where two brothers go against each other, where one is supposedly the bad brother and the other is the good. Recently, there has been a spin on this good vs. bad narrative. What if both brothers are bad and they go against each other? Budak Flat is essentially the story of two brothers, but the main character is the building where the two brothers live, hence the title Budak Flat. The film has allegedly been co-directed by four directors, but there is a unity to the jumpy nature of the film, and it doesn’t feel like multiple visions have tried to jumble up the film. The fidgety camera work, evoking the magic from the film La Haine, helps tell this bloody story in a gripping manner.
Spoilers Ahead
Plot Synopsis: What Happens In The Film?...
Spoilers Ahead
Plot Synopsis: What Happens In The Film?...
- 11/16/2023
- by Ayush Awasthi
- Film Fugitives
Exclusive: Mathieu Kassovitz has quit the Paris Has Fallen television series citing creative differences. He has been replaced by Spiral actor Tewfik Jallab.
Deadline can reveal the casting switch as StudioCanal has released first-look images from the series, which is based on Gerard Butler‘s Has Fallen film franchise and is shooting in London and Paris.
The eight-part drama is made by StudioCanal, War of the Worlds producer Urban Myth Films, and two companies behind the film franchise: Millennium Media and Butler’s G-Base. Eclectic Pictures is also attached.
Kassovitz, best known for his 1995 film La Haine, is recovering from a motorbike accident last month, though his departure from Paris Has Fallen was for creative reasons. In his place, Jallab will play Vincent Taleb, a protection officer to a French Minister, who is the target of a terror group led by villain Jacob.
Vincent works with MI6 operative Zara (Ritu Arya...
Deadline can reveal the casting switch as StudioCanal has released first-look images from the series, which is based on Gerard Butler‘s Has Fallen film franchise and is shooting in London and Paris.
The eight-part drama is made by StudioCanal, War of the Worlds producer Urban Myth Films, and two companies behind the film franchise: Millennium Media and Butler’s G-Base. Eclectic Pictures is also attached.
Kassovitz, best known for his 1995 film La Haine, is recovering from a motorbike accident last month, though his departure from Paris Has Fallen was for creative reasons. In his place, Jallab will play Vincent Taleb, a protection officer to a French Minister, who is the target of a terror group led by villain Jacob.
Vincent works with MI6 operative Zara (Ritu Arya...
- 10/13/2023
- by Jake Kanter
- Deadline Film + TV
Nora El Hourch’s Fiery Sisterhood is La Haine for the #MeToo Generation
Arriving like a molotov cocktail thrown through a plate glass window — or more accurately, like a hashtag gone viral — Nora El Hourch makes an unforgettable first impression with her fiery feature debut Sisterhood. Where La Haine became a cinematic, mid-90s touchstone with its gritty, unblinking depiction of France’s racial tensions, El Hourch’s picture may do the same for this generation as they take hold of the next wave of feminism and the #MeToo movement and pull it into the future.
The much better, and more provocative French title, Hlm Pussy, gives a better sense of the context of the picture’s electric charge.…...
Arriving like a molotov cocktail thrown through a plate glass window — or more accurately, like a hashtag gone viral — Nora El Hourch makes an unforgettable first impression with her fiery feature debut Sisterhood. Where La Haine became a cinematic, mid-90s touchstone with its gritty, unblinking depiction of France’s racial tensions, El Hourch’s picture may do the same for this generation as they take hold of the next wave of feminism and the #MeToo movement and pull it into the future.
The much better, and more provocative French title, Hlm Pussy, gives a better sense of the context of the picture’s electric charge.…...
- 9/11/2023
- by Kevin Jagernauth
- IONCINEMA.com
French filmmaker Ladj Ly has returned to his home turf of Paris with Les Indésirables, a searing portrait of police violence and political injustice in angry suburbs that has a world premiere at the Toronto Film Festival this week.
On Saturday, Ly told a TIFF panel that little has changed for the better for the marginalized communities depicted in his follow-up to Les Misérables, which earned the Jury Prize in Cannes. “There’s absolutely no political volition to make anything better,” Ly said during an informal conversation with The Hollywood Reporter‘s Scott Roxborough, which was presented as part of the Visionaries series.
“The problems that touched the suburbs have now extended to the rest of France,” Ly added, as he pointed to the police crackdown of Yellow Vests protests countrywide against economic injustice, which included grassroots protests earlier this year against pension reforms.
“The police have a free pass to kill Blacks and Arabs,...
On Saturday, Ly told a TIFF panel that little has changed for the better for the marginalized communities depicted in his follow-up to Les Misérables, which earned the Jury Prize in Cannes. “There’s absolutely no political volition to make anything better,” Ly said during an informal conversation with The Hollywood Reporter‘s Scott Roxborough, which was presented as part of the Visionaries series.
“The problems that touched the suburbs have now extended to the rest of France,” Ly added, as he pointed to the police crackdown of Yellow Vests protests countrywide against economic injustice, which included grassroots protests earlier this year against pension reforms.
“The police have a free pass to kill Blacks and Arabs,...
- 9/10/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
French actor and director Mathieu Kassovitz is “worrying” condition after a motorcycle accident in Paris yesterday. Kassovitz, 56, was preparing for a role in an upcoming film when he was “very seriously injured,” according to French media.
The actor was taken to a hospital in Kremlin-Bicêtre, according to authorities in Essonne. His injuries include head trauma and a fractured pelvis. Le Parisien reported that Kassovitz was on a motorcycle training course, and that one of his daughters was on a motorcycle behind him with an instructor and witnessed the accident.
Kassovitz...
The actor was taken to a hospital in Kremlin-Bicêtre, according to authorities in Essonne. His injuries include head trauma and a fractured pelvis. Le Parisien reported that Kassovitz was on a motorcycle training course, and that one of his daughters was on a motorcycle behind him with an instructor and witnessed the accident.
Kassovitz...
- 9/4/2023
- by Emily Zemler
- Rollingstone.com
Actor famous for Amélie, The Bureau and La Haine, which he also wrote and directed, reportedly in a ‘worrying’ condition
The French actor and director Mathieu Kassovitz is in a “worrying” condition after a motorbike accident in greater Paris on Sunday, authorities say.
The 56-year-old, who is best known for his 1995 film La Haine and his role in the 2001 film Amélie, was on a motorcycle training course at the time, a police source told Agence France-Presse.
The French actor and director Mathieu Kassovitz is in a “worrying” condition after a motorbike accident in greater Paris on Sunday, authorities say.
The 56-year-old, who is best known for his 1995 film La Haine and his role in the 2001 film Amélie, was on a motorcycle training course at the time, a police source told Agence France-Presse.
- 9/4/2023
- by Angelique Chrisafis in Paris and Agence France-Presse
- The Guardian - Film News
Actor and director Mathieu Kassovitz has been in a serious motorcycle accident, a representative for Kassovitz confirmed to The Hollywood Reporter.
The La Haine filmmaker was driving along the Autodrome de Montlhéry, a motor racing circuit south of Paris, French news channel CNews and international news agency Afp reported Sunday. Kassovitz’s condition is said to be “worrying.”
Kassovitz was transported to the Kremlin-Bicêtre hospital, a source told the news outlets, after doing a motorcycle course on the circuit, a police source told Afp.
The director originally broke out in the industry in 1995 with La Haine, a French film that follows three men in the 24 hours after a violent riot takes place on the outskirts of Paris. The project, which Kassovitz also stars in and wrote, is regarded as an influential story that portrays racism and police violence in France.
“La Haine” is a French phrase that translates to “Hatred...
The La Haine filmmaker was driving along the Autodrome de Montlhéry, a motor racing circuit south of Paris, French news channel CNews and international news agency Afp reported Sunday. Kassovitz’s condition is said to be “worrying.”
Kassovitz was transported to the Kremlin-Bicêtre hospital, a source told the news outlets, after doing a motorcycle course on the circuit, a police source told Afp.
The director originally broke out in the industry in 1995 with La Haine, a French film that follows three men in the 24 hours after a violent riot takes place on the outskirts of Paris. The project, which Kassovitz also stars in and wrote, is regarded as an influential story that portrays racism and police violence in France.
“La Haine” is a French phrase that translates to “Hatred...
- 9/3/2023
- by Christy Piña
- The Hollywood Reporter - Movie News
‘La Haine’ Director Mathieu Kassovitz Seriously Injured in Motorbike Accident – French Media Reports
French actor and director Mathieu Kassovitz has been seriously injured in a motorbike accident on the Montlhéry circuit outside Paris, according to French media reports.
French news channel Bfmtv said the actor had been taken to the Kremlin-Bicêtre hospital in Paris. It said that according to the actor’s entourage, his life was not in danger.
Kassovitz broke out at home and internationally in 1995 for La Haine, which is still regarded as one of the seminal works tackling racism and police violence in France.
He won Best Director in Cannes in 1995 for the film, which also went on to win the French César for Best Film.
Other directorial credits include Crimson Rivers (2000) and Gothika (2003), starring Halle Berry and Penélope Cruz.
More recent credits have include episodes of the hit spy thriller series The Bureau, in which he also starred. His other notable acting credits include Amélie as well Birthday Girl,...
French news channel Bfmtv said the actor had been taken to the Kremlin-Bicêtre hospital in Paris. It said that according to the actor’s entourage, his life was not in danger.
Kassovitz broke out at home and internationally in 1995 for La Haine, which is still regarded as one of the seminal works tackling racism and police violence in France.
He won Best Director in Cannes in 1995 for the film, which also went on to win the French César for Best Film.
Other directorial credits include Crimson Rivers (2000) and Gothika (2003), starring Halle Berry and Penélope Cruz.
More recent credits have include episodes of the hit spy thriller series The Bureau, in which he also starred. His other notable acting credits include Amélie as well Birthday Girl,...
- 9/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
"It's not the same as coming in and being inspired." They got Nolan! Wow! Dive into movie geek heaven in this latest offering of the "Vidéo Club" series made by Konbini exploring an old video store in Paris with famous filmmakers. We've posted videos of Brad Pitt and Terry Gilliam and M. Night Shyamalan and Wes Anderson already in this classic video store. This time they got to bring in director Christopher Nolan to visit with his lead actor Cillian Murphy from Oppenheimer while they were in Paris on their promo tour (before the strike a few weeks ago). Nolan makes me want to watch Hitchcock's Foreign Correspondent (aka Correspondent 17 in French), The Hill starring Sean Connery, and Nagisa Ôshima's Merry Christmas Mr. Lawrence, and he also chats about how Fritz Lang's Dr. Mabuse had a big influence on his Joker. Murphy talks about working with Ken Loach,...
- 7/24/2023
- by Alex Billington
- firstshowing.net
Christopher Nolan is one of the most acclaimed and influential filmmakers of our time. His movies are known for their complex narratives, stunning visuals, and innovative use of sound and music. But what are the movies that inspire and influence him? In this article, we will explore some of the films that Nolan has recommended or praised in various interviews and podcasts. Whether you are a fan of his work or just curious about his cinematic tastes, this article will help you discover some great movies that you may not have seen before.
There Will Be Blood (2007) There will be Blood Source : Mubi
Directed by Paul Thomas Anderson, this epic drama tells the story of a ruthless oil tycoon (Daniel Day-Lewis) and his conflict with a charismatic preacher (Paul Dano) in early 20th century California. Nolan said that this is “an excellent film” and “Paul’s best”, referring to the director.
There Will Be Blood (2007) There will be Blood Source : Mubi
Directed by Paul Thomas Anderson, this epic drama tells the story of a ruthless oil tycoon (Daniel Day-Lewis) and his conflict with a charismatic preacher (Paul Dano) in early 20th century California. Nolan said that this is “an excellent film” and “Paul’s best”, referring to the director.
- 7/23/2023
- by amalprasadappu
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
Some have been forced to temporarily close as protests target private and commercial properties.
French exhibitors were forced to close some multiplexes around the country over the weekend as violent riots sparked by the fatal shooting of a 17-year old boy by a police officer in Nanterre on June 27, saw commercial properties and public buildings, including cinemas, set ablaze.
Ugc closed its multiplex cinemas in Paris suburbs Rosny and Créteil starting on Friday night and both Pathe and Ugc closed theatres over the weekend from 18.00 in some regions to after 21.00 in others.
In Cergy, a north-western suburb of Paris, rioters...
French exhibitors were forced to close some multiplexes around the country over the weekend as violent riots sparked by the fatal shooting of a 17-year old boy by a police officer in Nanterre on June 27, saw commercial properties and public buildings, including cinemas, set ablaze.
Ugc closed its multiplex cinemas in Paris suburbs Rosny and Créteil starting on Friday night and both Pathe and Ugc closed theatres over the weekend from 18.00 in some regions to after 21.00 in others.
In Cergy, a north-western suburb of Paris, rioters...
- 7/3/2023
- by Rebecca Leffler
- ScreenDaily
Exclusive: Here’s a splashy European project to end the week: Gerard Butler’s Has Fallen film franchise is getting the television treatment, with filming set to get underway at the end of the month.
Respected French filmmaker and actor Mathieu Kassovitz will lead the cast of Paris Has Fallen, which will be made by StudioCanal, War of the Worlds producer Urban Myth Films, and two companies behind the film franchise: Millennium Media and Butler’s G-Base. Eclectic Pictures is also attached.
Howard Overman, the creator of BAFTA-winning series Misfits, is writing Paris Has Fallen. Oded Ruskin is directing having previously worked on series including Hulu’s No Man’s Land. Shooting will commence on May 30 in London and Paris.
Paris Is Fallen is set up at Canal+ in France; Zdf in Germany; Canal+ International in Poland and Africa; and M7 in Romania, Hungary, Czech Republic, and Slovakia. StudioCanal is preparing...
Respected French filmmaker and actor Mathieu Kassovitz will lead the cast of Paris Has Fallen, which will be made by StudioCanal, War of the Worlds producer Urban Myth Films, and two companies behind the film franchise: Millennium Media and Butler’s G-Base. Eclectic Pictures is also attached.
Howard Overman, the creator of BAFTA-winning series Misfits, is writing Paris Has Fallen. Oded Ruskin is directing having previously worked on series including Hulu’s No Man’s Land. Shooting will commence on May 30 in London and Paris.
Paris Is Fallen is set up at Canal+ in France; Zdf in Germany; Canal+ International in Poland and Africa; and M7 in Romania, Hungary, Czech Republic, and Slovakia. StudioCanal is preparing...
- 5/12/2023
- by Jake Kanter
- Deadline Film + TV
Exclusive: Filming is to begin on May 8 in Toronto on David Cronenberg’s next movie, The Shrouds, which will star Vincent Cassel (La Haine), Diane Kruger (Inglourious Basterds), and Guy Pearce (Memento).
Kruger has replaced Léa Seydoux on the project (as first noted by blog World Of Reel). Cassel, star of Cronenberg’s Eastern Promises and A Dangerous Method, has been aboard since the project was first revealed last summer.
French icon Cassel will play Karsh, an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art – though controversial cemetery allows him and his clients to watch their specific departed loved one decompose in real time. Karsh’s revolutionary business is on the verge of breaking into the international mainstream when several graves within his cemetery are vandalized and nearly destroyed, including that of his wife.
Kruger has replaced Léa Seydoux on the project (as first noted by blog World Of Reel). Cassel, star of Cronenberg’s Eastern Promises and A Dangerous Method, has been aboard since the project was first revealed last summer.
French icon Cassel will play Karsh, an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art – though controversial cemetery allows him and his clients to watch their specific departed loved one decompose in real time. Karsh’s revolutionary business is on the verge of breaking into the international mainstream when several graves within his cemetery are vandalized and nearly destroyed, including that of his wife.
- 3/30/2023
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Screen greats Samuel L. Jackson and Vincent Cassel have been set to lead cast in action thriller Damaged, about a Chicago detective who goes to Scotland after an emerging serial killer’s crimes match those that he investigated five years earlier, one of which was the crime scene of his murdered girlfriend.
Related Story Warner Bros. Wins Fevered Weekend Auction For T.J. Newman Novel ‘Drowning: The Rescue Of Flight 1421;’ Deal Reaches $1.5M Against $3M Related Story John David Washington Talks About His Connection To 'The Piano Lesson', Differences He Discovered Between Film And Theater, And His Upcoming Project With Gareth Edwards – The Deadline Q&a Related Story Samuel L. Jackson Weighs In On Quentin Tarantino's Anti-Marvel Comments
Supporting cast includes Kate Dickie (The Witch), Gianni Capaldi (A Day to Die) and John Hannah (The Mummy) with direction from Terry McDonagh, whose credits include episodes of Killing Eve,...
Related Story Warner Bros. Wins Fevered Weekend Auction For T.J. Newman Novel ‘Drowning: The Rescue Of Flight 1421;’ Deal Reaches $1.5M Against $3M Related Story John David Washington Talks About His Connection To 'The Piano Lesson', Differences He Discovered Between Film And Theater, And His Upcoming Project With Gareth Edwards – The Deadline Q&a Related Story Samuel L. Jackson Weighs In On Quentin Tarantino's Anti-Marvel Comments
Supporting cast includes Kate Dickie (The Witch), Gianni Capaldi (A Day to Die) and John Hannah (The Mummy) with direction from Terry McDonagh, whose credits include episodes of Killing Eve,...
- 3/27/2023
- by Andreas Wiseman
- Deadline Film + TV
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
Vincent Cassel, the chameleon of French cinema, is not one for analysing his characters. In fact, he hates the very idea. When we meet over video chat, he mentions Michel Simon, the “wonderful French actor from the Thirties and Forties” who starred in classics like Boudu Saved from Drowning and L’Atalante. “When suddenly coming across an actor that would discuss the character and talk, he would go, ‘Ah, another intelligent actor.’ And that wasn’t a compliment! Because you don’t have to be smart to be an actor. You have to be able to let yourself go.”
Now 56, the wiry, scruffily handsome Cassel has been doing exactly that for his entire career, ever since he shocked audiences as the combustible Vinz in 1995’s Parisian riots drama La Haine. Since then, he’s never been afraid of courting controversy, notably in Gaspar Noé’s still-shocking 2002 rape-revenge drama Irréversible, one of...
Now 56, the wiry, scruffily handsome Cassel has been doing exactly that for his entire career, ever since he shocked audiences as the combustible Vinz in 1995’s Parisian riots drama La Haine. Since then, he’s never been afraid of courting controversy, notably in Gaspar Noé’s still-shocking 2002 rape-revenge drama Irréversible, one of...
- 2/26/2023
- by James Mottram
- The Independent - TV
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/5/2023
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/4/2023
- by Jacob Stolworthy
- The Independent - Film
"Star Wars" has some of the coolest villains in blockbuster cinema, characters whose mere silhouettes instantly evoke strong emotions and memories. From Darth Vader's imposing armor to the Emperor's deathly force lightning, and from Jango Fett's jet pack to General Grievous' frightening four lightsabers, no two villains are the same.
Then there's Darth Maul, a character that engraved himself in the minds of fans from the moment he stepped onto the screen in 1999's "The Phantom Menace." A red, horned devil who not only moved faster and with more style than any "Star Wars" villain before him, Darth Maul brought about the concept of a dual-bladed lightsaber. (Grievous wouldn't show up until six years later.) On top of all that, Maul managed to fight two Jedi at the same time and kill one of them.
Even his death was as spectacular as the franchise had ever got. Anyone can...
Then there's Darth Maul, a character that engraved himself in the minds of fans from the moment he stepped onto the screen in 1999's "The Phantom Menace." A red, horned devil who not only moved faster and with more style than any "Star Wars" villain before him, Darth Maul brought about the concept of a dual-bladed lightsaber. (Grievous wouldn't show up until six years later.) On top of all that, Maul managed to fight two Jedi at the same time and kill one of them.
Even his death was as spectacular as the franchise had ever got. Anyone can...
- 1/27/2023
- by Rafael Motamayor
- Slash Film
Filmmaker Kenneth Karlstadt has conjured a chaotic coming of age story, “Kids In Crime,” for Norway’s TV2. The writer-director grew the project out from his well received short, “The Hunger,” into eight short episodes.
It’s a format hoped to attract younger audiences aged 16-22, who are surrounded by many alternative forms of entertainment through social media, games, and streamers. It is unclear how well this strategy worked, but the show proved to be one of 2022’s most successful shows for TV2, according to Brede Havland, producer for Einar Film Drama. It has also been nominated for the Nordisk Film & TV Fond Prize 2023.
An impactful new offering, “Kids In Crime” presents Karlstadt’s nose for rebellious but tight narratives and a set of teenage characters hoping to live with the volume turned high. Set in 2001, the show follows the three teenagers Tommy, Pål and Monica, played by newcomers Kristian Repshus,...
It’s a format hoped to attract younger audiences aged 16-22, who are surrounded by many alternative forms of entertainment through social media, games, and streamers. It is unclear how well this strategy worked, but the show proved to be one of 2022’s most successful shows for TV2, according to Brede Havland, producer for Einar Film Drama. It has also been nominated for the Nordisk Film & TV Fond Prize 2023.
An impactful new offering, “Kids In Crime” presents Karlstadt’s nose for rebellious but tight narratives and a set of teenage characters hoping to live with the volume turned high. Set in 2001, the show follows the three teenagers Tommy, Pål and Monica, played by newcomers Kristian Repshus,...
- 1/27/2023
- by Callum McLennan
- Variety Film + TV
Are streamers killing indie cinema, or could Netflix be a lifeline for ground-breaking filmmaking? There are solid arguments for both sides, but David Cronenberg firmly believes that streaming services are the future. He knows that streaming has changed the way we watch movies, for better or worse, and has chosen to embrace this change rather than reject it. In fact, the writer-director's upcoming film "The Shrouds" was originally written as a Netflix series.
"The Shrouds" is set to star Vincent Cassel alongside Léa Seydoux. Seydoux starred in Cronenberg's 2022 film "Crimes of the Future" and has appeared in Bond movies and Wes Anderson movies alike. Cassel had his breakout role in the contemporary cult classic "La Haine" and has gone on to star in "Ocean's 12" and "Black Swan." He also collaborated with Cronenberg on "Eastern Promises" and "A Dangerous Method."
Cassel will star as a businessman who invents a device...
"The Shrouds" is set to star Vincent Cassel alongside Léa Seydoux. Seydoux starred in Cronenberg's 2022 film "Crimes of the Future" and has appeared in Bond movies and Wes Anderson movies alike. Cassel had his breakout role in the contemporary cult classic "La Haine" and has gone on to star in "Ocean's 12" and "Black Swan." He also collaborated with Cronenberg on "Eastern Promises" and "A Dangerous Method."
Cassel will star as a businessman who invents a device...
- 1/15/2023
- by Shae Sennett
- Slash Film
Netflix has acquired the global rights outside of Norway to the hard-hitting Norwegian crime series “Gangs of Oslo” (“Blodsbrødre”), produced by Monday Scripted for Norway’s largest commercial broadcaster TV2, Variety has learned exclusively.
The six-part series is created and directed by Ole Endresen, co-writer of Netflix’s first Original series “Lilyhammer” and “Young Wallander.” Monday Productions’ CEO Lasse Hallberg who served as executive producer with Steven van Zandt on “Lilyhammer,” holds a similar role on “Gangs of Oslo,” produced by Cecilie Tiderman. Sajid Malik is co-producing.
TV2 Norway’s head of drama Alice Sommer said that following the show’s premiere on the broadcaster’ own VOD service TV2 Play on Jan.19, and an exclusive six-month hold back period for the Nordic territory, “Gangs of Oslo” will also be available to Netflix customers in Norway. The U.S. streamer is set to premiere the show in the rest of the world in the coming months.
The six-part series is created and directed by Ole Endresen, co-writer of Netflix’s first Original series “Lilyhammer” and “Young Wallander.” Monday Productions’ CEO Lasse Hallberg who served as executive producer with Steven van Zandt on “Lilyhammer,” holds a similar role on “Gangs of Oslo,” produced by Cecilie Tiderman. Sajid Malik is co-producing.
TV2 Norway’s head of drama Alice Sommer said that following the show’s premiere on the broadcaster’ own VOD service TV2 Play on Jan.19, and an exclusive six-month hold back period for the Nordic territory, “Gangs of Oslo” will also be available to Netflix customers in Norway. The U.S. streamer is set to premiere the show in the rest of the world in the coming months.
- 1/9/2023
- by Annika Pham
- Variety Film + TV
The special three-episode second season of Max Original I Hate Suzie Too debuts Thursday, December 22 on HBO Max. Called a “masterclass” by Vanity Fair and a “vital” narrative by Rolling Stone, the first season of the British dramedy is currently available to stream on HBO Max.
Synopsis: Child star turned actress Suzie Pickles (Billie Piper) has a new agent, new PR and a new job – dancing for likes on “Dance Crazee,” a reality TV competition that has the Saturday night audience hooked. Having lost everyone that matters to her, Suzie returns to her first love – the public. Battling ex-husband Cob (Daniel Ings) with the help of best friend Naomi (Leila Farzad), Suzie must try to keep life as stable as possible for her young son Frank (Matthew Jordan-Caws), all whilst staying on ‘Dance Crazee’ long enough to finance her new role as single mom and ex-wife. In this three-part anti-Christmas Christmas special,...
Synopsis: Child star turned actress Suzie Pickles (Billie Piper) has a new agent, new PR and a new job – dancing for likes on “Dance Crazee,” a reality TV competition that has the Saturday night audience hooked. Having lost everyone that matters to her, Suzie returns to her first love – the public. Battling ex-husband Cob (Daniel Ings) with the help of best friend Naomi (Leila Farzad), Suzie must try to keep life as stable as possible for her young son Frank (Matthew Jordan-Caws), all whilst staying on ‘Dance Crazee’ long enough to finance her new role as single mom and ex-wife. In this three-part anti-Christmas Christmas special,...
- 12/6/2022
- by Martin Cid Magazine
- Martin Cid - TV
“He is so, so talented,” gushes director Adil El Arbi when speaking to Variety about Brendan Fraser. The actor played villain Firefly in the now discarded Warner Bros. Discovery film “Batgirl,” directed by El Arbi in collaboration with his long-time partner, Bilall Fallah. “The way he played that character… It was one of the most memorable villains, so we’ll see. Maybe when he wins his Oscar they’ll want to show the movie,” concluded Adil, referring to Fraser’s Oscar buzz for Darren Aronofsky’s “The Whale.”
“[Fraser] is the nicest guy I’ve ever met in my life,” agrees Bilall, who fondly remembers the seven months of shooting “Batgirl” in Glasgow, Scotland. “I never had an experience like that, the whole city was working with us to make it possible. I hope we can get back.”
“We might have it somewhere,” Adil says of the footage. Back in August,...
“[Fraser] is the nicest guy I’ve ever met in my life,” agrees Bilall, who fondly remembers the seven months of shooting “Batgirl” in Glasgow, Scotland. “I never had an experience like that, the whole city was working with us to make it possible. I hope we can get back.”
“We might have it somewhere,” Adil says of the footage. Back in August,...
- 12/5/2022
- by Rafa Sales Ross
- Variety Film + TV
Dec. 02, 2022 — Multi-talented lo-fi producer, singer and songwriter Powfu has released his debut full-length project via Columbia Records today – surrounded by hounds and serpents. The 9-song collection is highlighted by new single “shade of blue”, which has arrived alongside an official video that was shot and directed by Aze Avora. The blue-hued video follows Powfu and labelmate Rxseboy through a series of trippy, space-like environments as they perform the moody guitar-driven track.
“This is the biggest project I’ve ever released and I’m really proud of all the months of work that went into it,” says Powfu. “I wanted everything to be as authentic as possible from the music to the videos, so I shot and edited 6 of the visuals myself. I really tried to push myself creatively and stretch into multiple genres so that every song has a different feel and there’s a little something for everyone.”
Also...
“This is the biggest project I’ve ever released and I’m really proud of all the months of work that went into it,” says Powfu. “I wanted everything to be as authentic as possible from the music to the videos, so I shot and edited 6 of the visuals myself. I really tried to push myself creatively and stretch into multiple genres so that every song has a different feel and there’s a little something for everyone.”
Also...
- 12/3/2022
- by Music Martin Cid Magazine
- Martin Cid Music
During an explosive, expletive-filled masterclass at Cairo Film Festival, French director and actor Mathieu Kassovitz covered everything from directing “La Haine” to working with Vin Diesel on “Babylon A.D.”
Talking about the making of “Babylon A.D.,” he said: “Go on YouTube and search for ‘Fucking Kassovitz.’ Once we realized the crazy situation we were in, we made a documentary about it. If something is important to you, don’t do it unless you have the right partners. Because if you don’t, they will fuck you up.”
Making “Gothika” wasn’t much easier.
“Joel Silver came to Paris and saw [Kassovitz’ film] ‘The Crimson Rivers’ on the plane on his way in. He said: ‘Listen, I have Halle Berry, we are ready to shoot in a month and a half.’ You have no say about the script, you have no say about the cast and you have to fit in.
Talking about the making of “Babylon A.D.,” he said: “Go on YouTube and search for ‘Fucking Kassovitz.’ Once we realized the crazy situation we were in, we made a documentary about it. If something is important to you, don’t do it unless you have the right partners. Because if you don’t, they will fuck you up.”
Making “Gothika” wasn’t much easier.
“Joel Silver came to Paris and saw [Kassovitz’ film] ‘The Crimson Rivers’ on the plane on his way in. He said: ‘Listen, I have Halle Berry, we are ready to shoot in a month and a half.’ You have no say about the script, you have no say about the cast and you have to fit in.
- 11/22/2022
- by Marta Balaga
- Variety Film + TV
Local audiences at Cairo Film Festival fell for Nicolas Giraud’s “The Astronaut,” applauding several times during its world premiere on Saturday, even though critics were less enthused. But it wasn’t the only sound that accompanied the screening, frequently interrupted by a cacophony of ringtones.
“What we shared here today was this unique experience of watching a film in a theater, together, an experience we need to protect as it’s endangered all over the world. But what I would like to say to you, people from Egypt…,” started actor Hippolyte Girardot.
“…Turn off your phones in the cinema! Goddamnit!,” added Mathieu Kassovitz during a Q&a that followed, eliciting a hearty laughter from the room.
“The Astronaut”
The film – produced by Christophe Rossignon and Philip Boëffard (Nord-Ouest Films) with Orange Studio handling the sales and Diaphana Distribution on board – is competing in Cairo’s international competition, with its...
“What we shared here today was this unique experience of watching a film in a theater, together, an experience we need to protect as it’s endangered all over the world. But what I would like to say to you, people from Egypt…,” started actor Hippolyte Girardot.
“…Turn off your phones in the cinema! Goddamnit!,” added Mathieu Kassovitz during a Q&a that followed, eliciting a hearty laughter from the room.
“The Astronaut”
The film – produced by Christophe Rossignon and Philip Boëffard (Nord-Ouest Films) with Orange Studio handling the sales and Diaphana Distribution on board – is competing in Cairo’s international competition, with its...
- 11/20/2022
- by Marta Balaga
- Variety Film + TV
Moroccan-born French director Yasmine Benkiran, whose feature debut “Queens” opened at Venice and is playing at the Marrakech Film Festival, is now developing two ambitious features.
“Queens,” which was developed at the Atlas Workshops, the industry sidebar running alongside the Marrakech Film Festival, is a rare Moroccan film weaving adventure and genre with strong female protagonists.
Benkiran is set to continue exploring complex female characters which her upcoming projects, including a spy movie titled “Elles ont brillé sur le Nil” (“They Shined on the Nile”). The project, which has received support from the Ile de France region, is set in 1950’s Cairo, Egypt. The story revolves around Zeyna, a makeup artist who is investigating the mysterious death of Amal El Abrach, a famous Syrian-born actress known as Asmahan.
“Asmahan was an amazing actress and singer whose fame was compared with that of Marilyn Monroe and she also died in tragic circumstances,...
“Queens,” which was developed at the Atlas Workshops, the industry sidebar running alongside the Marrakech Film Festival, is a rare Moroccan film weaving adventure and genre with strong female protagonists.
Benkiran is set to continue exploring complex female characters which her upcoming projects, including a spy movie titled “Elles ont brillé sur le Nil” (“They Shined on the Nile”). The project, which has received support from the Ile de France region, is set in 1950’s Cairo, Egypt. The story revolves around Zeyna, a makeup artist who is investigating the mysterious death of Amal El Abrach, a famous Syrian-born actress known as Asmahan.
“Asmahan was an amazing actress and singer whose fame was compared with that of Marilyn Monroe and she also died in tragic circumstances,...
- 11/19/2022
- by Elsa Keslassy
- Variety Film + TV
Playbill, the monthly magazine that serves as official programs for Broadway, most of Off Broadway and other arts institutes, is signing off Twitter for good, citing the platform’s “greatly expanded” tolerance for “hate, negativity, and misinformation.”
“As a respected news outlet for the Broadway community, we feel we can no longer continue to utilize a platform where the line between actual news and insidious rhetoric has become blurred beyond recognition,” the company said today in a statement.
The announcement was made today by Philip S. Birsh, Playbill Chairman and CEO, and Chief Operating Officer Alex Birsh, in a final tweet to its more than than 412,000 followers.
The exit marks a significant blow to what’s commonly known as Theater Twitter, the posters and commenters who relish all things Broadway from official news to backstage gossip. Though Playbill traditionally stayed away from the latter, its presence on the platform has...
“As a respected news outlet for the Broadway community, we feel we can no longer continue to utilize a platform where the line between actual news and insidious rhetoric has become blurred beyond recognition,” the company said today in a statement.
The announcement was made today by Philip S. Birsh, Playbill Chairman and CEO, and Chief Operating Officer Alex Birsh, in a final tweet to its more than than 412,000 followers.
The exit marks a significant blow to what’s commonly known as Theater Twitter, the posters and commenters who relish all things Broadway from official news to backstage gossip. Though Playbill traditionally stayed away from the latter, its presence on the platform has...
- 11/11/2022
- by Greg Evans
- Deadline Film + TV
A Labour MP who was the target of a far-right murder plot depicted in Jeff Pope’s Stephen Graham-starring ITV drama The Walk-In has lambasted the broadcaster for its “stupid, stupid, stupid series.”
Speaking in the UK’s House of Commons yesterday, Rosie Cooper said she has had death threats since the series was broadcast and claimed she had been used as a “marketing tool” by ITV.
ITV Studios’ The Walk-In, which ended earlier this week and was watched by millions of viewers, starred Graham as Hope not Hate activist Matthew Collins, who infiltrated a far-right gang and got a tip-off in 2017 about a threat to Cooper which led to the arrest and imprisonment of a neo-Nazi who had bought a machete to kill the West Lancashire MP.
Cooper said she was “appalled” at her treatment by ITV.
“What excuse is there for a press release that says,...
Speaking in the UK’s House of Commons yesterday, Rosie Cooper said she has had death threats since the series was broadcast and claimed she had been used as a “marketing tool” by ITV.
ITV Studios’ The Walk-In, which ended earlier this week and was watched by millions of viewers, starred Graham as Hope not Hate activist Matthew Collins, who infiltrated a far-right gang and got a tip-off in 2017 about a threat to Cooper which led to the arrest and imprisonment of a neo-Nazi who had bought a machete to kill the West Lancashire MP.
Cooper said she was “appalled” at her treatment by ITV.
“What excuse is there for a press release that says,...
- 11/3/2022
- by Max Goldbart
- Deadline Film + TV
Don Lemon defended CNN CEO Chris Licht on Wednesday from “unfair” criticisms for making changes at the network, including shaking up the primetime lineup and making major personnel decisions.
“I really like Chris,” the CNN host told Semafor. “When I read stories about what’s happening at CNN and about Chris and what he’s doing, I think it’s unfair. I think people should give him a chance. Everyone has a new vision when they come in as a new boss. Let’s see what his vision is and how it plays out.”
Lemon’s comments come a month after the news that the host would shift his primetime gig, “Tonight with Don Lemon,” to host a new morning show titled “CNN This Morning” alongside Kaitlan Collins and Poppy Harlow. Licht also made waves when he canceled Brian Stelter’s “Reliable Sources” and through his stated attempts to tone...
“I really like Chris,” the CNN host told Semafor. “When I read stories about what’s happening at CNN and about Chris and what he’s doing, I think it’s unfair. I think people should give him a chance. Everyone has a new vision when they come in as a new boss. Let’s see what his vision is and how it plays out.”
Lemon’s comments come a month after the news that the host would shift his primetime gig, “Tonight with Don Lemon,” to host a new morning show titled “CNN This Morning” alongside Kaitlan Collins and Poppy Harlow. Licht also made waves when he canceled Brian Stelter’s “Reliable Sources” and through his stated attempts to tone...
- 10/19/2022
- by Loree Seitz
- The Wrap
Singer and songwriter Nya recently released one of her most personal songs ever, titled “Mother’s Daughter.”
Nya recently sat down for a conversation with uInterview founder Erik Meers to discuss the new release and the inspiration behind it.
“I tried to write a song about this topic for the past six to eight years and I always scrapped it and never put it out because it felt like it was too raw or too personal, and I couldn’t capture the feeling I wanted to capture with it,” Nya revealed. “‘Mother’s Daughter’ was the first version of this song that I actually released. It’s about my relationship with my mother and growing up around mental illness. It’s a very complex dynamic. I think sometimes what happens as you’re an adult if you’re in a situation that’s not quite right, you have this feeling...
Nya recently sat down for a conversation with uInterview founder Erik Meers to discuss the new release and the inspiration behind it.
“I tried to write a song about this topic for the past six to eight years and I always scrapped it and never put it out because it felt like it was too raw or too personal, and I couldn’t capture the feeling I wanted to capture with it,” Nya revealed. “‘Mother’s Daughter’ was the first version of this song that I actually released. It’s about my relationship with my mother and growing up around mental illness. It’s a very complex dynamic. I think sometimes what happens as you’re an adult if you’re in a situation that’s not quite right, you have this feeling...
- 10/13/2022
- by Rose Carter
- Uinterview
"Werewolf By Night" has arrived on Disney+ just in time for the spooky season and luckily, it rules/ The Marvel special stars Gael Garcia Bernal as Jack Russell, a man who transforms into the titular beast under the light of the full moon. Other notable Marvel characters appearing in the special are Elsa Bloodstone (Laura Donnelly) and Ted Sallis (Carey Jones), aka Man-Thing — who looks amazing by the way. The special is a bold swing for the Marvel Cinematic Universe, something that has felt increasingly rare as of late, and director/composer Michael Giacchino has brought this formerly unexplored corner of Marvel Comics to brilliant life.
Comics got increasingly weird throughout the '50s and '60s as creators struggled to work around the harsh restrictions imposed by the Comics Code Authority — seriously, some of those stories are wild! By the '70s, the Cca had relaxed a bit and...
Comics got increasingly weird throughout the '50s and '60s as creators struggled to work around the harsh restrictions imposed by the Comics Code Authority — seriously, some of those stories are wild! By the '70s, the Cca had relaxed a bit and...
- 10/10/2022
- by Jamie Gerber
- Slash Film
The leaves are withering, the air is turning crisp, and film festival season is well underway — which means even more foreign-language movies to receive raves on the fall awards circuit before getting promptly buried on a streamer. But don't let that happen to "Athena," a staggering French drama that is in danger of falling into the Netflix abyss, crowded out by your "Gray Men" or "Kissing Booth's." Or check out one of last year's forgotten festival darlings in Céline Sciamma's "Petite Maman." And because spooky season is now here, we have a horror anime classic making their streaming debuts, alongside a cyberpunk anime classic. Plus, "Little Women," but make it crime?
Let's fire up those subtitles and get streaming.
Athena – Netflix
Country: France
Genre: Action drama
Director: Romain Gavras
Cast: Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti.
"Athena" is a Molotov cocktail of a movie: incendiary,...
Let's fire up those subtitles and get streaming.
Athena – Netflix
Country: France
Genre: Action drama
Director: Romain Gavras
Cast: Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti.
"Athena" is a Molotov cocktail of a movie: incendiary,...
- 9/27/2022
- by Hoai-Tran Bui
- Slash Film
Venice film festival: A staggeringly good opening set piece is the high point of Romain Gavras’s gritty thriller about police racism
Romain Gavras’s new drama-thriller is about racism, violence and injustice in the Paris banlieues – broadly in the tradition of Mathieu Kassovitz’s La Haine and Ladj Ly’s Les Misérables. It’s spectacular and immersive, with a sensational opening. But it gets bogged down in its own one-note, one-tempo uproar and open-ended parkour camerawork – impressive though that is – and suffers from a number of sneaky false-flag get-out clauses that feel like a cop-out.
It tells the story of four brothers of Algerian origin in the same tough Athena housing estate. Idir has just been killed by a bunch of cops – or guys in cop uniforms – for daring to talk back, an atrocity captured on a viral video. Abdel (Dali Benssalah) is a decorated army hero, Moktar (Ouassini Embarek...
Romain Gavras’s new drama-thriller is about racism, violence and injustice in the Paris banlieues – broadly in the tradition of Mathieu Kassovitz’s La Haine and Ladj Ly’s Les Misérables. It’s spectacular and immersive, with a sensational opening. But it gets bogged down in its own one-note, one-tempo uproar and open-ended parkour camerawork – impressive though that is – and suffers from a number of sneaky false-flag get-out clauses that feel like a cop-out.
It tells the story of four brothers of Algerian origin in the same tough Athena housing estate. Idir has just been killed by a bunch of cops – or guys in cop uniforms – for daring to talk back, an atrocity captured on a viral video. Abdel (Dali Benssalah) is a decorated army hero, Moktar (Ouassini Embarek...
- 9/2/2022
- by Peter Bradshaw
- The Guardian - Film News
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With his incendiary 2019 debut feature, Les Misérables, director Ladj Ly brought the urban unrest, the police brutality and the festering social and racial inequality of the Paris banlieue drama La Haine hurtling into the 21st century, its belly aflame with righteous anger and indignation. Ly serves as a writer and producer on Romain Gavras’ Athena, which is both a companion piece to those films and a thundering amplification of their themes. Where the earlier works built to stunning crescendos of violence, Athena is a live grenade, beginning in full ignition mode and dialing up its intensity throughout with virtuoso technique.
That latter factor will surprise no one familiar with the output of Gavras, son of renowned Greek director Costa-Gavras, who made a mark with his dynamic music videos for artists including Kanye West, Jay-Z and M.I.A. His third feature is a...
With his incendiary 2019 debut feature, Les Misérables, director Ladj Ly brought the urban unrest, the police brutality and the festering social and racial inequality of the Paris banlieue drama La Haine hurtling into the 21st century, its belly aflame with righteous anger and indignation. Ly serves as a writer and producer on Romain Gavras’ Athena, which is both a companion piece to those films and a thundering amplification of their themes. Where the earlier works built to stunning crescendos of violence, Athena is a live grenade, beginning in full ignition mode and dialing up its intensity throughout with virtuoso technique.
That latter factor will surprise no one familiar with the output of Gavras, son of renowned Greek director Costa-Gavras, who made a mark with his dynamic music videos for artists including Kanye West, Jay-Z and M.I.A. His third feature is a...
- 9/2/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Gregoire Melin’s Kinology, the banner behind “Annette,” has boarded “Queens,” Yasmine Benkiran’s feature debut, which will make its world premiere at the Venice Film Festival.
The uplifting Moroccan movie will unspool on closing night of Critics Week. Kinology represents the film in international markets.
The sprawling, colorful adventure film opens in Casablanca, where a trio of rebellious female outlaws – a mother, her daughter and a young girl – drive through the Atlas desert to reach the Atlantic coast with local police forces on their trail.
Benkiran said her film “celebrates freedom and the power of imagination,” as well as conveying the need for women to free themselves from patriarchal traditions in contemporary Moroccan society.
The up-and-coming French-Moroccan director said she aspired to make a film with depth that blended genre with local mythology to tell this story.
Benkiran said she grew up in Morocco, where she would only get...
The uplifting Moroccan movie will unspool on closing night of Critics Week. Kinology represents the film in international markets.
The sprawling, colorful adventure film opens in Casablanca, where a trio of rebellious female outlaws – a mother, her daughter and a young girl – drive through the Atlas desert to reach the Atlantic coast with local police forces on their trail.
Benkiran said her film “celebrates freedom and the power of imagination,” as well as conveying the need for women to free themselves from patriarchal traditions in contemporary Moroccan society.
The up-and-coming French-Moroccan director said she aspired to make a film with depth that blended genre with local mythology to tell this story.
Benkiran said she grew up in Morocco, where she would only get...
- 9/1/2022
- by Elsa Keslassy
- Variety Film + TV
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
Cat Power has officially released her rendition of the Rolling Stones’ “You Got the Silver,” which was previously only available as a bonus track on the Japanese version of her recent album, Covers.
Power’s take on the Keith Richards-led Let It Bleed tune feels at once indebted to the original, but not so much to prevent the singer-songwriter from making the song her own. There’s still a strong country vibe, but opposed to the Stone’s ramshackle take, Power leans in with a breezy sway, her vocals...
Power’s take on the Keith Richards-led Let It Bleed tune feels at once indebted to the original, but not so much to prevent the singer-songwriter from making the song her own. There’s still a strong country vibe, but opposed to the Stone’s ramshackle take, Power leans in with a breezy sway, her vocals...
- 5/31/2022
- by Jon Blistein
- Rollingstone.com
Exclusive: “Things have changed a little bit,” Omar Sy admits about life after Lupin. He laughs. “My parents do know what I do now.”
That’s how the actor and his family like it. Low key. The Frenchman’s move to LA a decade ago was in part driven by a desire for more anonymity. In his home country, Sy is a superstar. In America, picking his kids up from school didn’t need to be a drama. “It’s still different being in LA,” he says, despite his growing fame. “Even if things have changed a bit, there’s still less attention here than it might have been in France. The guy from Lupin is not a big deal in LA.”
In truth, “the guy from Lupin” is becoming a big deal all over the world. Sy was already an established comic in France when The Intouchables took the...
That’s how the actor and his family like it. Low key. The Frenchman’s move to LA a decade ago was in part driven by a desire for more anonymity. In his home country, Sy is a superstar. In America, picking his kids up from school didn’t need to be a drama. “It’s still different being in LA,” he says, despite his growing fame. “Even if things have changed a bit, there’s still less attention here than it might have been in France. The guy from Lupin is not a big deal in LA.”
In truth, “the guy from Lupin” is becoming a big deal all over the world. Sy was already an established comic in France when The Intouchables took the...
- 5/17/2022
- by Andreas Wiseman
- Deadline Film + TV
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