Colleagues and friends gathered today at the Motion Picture & Television Fund to celebrate the life of venerable Deadline labor reporter David Robb who died in December at age 74.
There were many stories, “Dave-isms” and great impersonations of the gravelly-voiced journalist in speeches from people who had worked with him or spent countless Friday poker nights together.
Robb’s passion for poker was front and center at the event, put together by Robb’s widow Kelly Robb, where the round tables were decorated as poker tables. They also were adorned with books from David Robb’s personal library for attendees to take home.
One of the “Dave-ism” coined at the Friday poker nights was literally called “The Dave,” which the gang called the nine in a deck of cards, with the hearts one called “The Dave of Love.
There were many stories, “Dave-isms” and great impersonations of the gravelly-voiced journalist in speeches from people who had worked with him or spent countless Friday poker nights together.
Robb’s passion for poker was front and center at the event, put together by Robb’s widow Kelly Robb, where the round tables were decorated as poker tables. They also were adorned with books from David Robb’s personal library for attendees to take home.
One of the “Dave-ism” coined at the Friday poker nights was literally called “The Dave,” which the gang called the nine in a deck of cards, with the hearts one called “The Dave of Love.
- 6/9/2024
- by Nellie Andreeva
- Deadline Film + TV
Jerry Herman’s musical “Hello, Dolly!” dominated the 18th Tony Awards which took place at the New York Hilton on May 24, 1964. “Hello, Dolly!” entered the ceremony with 11 nominations and walked out with ten awards including best musical, best actress for Carol Channing, original score for Herman and for Gower Champion’s choreography and direction.
Other musicals in contention for multiple awards that year were “High Spirits,” based on Noel Coward’s classic comedy “Blithe Spirit,” “Funny Girl,” which transformed Barbra Streisand into a Broadway superstar, and “110 in the Shade,” based on the straight play “The Rainmaker.”
Bert Lahr, best known as the Cowardly Lion in the 1939 classic “The Wizard of Oz,” won lead actor in a musical for “Foxy,” based on Ben Jonson’s “Volpone.” The musical was not a hit closed after 72 performances. Also nominated in the category was Bob Fosse for a short-lived revival of Rodgers and Hart’s “Pal Joey.
Other musicals in contention for multiple awards that year were “High Spirits,” based on Noel Coward’s classic comedy “Blithe Spirit,” “Funny Girl,” which transformed Barbra Streisand into a Broadway superstar, and “110 in the Shade,” based on the straight play “The Rainmaker.”
Bert Lahr, best known as the Cowardly Lion in the 1939 classic “The Wizard of Oz,” won lead actor in a musical for “Foxy,” based on Ben Jonson’s “Volpone.” The musical was not a hit closed after 72 performances. Also nominated in the category was Bob Fosse for a short-lived revival of Rodgers and Hart’s “Pal Joey.
- 5/15/2024
- by Susan King
- Gold Derby
In the fuselage of a C-47 transport plane, a group of high-ranking Nazis in uniforms stripped of their insignia are facing their captors. Among them, Hermann Göring strikes up a conversation with a U.S. military psychiatrist, Lt. Colonel Douglas Kelley. “Howie here tells me you do magic,” Göring says to Kelley. Kelley nods and shows him a quick coin trick. “Very good,” Göring responds. “But I am going to show you a real magic trick someday. I am going to escape the hangman’s noose.”
It is then that Robert Ley, the Nazi head of the German Labour Front, spots something out of the window. “Nürnberg,” he announces. As the rest of the group takes in the sight of the bombed city, their destination is clear. The Palace of Justice is one of the few buildings that remain standing. Their trial will soon begin.
It is an uncanny scene...
It is then that Robert Ley, the Nazi head of the German Labour Front, spots something out of the window. “Nürnberg,” he announces. As the rest of the group takes in the sight of the bombed city, their destination is clear. The Palace of Justice is one of the few buildings that remain standing. Their trial will soon begin.
It is an uncanny scene...
- 5/13/2024
- by Joe Utichi
- Deadline Film + TV
The terror in "The Twilight Zone" always comes from "What if?" What if there was a little boy with way too much power for anyone to tell him "no"? What if what you thought of as Heaven turned out to be more like Hell? What if man-eating aliens arrived and made humans as docile as lambs to the slaughter?
These questions may be outrageous fantasy, but the terror of them is timeless. We still watch "The Twilight Zone" decades later, and the best episodes can still leave you chilled -- all thanks to the imagination of series creator Rod Serling.
Serling is synonymous with "The Twilight Zone" even for casual viewers; one could call him TV's first auteur. His reputation was as much thanks to his on-camera work as his writing. Serling was the narrator of "The Twilight Zone," introducing and closing out each episode. (He got the job after...
These questions may be outrageous fantasy, but the terror of them is timeless. We still watch "The Twilight Zone" decades later, and the best episodes can still leave you chilled -- all thanks to the imagination of series creator Rod Serling.
Serling is synonymous with "The Twilight Zone" even for casual viewers; one could call him TV's first auteur. His reputation was as much thanks to his on-camera work as his writing. Serling was the narrator of "The Twilight Zone," introducing and closing out each episode. (He got the job after...
- 5/12/2024
- by Devin Meenan
- Slash Film
Fred Astaire was an Oscar-nominated song and dance man best remembered for a series of musicals he made alongside many female dancer, but especially Ginger Rogers. Yet his filmography extends well past those titles. Let’s take a look back at 20 of his greatest films, ranked worst to best.
As a dancer, Astaire was known for his perfectionism, doing multiple takes to get the most precise movements correct. His immaculate steps were matched only by his outfits, which often consisted of top hats and coats.
After making a name for himself on the stage in London and on Broadway, Astaire came to Hollywood. He first appeared with fellow dancer Rogers in “Flying Down to Rio” (1933), where they played second fiddle to Dolores del Rio and Gene Raymond. Their first starring vehicle came just one year later: “The Gay Divorcee” (1934).
Their subsequent films, including “Top Hat” (1935), “Follow the Fleet” (1936), “Swing Time...
As a dancer, Astaire was known for his perfectionism, doing multiple takes to get the most precise movements correct. His immaculate steps were matched only by his outfits, which often consisted of top hats and coats.
After making a name for himself on the stage in London and on Broadway, Astaire came to Hollywood. He first appeared with fellow dancer Rogers in “Flying Down to Rio” (1933), where they played second fiddle to Dolores del Rio and Gene Raymond. Their first starring vehicle came just one year later: “The Gay Divorcee” (1934).
Their subsequent films, including “Top Hat” (1935), “Follow the Fleet” (1936), “Swing Time...
- 5/4/2024
- by Zach Laws and Chris Beachum
- Gold Derby
For years various producers have pitched doing something like a zany It’s A Mad Mad Mad Mad World, only populated by an epic cast of contemporary comedy stars just like that Stanley Kramer supercomedy did during its time in 1963. So it is probably not a coincidence that Jerry Seinfeld selected that very year in which to set his live action filmmaking debut, Unfrosted, as a quadruple threat of star, director, co-writer, producer.
Placing it in Battle Creek, Michigan and taking the real life story of the rivalry of cereal kingpins Kellogg’s and Post in their race to create a revolutionary breakfast pastry, Seinfeld and his longtime writing partner Spike Feresten, along with their Bee Movie collaborators Andy Rubin & Barry Marder, have chosen to use some real life people, made up several others, salted it all with some basic truths, and basically let the laughs and comedy lead the way in the telling.
Placing it in Battle Creek, Michigan and taking the real life story of the rivalry of cereal kingpins Kellogg’s and Post in their race to create a revolutionary breakfast pastry, Seinfeld and his longtime writing partner Spike Feresten, along with their Bee Movie collaborators Andy Rubin & Barry Marder, have chosen to use some real life people, made up several others, salted it all with some basic truths, and basically let the laughs and comedy lead the way in the telling.
- 5/3/2024
- by Pete Hammond
- Deadline Film + TV
Obviously it wasn’t by design, but the early-1950s renewal of the western genre, aided in large part by the success of Winchester ’73, which heralded a career second act for both its director, Anthony Mann, and its star, James Stewart, was answered in other quarters of the industry by multiple endeavors to take the once disreputable genre, previously dismissed as Roy Rogers/Saturday-matinee bunkum, all the way into the hallowed halls of state-sanctioned, capital-a art. And, as it happened, the two westerns that made a big runner-up showing at the 1952 and 1953 Oscars, High Noon and Shane, respectively, also served, by virtue of holding what wide swaths of the future cinephile demographic would come to view as Vichy letters of transit, as high-value targets for skeptics of the official cultural narrative.
These auteurist critics and film buffs, whose philosophy acquired definite contours some 10-odd years later, observed a different watershed moment: Rio Bravo.
These auteurist critics and film buffs, whose philosophy acquired definite contours some 10-odd years later, observed a different watershed moment: Rio Bravo.
- 5/3/2024
- by Jaime N. Christley
- Slant Magazine
On September 15, 1965, Irwin Allen whisked television viewers out of their living rooms on a journey to the outer reaches of space, where the Robinson family finds themselves marooned on a strange, not-entirely-hospitable planet thanks to the sabotage of their chief medical officer. For a nation dreaming of a seemingly impossible moon landing, "Lost in Space" was both wish fulfillment and cautionary tale; a part of us was enthralled by the notion of exploring the cosmos, but we were also terrified by the thought of aimlessly hurtling through a universe with no known end and no direction home.
Allen's series didn't dwell much on the more frightening aspects of the Robinsons' predicament. Unlike Gene Roddenberry's "Star Trek" (which would debut a year later), Allen employed a fairly rigid formula that found the Robinsons and the hunky Major Don West (Mark Goddard) having to outwit the generally inept scheming of Dr.
Allen's series didn't dwell much on the more frightening aspects of the Robinsons' predicament. Unlike Gene Roddenberry's "Star Trek" (which would debut a year later), Allen employed a fairly rigid formula that found the Robinsons and the hunky Major Don West (Mark Goddard) having to outwit the generally inept scheming of Dr.
- 4/22/2024
- by Jeremy Smith
- Slash Film
by Cláudio Alves
Today marks the Marlon Brando centennial, and what better way to celebrate than to explore the actor's filmography? In my case, I decided to plunge into one of those iconic pictures that, for some reason, had never crossed my path till today. It's 1953's The Wild One, the prototypical biker film from which many more sprung forth, a crystallization of midcentury rebellion as understood by Hollywood's paramount moralist, Stanley Kramer. He produced it as one of his social issue flicks, taking inspiration from a Harper's Magazine story that was, in itself, based on a series of events that took place in Hollister, California, 1947. Brando plays Johnny Strabler, leader of the Black Rebels Motorcycle Club…...
Today marks the Marlon Brando centennial, and what better way to celebrate than to explore the actor's filmography? In my case, I decided to plunge into one of those iconic pictures that, for some reason, had never crossed my path till today. It's 1953's The Wild One, the prototypical biker film from which many more sprung forth, a crystallization of midcentury rebellion as understood by Hollywood's paramount moralist, Stanley Kramer. He produced it as one of his social issue flicks, taking inspiration from a Harper's Magazine story that was, in itself, based on a series of events that took place in Hollister, California, 1947. Brando plays Johnny Strabler, leader of the Black Rebels Motorcycle Club…...
- 4/4/2024
- by Cláudio Alves
- FilmExperience
Everyone remembers their first time. That is the first time they saw Marlon Brando.
For the late Mike Nichols, seeing Brando on Broadway in 1947 in his seminal turn as Stanley Kowalski in Tennessee Williams‘ “A Streetcar Named Desire,” was the catalyst that lead to his career in the arts which saw him become a rare Egot winner. The teenage Nichols and his then girlfriend’s mother were given tickets for the second night of the Elia Kazan-directed production. “There had never been anything like it, I know that by now,” Nichols recalled in a 2010 L.A. Times interview. It was, to this day, the only thing onstage that I had ever seen that was 100% real and 100% poetic. Lucy and I weren’t exactly theater buffs, but we couldn’t get up at the intermission. We were just so stunned. Your heart was pounding. It was a major experience.”
Susan L.
For the late Mike Nichols, seeing Brando on Broadway in 1947 in his seminal turn as Stanley Kowalski in Tennessee Williams‘ “A Streetcar Named Desire,” was the catalyst that lead to his career in the arts which saw him become a rare Egot winner. The teenage Nichols and his then girlfriend’s mother were given tickets for the second night of the Elia Kazan-directed production. “There had never been anything like it, I know that by now,” Nichols recalled in a 2010 L.A. Times interview. It was, to this day, the only thing onstage that I had ever seen that was 100% real and 100% poetic. Lucy and I weren’t exactly theater buffs, but we couldn’t get up at the intermission. We were just so stunned. Your heart was pounding. It was a major experience.”
Susan L.
- 4/2/2024
- by Susan King
- Gold Derby
The Mauritanian master Aberrahmane Sissako reached glory with his previous feature, the foreign-language Oscar-nominated “Timbuktu” (2014). It was a harrowing, beautiful and potent film that hit the soft spot in combining the no-nonsense panoramic overview of the Islamist occupation of the titular city and the humaneness of the resistance to it. Ten years later, Sissako is, once again re-united with his co-screenwriter Kessen Tall, back on the festival circuit with his attempt at the globe-trotting cinema called “Black Tea”. It premiered at the competition of Berlinale and continued its tour at the Belgrade International Film Festival – Fest.
Black Tea screened at Berlin International Film Festival
Sissako opens his film with a sequence set, but not actually elaborated in any way, at a mass wedding ceremony in Abijan, the capital of Ivory Coast. Like other brides, Aya (Nina Melo) is excited, but when her time comes to say the magic words, she makes a monologue,...
Black Tea screened at Berlin International Film Festival
Sissako opens his film with a sequence set, but not actually elaborated in any way, at a mass wedding ceremony in Abijan, the capital of Ivory Coast. Like other brides, Aya (Nina Melo) is excited, but when her time comes to say the magic words, she makes a monologue,...
- 3/16/2024
- by Marko Stojiljković
- AsianMoviePulse
There were movies about the Holocaust long before "Schindler's List." Superb movies. George Stevens' "The Diary of Anne Frank," Stanley Kramer's "Judgment at Nuremberg," Alan J. Pakula's "Sophie's Choice," and Paul Mazursky's "Enemies, a Love Story" (to name but a few) grappled with this staggeringly evil, carefully coordinated campaign of genocide so that moviegoers could, hopefully, comprehend how ordinary people could become bigoted, bloodthirsty monsters. The answers weren't comforting, but we couldn't move forward as a species without them.
Aside from the "how," there was another agonizing question that needed to be answered, one that was not as easy to dramatize: why didn't more people step up to stop this?
It doesn't take a great deal of research to realize that most good people were paralyzed by a mixture of cowardice and self-preservation. And while it is vital that we keep hammering home this observation for future generations,...
Aside from the "how," there was another agonizing question that needed to be answered, one that was not as easy to dramatize: why didn't more people step up to stop this?
It doesn't take a great deal of research to realize that most good people were paralyzed by a mixture of cowardice and self-preservation. And while it is vital that we keep hammering home this observation for future generations,...
- 3/5/2024
- by Jeremy Smith
- Slash Film
Since the beginning of the Academy Awards in the late 1920s, Hollywood filmmakers have been making socially conscious films. Many of the best of those have scored the film town’s top honor — Oscar best picture.
This year, that winner could be “Oppenheimer,” a film that boldly and starkly dramatizes the creation of man’s most dangerous invention: atomic weapons.
It could be “Killers of the Flower Moon,” a film that brought a lost and dreadful piece of American history into the sunlight of the Cannes Film Festival and ultimately the spotlights of awards season.
It could be either “Barbie” or “Poor Things,” two of the wildest, most colorful and inventive investigations of feminist and/or post-feminist womanhood to ever hit the big screen.
It could be “American Fiction,” a wry and witty look at Black American middle-class identity and family relations under preposterous, dispiriting cultural pressures.
But will the...
This year, that winner could be “Oppenheimer,” a film that boldly and starkly dramatizes the creation of man’s most dangerous invention: atomic weapons.
It could be “Killers of the Flower Moon,” a film that brought a lost and dreadful piece of American history into the sunlight of the Cannes Film Festival and ultimately the spotlights of awards season.
It could be either “Barbie” or “Poor Things,” two of the wildest, most colorful and inventive investigations of feminist and/or post-feminist womanhood to ever hit the big screen.
It could be “American Fiction,” a wry and witty look at Black American middle-class identity and family relations under preposterous, dispiriting cultural pressures.
But will the...
- 2/16/2024
- by Steven Gaydos
- Variety Film + TV
With news that Supermassive’s Until Dawn is getting a film adaptation, the rumour mill is spinning up news that the title could be coming to PlayStation 5 and PC. Not only that, but Death Stranding 2 will be getting an official title.
Per French website Dealabs, an announcement regarding Until Dawn coming to the PS5 and PC is coming “within 15 days”. There’s unfortunately not much more information on this version of Until Dawn, though one could suspect that if the game is making the leap, it would feature graphical enhancements to take advantage of the PS5 hardware. None of this has been confirmed as of yet by Sony or Supermassive.
Meanwhile, Dealabs also mentions that Death Stranding 2, which was announced back at The Game Awards 2022, has an official title. Much like Until Dawn, an announcement about the game is expected within the next 15 days, possibly during a State of Play event.
Per French website Dealabs, an announcement regarding Until Dawn coming to the PS5 and PC is coming “within 15 days”. There’s unfortunately not much more information on this version of Until Dawn, though one could suspect that if the game is making the leap, it would feature graphical enhancements to take advantage of the PS5 hardware. None of this has been confirmed as of yet by Sony or Supermassive.
Meanwhile, Dealabs also mentions that Death Stranding 2, which was announced back at The Game Awards 2022, has an official title. Much like Until Dawn, an announcement about the game is expected within the next 15 days, possibly during a State of Play event.
- 1/24/2024
- by Mike Wilson
- bloody-disgusting.com
Norman Jewison made movies that mattered.
“Timing is everything,” the director told me the one time we met. I’d been enlisted to host a long Q&a with Jewison at the American Cinematheque — and I was more than a little intimidated.
From “The Russians Are Coming, the Russians Are Coming” in 1966 to “Other People’s Money” in 1991, Jewison had an astonishing quarter-century run behind the camera, directing movies that impacted the culture when they came out (none more than “In the Heat of the Night”), a great many of which are still watched today. Turns out, this legendary talent couldn’t have been sweeter.
Jewison liked to tell the story of how he met Bobby Kennedy before making the landmark Sidney Poitier picture. He and Kennedy crossed paths while on vacation skiing, where both of their kids wound up in the hospital.
Still developing “In the Heat of the Night” at the time,...
“Timing is everything,” the director told me the one time we met. I’d been enlisted to host a long Q&a with Jewison at the American Cinematheque — and I was more than a little intimidated.
From “The Russians Are Coming, the Russians Are Coming” in 1966 to “Other People’s Money” in 1991, Jewison had an astonishing quarter-century run behind the camera, directing movies that impacted the culture when they came out (none more than “In the Heat of the Night”), a great many of which are still watched today. Turns out, this legendary talent couldn’t have been sweeter.
Jewison liked to tell the story of how he met Bobby Kennedy before making the landmark Sidney Poitier picture. He and Kennedy crossed paths while on vacation skiing, where both of their kids wound up in the hospital.
Still developing “In the Heat of the Night” at the time,...
- 1/23/2024
- by Peter Debruge
- Variety Film + TV
It’s a story — the attempted genocide of Europe’s Jews by the Nazis and their willing executioners — that has been told many times before. But, say the creators of the new German TV drama The Interpreter of Silence, it’s a story that needs to be told again and again.
The five-part limited series, which bowed on Hulu in the U.S. and on Disney+ worldwide Nov. 15, is up for this year’s Critics Choice Awards in the best foreign-language TV series category. The period drama will go up against the South Korean series Bargain, The Glory, Mask Girl and Moving, the French crime series Lupin, and the Italian mafia drama The Good Mothers.
Set in Frankfurt in 1963, The Interpreter of Silence follows the events of Eva Bruhns, a 24-year-old German woman, played by Katharina Stark, who gets a job as a Polish-to-German interpreter in the Auschwitz trials, the...
The five-part limited series, which bowed on Hulu in the U.S. and on Disney+ worldwide Nov. 15, is up for this year’s Critics Choice Awards in the best foreign-language TV series category. The period drama will go up against the South Korean series Bargain, The Glory, Mask Girl and Moving, the French crime series Lupin, and the Italian mafia drama The Good Mothers.
Set in Frankfurt in 1963, The Interpreter of Silence follows the events of Eva Bruhns, a 24-year-old German woman, played by Katharina Stark, who gets a job as a Polish-to-German interpreter in the Auschwitz trials, the...
- 1/12/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Casey Kramer, the longtime actress and daughter of legendary director Stanley Kramer died on December 24, according to her sister Kat Kramer. She was 67.
Casey Kramer’s film and TV career spanned four decades, consisting of mostly smaller parts on shows like Falcon Crest, McBride, Criminal Minds, Dexter, Southland, The Young and the Restless, Transparent, Behind the Candelabra, Lethal Weapon and Baskets.
Her filmography begins with her father’s final film, The Runner Stumbles in 1979, which starred Dick Van Dyke and Kathleen Quinlan and featured sister Kat, as well. Her more recent films include Mississippi Requiem in 2018 and 2020’s Darkness in Tenement 45.
Her mother, Anne P. Kramer, was her father’s second wife. They were married from 1950 until their 1963, when they divorced.
During that time Stanley Kramer directed The Defiant Ones, On the Beach, Inherit the Wind, Judgement at Nuremberg and It’s a Mad, Mad, Mad Mad World. His other films include Ship Of Fools,...
Casey Kramer’s film and TV career spanned four decades, consisting of mostly smaller parts on shows like Falcon Crest, McBride, Criminal Minds, Dexter, Southland, The Young and the Restless, Transparent, Behind the Candelabra, Lethal Weapon and Baskets.
Her filmography begins with her father’s final film, The Runner Stumbles in 1979, which starred Dick Van Dyke and Kathleen Quinlan and featured sister Kat, as well. Her more recent films include Mississippi Requiem in 2018 and 2020’s Darkness in Tenement 45.
Her mother, Anne P. Kramer, was her father’s second wife. They were married from 1950 until their 1963, when they divorced.
During that time Stanley Kramer directed The Defiant Ones, On the Beach, Inherit the Wind, Judgement at Nuremberg and It’s a Mad, Mad, Mad Mad World. His other films include Ship Of Fools,...
- 12/27/2023
- by Tom Tapp
- Deadline Film + TV
Casey Kramer, the daughter of film director Stanley Kramer who acted on stage and screen, has died at 67 years old, her family announced. She passed away at her home in Chicago, Illinois on December 24. No cause of death was given.
Born in Los Angeles, California in 1955, Kramer made her big screen acting debut in her father’s 1979 drama film “The Runner Stumbles” and went on to appear in television series such as “Falcon Crest,” “General Hospital,” “The Young and the Restless,” “Criminal Minds,” “Southland,” “Baskets,” and “Transparent,” among others. Her film credits included “Behind The Candelabra” and the indie movies “A Rose For Emily,” “Mississippi Requiem” and “Darkness in Tenement 45.” A long time member of the Actor’s Studio, Kramer also acted in stage plays such as a production of “My Sister In This House” with Deanne Bray at Deaf West Theatre.
Kramer was the daughter of Stanley and Anne Pearce.
Born in Los Angeles, California in 1955, Kramer made her big screen acting debut in her father’s 1979 drama film “The Runner Stumbles” and went on to appear in television series such as “Falcon Crest,” “General Hospital,” “The Young and the Restless,” “Criminal Minds,” “Southland,” “Baskets,” and “Transparent,” among others. Her film credits included “Behind The Candelabra” and the indie movies “A Rose For Emily,” “Mississippi Requiem” and “Darkness in Tenement 45.” A long time member of the Actor’s Studio, Kramer also acted in stage plays such as a production of “My Sister In This House” with Deanne Bray at Deaf West Theatre.
Kramer was the daughter of Stanley and Anne Pearce.
- 12/26/2023
- by Zack Sharf
- Variety Film + TV
Casey Kramer, an actress and the oldest daughter of late producer-director Stanley Kramer, died on Christmas Eve of natural causes at her home in Chicago, her sister Kat Kramer announced. She was 67.
A longtime member of The Actors Studio, Casey Kramer made her big-screen debut in the Dick Van Dyke-starring The Runner Stumbles (1979), directed by her dad.
She went on to appear on television on Falcon Crest, Criminal Minds, The Young and the Restless, Dexter, Southland, Behind the Candelabra, Transparent and Baskets and in the recent films Mississippi Requiem (2018) and Darkness in Tenement 45 (2020).
She also was active in Los Angeles theater as an actress and director.
Casey Lise Kramer was born in Los Angeles on Dec. 28, 1955. Her mother was the late Anne Pearce, a writer and film executive who was Stanley’s second wife. They were married from 1950 until their 1963 divorce.
Stanley Kramer, the nine-time Oscar nominee and Irving...
A longtime member of The Actors Studio, Casey Kramer made her big-screen debut in the Dick Van Dyke-starring The Runner Stumbles (1979), directed by her dad.
She went on to appear on television on Falcon Crest, Criminal Minds, The Young and the Restless, Dexter, Southland, Behind the Candelabra, Transparent and Baskets and in the recent films Mississippi Requiem (2018) and Darkness in Tenement 45 (2020).
She also was active in Los Angeles theater as an actress and director.
Casey Lise Kramer was born in Los Angeles on Dec. 28, 1955. Her mother was the late Anne Pearce, a writer and film executive who was Stanley’s second wife. They were married from 1950 until their 1963 divorce.
Stanley Kramer, the nine-time Oscar nominee and Irving...
- 12/26/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Culver City, Calif. – Continuing the fan-favorite and award-winning series—and as part of the upcoming 100th anniversary of Columbia Pictures—Sony Pictures Home Entertainment is proud to debut six more beloved films from its library on 4K Ultra HD disc for the first time ever, exclusively within the Columbia Classics 4K Ultra HD Collection Volume 4, available February 13. This must-own set includes films with which audiences around the world have fallen in love: His Girl Friday, Guess Who’s Coming To Dinner, Kramer Vs. Kramer, Starman, Sleepless In Seattle and Punch-drunk Love. Each film is presented in 4K resolution with Dolby Vision High Dynamic Range, and five of the films have all-new Dolby Atmos mixes.
The six films in the Columbia Classics 4K Ultra HD Collection Volume 4 are only available on 4K Ultra HD disc within this special limited edition collector’s set. The collection includes a gorgeous hardbound 80-page book, featuring...
The six films in the Columbia Classics 4K Ultra HD Collection Volume 4 are only available on 4K Ultra HD disc within this special limited edition collector’s set. The collection includes a gorgeous hardbound 80-page book, featuring...
- 11/19/2023
- by ComicMix Staff
- Comicmix.com
“Sleepless in Seattle,” “Punch-Drunk Love” and four more films from Columbia Pictures will make their 4K Ultra HD debut Feb. 13, 2024, via Sony Pictures Home Entertainment.
Columbia Classics 4K Ultra HD Collection Vol. 4, the latest installment in Sphe’s series of limited edition sets culling critical and commercial hits from the studio’s storied library, will feature Nora Ephron and Paul Thomas Anderson’s romantic comedies — along with Howard Hawks’ “His Girl Friday,” Stanley Kramer’s “Guess Who’s Coming to Dinner,” Robert Benton’s “Kramer vs. Kramer” and John Carpenter’s “Starman.” In addition to more than 30 hours of legacy bonus content for each film, the set includes a bonus disc featuring the entirety of the 1986 “Starman” television series, as well as an 80-page hardbound book exploring the impact and legacy of the six films.
Matching its predecessors, the packaging for the set showcases the included titles, and opens to display...
Columbia Classics 4K Ultra HD Collection Vol. 4, the latest installment in Sphe’s series of limited edition sets culling critical and commercial hits from the studio’s storied library, will feature Nora Ephron and Paul Thomas Anderson’s romantic comedies — along with Howard Hawks’ “His Girl Friday,” Stanley Kramer’s “Guess Who’s Coming to Dinner,” Robert Benton’s “Kramer vs. Kramer” and John Carpenter’s “Starman.” In addition to more than 30 hours of legacy bonus content for each film, the set includes a bonus disc featuring the entirety of the 1986 “Starman” television series, as well as an 80-page hardbound book exploring the impact and legacy of the six films.
Matching its predecessors, the packaging for the set showcases the included titles, and opens to display...
- 11/17/2023
- by Todd Gilchrist
- Variety Film + TV
The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.
What Venice witnessed is a solid, no-frills, new film that Friedkin had said he always wanted to make. While it won’t stand on the same level of some of its director’s most vividly great achievements like his Oscar winning The French Connection, horror classic The Exorcist, or underrated (at the time at least) and ambitious Sorcerer, this version which he also adapted himself is a welcome addition to his filmography.
Often staged beginning on Broadway in 1954 with Henry Fonda and a star cast, it has gone through many other theatrical and television productions over the years, and of course...
What Venice witnessed is a solid, no-frills, new film that Friedkin had said he always wanted to make. While it won’t stand on the same level of some of its director’s most vividly great achievements like his Oscar winning The French Connection, horror classic The Exorcist, or underrated (at the time at least) and ambitious Sorcerer, this version which he also adapted himself is a welcome addition to his filmography.
Often staged beginning on Broadway in 1954 with Henry Fonda and a star cast, it has gone through many other theatrical and television productions over the years, and of course...
- 9/3/2023
- by Pete Hammond
- Deadline Film + TV
Ever since movies began, filmmakers have depicted the end of the world of the world on screen whether it be from floods, asteroids, comets, alien invasion and even Zombies. But cinema went nuclear after the dropping of the atomic bomb on Hiroshima and Nagasaki in August, 1945. The arrival of the nuclear age heralded the introduction of a new sub-genre: destruction by atomic bomb. And with the release July 21 of Christopher Nolan’s lauded “Oppenheimer,” which domestically earned some $70 million in its opening weekend, let’s look at some of the vintage flicks of the genre.
Nuclear destruction of London is stopped at the last moment in the taut 1950 British film “Seven Days to Noon,” directed by John and Roy Boulting and winners of the original story Oscar, stars veteran character actor Barry Jones as a brilliant scientist working at an atomic research center in London who steals an A-bomb that...
Nuclear destruction of London is stopped at the last moment in the taut 1950 British film “Seven Days to Noon,” directed by John and Roy Boulting and winners of the original story Oscar, stars veteran character actor Barry Jones as a brilliant scientist working at an atomic research center in London who steals an A-bomb that...
- 7/25/2023
- by Susan King
- Gold Derby
Films about the end of the world are nothing new. But films about the real end of the world–the moments in human history that seem to have put us on an inevitable path toward our own self-destruction–are less frequent. In the 1950s, as the Cold War took hold and the threat of nuclear war escalated, most of the films that came out dealt with it in terms of metaphor, usually sci-fi ones, like giant irradiated lizards and insects standing in for hydrogen bombs.
Christopher Nolan’s Oppenheimer addresses one of those moments in history head-on, giving us not just a glimpse into the tormented mind of the “father of the atomic bomb,” but a you-are-there, immersive front row seat to the very moment in which the first bomb was detonated and the end of the human race came into clear view, starting with what many now consider to...
Christopher Nolan’s Oppenheimer addresses one of those moments in history head-on, giving us not just a glimpse into the tormented mind of the “father of the atomic bomb,” but a you-are-there, immersive front row seat to the very moment in which the first bomb was detonated and the end of the human race came into clear view, starting with what many now consider to...
- 7/24/2023
- by Don Kaye
- Den of Geek
The Hollywood Walk of Fame is getting a massive dose of star power next year.
Thirty-one superstars across film, television, radio, recording and sports entertainment will receive a cemented star on the iconic sidewalks of Hollywood Boulevard and Vine Street in Los Angeles, California.
Read More: Tupac Shakur Honoured With Posthumous Star On Hollywood Walk Of Fame
iHeart Radio host and Chair of the Walk of Fame Selection Panel, Ellen K, announced the A-list luminaries set to engrave their names into the iconic landmark in 2024. Among them include Chadwick Boseman, Michelle Yeoh, Chris Pine, Gal Gadot, Gwen Stefani, Def Leppard, Andre ‘Dr Dre’ Young, Christina Ricci and Kerry Washington.
Boseman, who passed in 2020 following a tumultuous and private battle with colon cancer, was the first name to be revealed.
Read More: Blake Shelton Gives Gwen Stefani A Sweet Shoutout During Walk Of Fame Ceremony; Calls Their Marriage The ‘Greatest Thing...
Thirty-one superstars across film, television, radio, recording and sports entertainment will receive a cemented star on the iconic sidewalks of Hollywood Boulevard and Vine Street in Los Angeles, California.
Read More: Tupac Shakur Honoured With Posthumous Star On Hollywood Walk Of Fame
iHeart Radio host and Chair of the Walk of Fame Selection Panel, Ellen K, announced the A-list luminaries set to engrave their names into the iconic landmark in 2024. Among them include Chadwick Boseman, Michelle Yeoh, Chris Pine, Gal Gadot, Gwen Stefani, Def Leppard, Andre ‘Dr Dre’ Young, Christina Ricci and Kerry Washington.
Boseman, who passed in 2020 following a tumultuous and private battle with colon cancer, was the first name to be revealed.
Read More: Blake Shelton Gives Gwen Stefani A Sweet Shoutout During Walk Of Fame Ceremony; Calls Their Marriage The ‘Greatest Thing...
- 6/26/2023
- by Emerson Pearson
- ET Canada
The threat of global apocalypse has influenced genre filmmaking from the very beginning. One of the earliest apocalyptic films we have a record of is 1916's "The End Of The World," which illustrates the disastrous consequences of a comet that flies near Earth. The plot is often understood as a response to the near-apocalyptic event of 1910, when Halley's Comet got a little too close for comfort. World events themselves became quite apocalyptic during WWII, but films of this nature actually weren't popular at the time; the news provided enough scares.
The first real heyday of apocalyptic filmmaking came in the 1950s, when the atomic bomb, the Cold War, and the space race stoked fears about impending doom. This fascination with the world ending continued throughout the century. The Cold War lasted through the 1980s, after all, though the ideological focus of these movies changed over time. The 1990s took these movies to an expensive,...
The first real heyday of apocalyptic filmmaking came in the 1950s, when the atomic bomb, the Cold War, and the space race stoked fears about impending doom. This fascination with the world ending continued throughout the century. The Cold War lasted through the 1980s, after all, though the ideological focus of these movies changed over time. The 1990s took these movies to an expensive,...
- 5/12/2023
- by Kira Deshler
- Slash Film
Los Angeles – Bonhams is delighted to present the collection of Olivia de Havilland, the Oscar-winning actress who starred in dozens of movies throughout the 1930s to the 1970s. De Havilland was the last surviving actress of Hollywood’s Golden Age, best known for her role as Melanie Hamilton Wilkes in David O. Selznick’s Civil War epic, Gone with the Wind (1939), believed by many to be the greatest movie ever made. Bonhams will be selling her collection in two sales. Running online from May 13-23, Bonhams Los Angeles will offer memorabilia from Hollywood and mementos from co-stars, directors, and celebrity friends like Bette Davis, Vivien Leigh, Stanley Kramer, Errol Flynn, and more. This will be followed by a sale of decorative arts, furniture, and paintings from her Parisian townhouse at Bonhams Cornette de Saint Cyr in Paris this October. A portion of the proceeds from the sale will be donated...
- 5/11/2023
- by Martin Cid Magazine
- Martin Cid Magazine - Movies
Updated with trailer and release date: Freestyle Digital Media has released the first trailer and set an April 11 release date for The New Abolitionists, a documentary about the movement to end sex trafficking in Southeast Asia, directed by Christina Zorich and produced by her mother, the late Olympia Dukakis. Check out the trailer above and a clip and the new poster below.
Previous Exclusive: The pic premiered October 21 in Santa Monica as part of Kat Kramer’s Films That Change the World, an international cinema series that showcases motion pictures and documentaries raising awareness of important social issues. The premiere kicked off a week-long Oscar-qualifying run for The New Abolitionists at Laemmle Monica, with all ticket proceeds going to anti-trafficking organizations featured in the documentary.
Director Christina Zorich
In The New Abolitionists, “Zorich journeys to Southeast Asia to investigate why and how sex trafficking flourishes in the ‘most trafficked’ region of the globe,...
Previous Exclusive: The pic premiered October 21 in Santa Monica as part of Kat Kramer’s Films That Change the World, an international cinema series that showcases motion pictures and documentaries raising awareness of important social issues. The premiere kicked off a week-long Oscar-qualifying run for The New Abolitionists at Laemmle Monica, with all ticket proceeds going to anti-trafficking organizations featured in the documentary.
Director Christina Zorich
In The New Abolitionists, “Zorich journeys to Southeast Asia to investigate why and how sex trafficking flourishes in the ‘most trafficked’ region of the globe,...
- 3/17/2023
- by Matthew Carey
- Deadline Film + TV
When Katharine Hepburn made her final big-screen appearance in Warren Beatty's 1994 romantic drama, "Love Affair," it marked the first time in her 62-year film career that she played a supporting role (aside from a cameo in 1943's "Stage Door Canteen") -- and this is all the more amazing when you consider how much she struggled at various junctures to maintain her leading lady status.
Hepburn's options were plentiful at birth. The Connecticut-born daughter of a wealthy urologist and a suffragette campaigner, Hepburn was raised in a permissive environment where societal limitations existed to be disregarded. She cut her hair short, excelled at sports like tennis and golf, wore pants, and smoked cigarettes. She pursued social justice causes at an early age, and received a liberal arts education at Bryn Mawr College (graduating with decidedly unladylike degrees in history and philosophy).
There was nothing performative about Hepburn's interests. She was appreciative of her good fortune,...
Hepburn's options were plentiful at birth. The Connecticut-born daughter of a wealthy urologist and a suffragette campaigner, Hepburn was raised in a permissive environment where societal limitations existed to be disregarded. She cut her hair short, excelled at sports like tennis and golf, wore pants, and smoked cigarettes. She pursued social justice causes at an early age, and received a liberal arts education at Bryn Mawr College (graduating with decidedly unladylike degrees in history and philosophy).
There was nothing performative about Hepburn's interests. She was appreciative of her good fortune,...
- 3/11/2023
- by Jeremy Smith
- Slash Film
The French Alps in VistaVision and Technicolor really sell this inspirational thriller. Spencer Tracy stars is the utterly ethical mountaineer, and young Robert Wagner his venal, verminous, just plain no damn good younger brother. Make that Much younger. Edward Dmytryk directs for big dimensions and strong emotions, and Paramount’s remaster makes the special effects of the mountain climb look good again. It’s a morality tale pitched at grade school level, and one of Tracy’s better late-career pictures. With Anna Kashfi as a plane crash victim deserving of rescue, and William Demarest as a French priest with a Preston Sturges accent.
The Mountain
Region Free Blu-ray
Viavision [Imprint] #198
1956 / Color / 1:78 widescreen (VistaVision) / 105 min. / Street Date February 22, 2023 / Available from [Imprint] / Aud 34.98
Starring: Spencer Tracy, Robert Wagner, Claire Trevor, William Demarest, Barbara Darrow, Richard Arlen, E.G. Marshall, Anna Kashfi, Richard Garrick, Harry Townes.
Cinematography: Franz Planer
Costume Designer: Edith Head
Art Director: Hal Pereira,...
The Mountain
Region Free Blu-ray
Viavision [Imprint] #198
1956 / Color / 1:78 widescreen (VistaVision) / 105 min. / Street Date February 22, 2023 / Available from [Imprint] / Aud 34.98
Starring: Spencer Tracy, Robert Wagner, Claire Trevor, William Demarest, Barbara Darrow, Richard Arlen, E.G. Marshall, Anna Kashfi, Richard Garrick, Harry Townes.
Cinematography: Franz Planer
Costume Designer: Edith Head
Art Director: Hal Pereira,...
- 2/28/2023
- by Glenn Erickson
- Trailers from Hell
Quentin Tarantino crowned Sergio Corbucci as the second-best director of Italian westerns, but our vote goes to Sergio Sollima — this is the most satisfying Spaghetti oater outside of the Leone corral. In his first starring role, Lee Van Cleef is lawman Jonathan Corbett, who pursues Tomas Milian’s killer into Mexico for an American millionaire. Political screenwriter Franco Solinas helped cook up the story, which pitches frontier ethics against ‘establishment’ corruption. The two-disc special edition presents the show in 4 versions, if we count a clever English-Italian language hybrid.
The Big Gundown
Region B Blu-ray
Powerhouse Indicator
1967 / Color / 2:35 widescreen / 110, 90, 95 min. / La resa dei conti / Street Date February 13, 2023 / available from Powerhouse Films UK / £22.99
Starring: Lee Van Cleef, Tomas Milian, Walter Barnes, Nieves Navarro, Gérard Herter, Manolita Barroso, Robert Camardiel, Ángel del Pozo, Luisa Rivelli, Luis Barboo, Benito Stefanelli.
Cinematography: Carlo Carlini
Set decorators: Carlo Leva, Carlo Simi, Nicola Tamburo
Costumes: Carlo...
The Big Gundown
Region B Blu-ray
Powerhouse Indicator
1967 / Color / 2:35 widescreen / 110, 90, 95 min. / La resa dei conti / Street Date February 13, 2023 / available from Powerhouse Films UK / £22.99
Starring: Lee Van Cleef, Tomas Milian, Walter Barnes, Nieves Navarro, Gérard Herter, Manolita Barroso, Robert Camardiel, Ángel del Pozo, Luisa Rivelli, Luis Barboo, Benito Stefanelli.
Cinematography: Carlo Carlini
Set decorators: Carlo Leva, Carlo Simi, Nicola Tamburo
Costumes: Carlo...
- 2/7/2023
- by Glenn Erickson
- Trailers from Hell
When Kenya Barris and Jonah Hill came together to write a comedy about a Black woman and Jewish man who fall in love, decide to marry, and suddenly find their parents either objecting to their proposed union or making it really weird, it was impossible to not view the project as a riff on, or an outright remake of Stanley Kramer's "Guess Who's Coming to Dinner." Considering that Kramer's film has aged like a Kroger cheese plate in the sun, and the 2005 remake, despite being a modest box-office success, is only referenced nowadays when people lament that Kramer's film ever existed, a smart director would likely, aggressively deny any influence or association.
Still, watch the movie: if "You People" isn't a post-Obama spin on Kramer's film, what exactly is it? Barris is happy you asked. He had another Hollywood film on his mind, one that was actually good, and...
Still, watch the movie: if "You People" isn't a post-Obama spin on Kramer's film, what exactly is it? Barris is happy you asked. He had another Hollywood film on his mind, one that was actually good, and...
- 2/1/2023
- by Jeremy Smith
- Slash Film
Mubi has announced its lineup of streaming offerings for next month, including Carla Simón’s Golden Bear winner Alcarràs, Ruth Beckermann’s Mutzenbacher, a series celebrating Black cinema with works from Charles Burnett, Julie Dash, Ephraim Asili, Bill Duke, and more.
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
- 1/19/2023
- by Jordan Raup
- The Film Stage
The Berlin Film Festival has revealed a raft of titles across strands and also 33 film projects vying for coin at the coproduction market.
Selections for the topical Perspektive Deutsches Kino strand from emerging German talent include “Seven Winters in Tehran” by Steffi Niederzoll, “Elaha” by Milena Aboyan, “Ararat” by Engin Kundag, “The Kidnapping of the Bride” by Sophia Mocorrea, Fabian Stumm’s “Bones and Names,” “Long Long Kiss” by Lukas Röder, Tanja Egen’s “On Mothers and Daughters,” “Ash Wednesday,” by João Pedro Prado and Bárbara Santos, “Nuclear Nomads” by Kilian Armando Friedrich and Tizian Stromp Zargari and “Lonely Oaks” by Fabiana Fragale, Kilian Kuhlendahl and Jens Mühlhoff.
All the selected films in the strand will compete for the Heiner Carow Prize and the Compass-Perspektive-Award, both of which are endowed with €5,000.
A 4K restoration of David Cronenberg’s “Naked Lunch” will open the Berlinale Classics section, which also includes Oliver Schmitz’ “Mapantsula,...
Selections for the topical Perspektive Deutsches Kino strand from emerging German talent include “Seven Winters in Tehran” by Steffi Niederzoll, “Elaha” by Milena Aboyan, “Ararat” by Engin Kundag, “The Kidnapping of the Bride” by Sophia Mocorrea, Fabian Stumm’s “Bones and Names,” “Long Long Kiss” by Lukas Röder, Tanja Egen’s “On Mothers and Daughters,” “Ash Wednesday,” by João Pedro Prado and Bárbara Santos, “Nuclear Nomads” by Kilian Armando Friedrich and Tizian Stromp Zargari and “Lonely Oaks” by Fabiana Fragale, Kilian Kuhlendahl and Jens Mühlhoff.
All the selected films in the strand will compete for the Heiner Carow Prize and the Compass-Perspektive-Award, both of which are endowed with €5,000.
A 4K restoration of David Cronenberg’s “Naked Lunch” will open the Berlinale Classics section, which also includes Oliver Schmitz’ “Mapantsula,...
- 1/9/2023
- by Naman Ramachandran
- Variety Film + TV
The Berlin Film Festival today unveiled the titles selected for its retrospective section chosen by a collection of international directors and actors, including Martin Scorsese, Wes Anderson, Nadine Labaki, and Tilda Swinton.
This year the theme of the retrospective sidebar is “Coming of Age at the Movies,” and each invited artist was tasked with submitting their personal favorite film that either deals with “being young and growing up” or had a “decisive role in the evolution or development” of their own artistic practice. The retrospective section will also exclusively screen films that have been newly restored.
The full list of invited artists includes Maren Ade, Pedro Almodóvar, Wes Anderson, Juliette Binoche, Lav Diaz, Alice Diop, Ava DuVernay, Nora Fingscheidt, Luca Guadagnino, Ryūsuke Hamaguchi, Ethan Hawke, Karoline Herfurth, Niki Karimi, Nadine Labaki, Nadav Lapid, Sergei Loznitsa, Mohammad Rasoulof, Céline Sciamma, Martin Scorsese, Aparna Sen, M. Night Shyamalan, Carla Simón, Abderrahmane Sissako,...
This year the theme of the retrospective sidebar is “Coming of Age at the Movies,” and each invited artist was tasked with submitting their personal favorite film that either deals with “being young and growing up” or had a “decisive role in the evolution or development” of their own artistic practice. The retrospective section will also exclusively screen films that have been newly restored.
The full list of invited artists includes Maren Ade, Pedro Almodóvar, Wes Anderson, Juliette Binoche, Lav Diaz, Alice Diop, Ava DuVernay, Nora Fingscheidt, Luca Guadagnino, Ryūsuke Hamaguchi, Ethan Hawke, Karoline Herfurth, Niki Karimi, Nadine Labaki, Nadav Lapid, Sergei Loznitsa, Mohammad Rasoulof, Céline Sciamma, Martin Scorsese, Aparna Sen, M. Night Shyamalan, Carla Simón, Abderrahmane Sissako,...
- 1/9/2023
- by Zac Ntim
- Deadline Film + TV
Just last year, “West Side Story” became the first movie directed by Steven Spielberg to be nominated for and win the Golden Globe Award for Best Comedy/Musical. Since his “E.T. the Extra-Terrestrial” (1983), “Schindler’s List” (1994), and “Saving Private Ryan” (1999) had all previously prevailed in the corresponding drama category, he joined Billy Wilder as only the second person to helm four winners of either of the Hollywood Foreign Press Association’s two top film prizes. With Best Drama contender “The Fabelmans,” he now has a shot at surpassing Wilder and bettering his standing in the Golden Globes record book.
“The Fabelmans” received a total of five Golden Globe nominations this year, including ones for Michelle Williams’s lead acting and John Williams’s score. The remaining two bids constitute Spielberg’s second for writing (shared with Tony Kushner) and 14th for directing (he won in 1994 and 1999). The film is a thinly-veiled...
“The Fabelmans” received a total of five Golden Globe nominations this year, including ones for Michelle Williams’s lead acting and John Williams’s score. The remaining two bids constitute Spielberg’s second for writing (shared with Tony Kushner) and 14th for directing (he won in 1994 and 1999). The film is a thinly-veiled...
- 12/29/2022
- by Matthew Stewart
- Gold Derby
1957's "The Bridge on the River Kwai" marked one of the finest achievements in Hollywood history by presenting both a taut, suspenseful World War II story and a tale of psychological degradation under the oppressive weight of a P.O.W. camp. Director David Lean's masterful command of pace and tone is assisted by nuanced and engaging performances from Sir Alec Guinness, William Holden, and Sessue Hayakawa. And the screenplay, based on the novel by Pierre Boulle, is beautifully structured, building to an explosive climax that's almost secondary to the implosion that's been carefully developed across the whole movie.
The screenplay was credited to Boulle, and he won the Oscar for Best Adapted Screenplay. While he wrote the source material, the screenplay actually came entirely from other writers, who were kept under wraps. Between Boulle, Lean, and producer Sam Spiegel, many people officially involved with the movie would take some credit for the work.
The screenplay was credited to Boulle, and he won the Oscar for Best Adapted Screenplay. While he wrote the source material, the screenplay actually came entirely from other writers, who were kept under wraps. Between Boulle, Lean, and producer Sam Spiegel, many people officially involved with the movie would take some credit for the work.
- 12/23/2022
- by Anthony Crislip
- Slash Film
Click here to read the full article.
Chinonye Chukwu’s Till will receive the Stanley Kramer Award during the 2023 Producer’s Guild Awards.
The United Artists and Orion Pictures movie will be presented with the annual honor on Feb. 25, 2023, at The Beverly Hilton, the guild announced Monday.
“This team fought for years to see Mamie Till-Mobley’s story told on the big screen, venerating her legacy and the enduring love she had for her son, Emmett,” said PGA presidents Stephanie Allain and Donald De Line in a statement. “We are humbled and thrilled to bestow this award on a film that compassionately depicts the events, and mother-son bond, that sparked the Civil Rights Movement. Till inspires all of us to work towards realizing Mamie’s purpose, justice for her son Emmett and all those who have been harmed by hatred and prejudice.”
The movie is centered on Mamie Till-Mobley, the mother of Emmett Till,...
Chinonye Chukwu’s Till will receive the Stanley Kramer Award during the 2023 Producer’s Guild Awards.
The United Artists and Orion Pictures movie will be presented with the annual honor on Feb. 25, 2023, at The Beverly Hilton, the guild announced Monday.
“This team fought for years to see Mamie Till-Mobley’s story told on the big screen, venerating her legacy and the enduring love she had for her son, Emmett,” said PGA presidents Stephanie Allain and Donald De Line in a statement. “We are humbled and thrilled to bestow this award on a film that compassionately depicts the events, and mother-son bond, that sparked the Civil Rights Movement. Till inspires all of us to work towards realizing Mamie’s purpose, justice for her son Emmett and all those who have been harmed by hatred and prejudice.”
The movie is centered on Mamie Till-Mobley, the mother of Emmett Till,...
- 12/19/2022
- by Abbey White
- The Hollywood Reporter - Movie News
The Producers Guild of America announced Monday that “Till” will receive the Stanley Kramer Award at its upcoming awards.
Producers Keith Beauchamp, Barbara Broccoli, Whoopi Goldberg, Thomas Levine, Michael Reilly and Frederick Zollo will share the honor at the ceremony, which will take place Feb. 25 at the Beverly Hilton.
The Stanley Kramer Award annually honors a production, producer or key contributors to a film who use cinema as a platform to raise awareness for social issues from past to present. The award is titled after American director and producer Stanley Kramer, whose films like “The Defiant Ones” and “Guess Who’s Coming to Dinner” transformed popular American cinema with their commentary on racism.
Directed by Chinonye Chukwu, “Till” follows the true story of Mamie Till-Mobley (Danielle Deadwyler), mother to 14-year-old Emmet (Jalyn Hall). Emmet is lynched while visiting family in Mississippi, leading the educator to turn to activism, channeling her grief into the Civil Rights Movement.
Producers Keith Beauchamp, Barbara Broccoli, Whoopi Goldberg, Thomas Levine, Michael Reilly and Frederick Zollo will share the honor at the ceremony, which will take place Feb. 25 at the Beverly Hilton.
The Stanley Kramer Award annually honors a production, producer or key contributors to a film who use cinema as a platform to raise awareness for social issues from past to present. The award is titled after American director and producer Stanley Kramer, whose films like “The Defiant Ones” and “Guess Who’s Coming to Dinner” transformed popular American cinema with their commentary on racism.
Directed by Chinonye Chukwu, “Till” follows the true story of Mamie Till-Mobley (Danielle Deadwyler), mother to 14-year-old Emmet (Jalyn Hall). Emmet is lynched while visiting family in Mississippi, leading the educator to turn to activism, channeling her grief into the Civil Rights Movement.
- 12/19/2022
- by Katie Reul
- Variety Film + TV
Chinonye Chukwu’s feature drama Till for MGM’s Orion and United Artists Releasing will be honored with the Stanley Kramer Award at the 34th annual Producers Guild Awards, taking place at The Beverly Hilton on February 25, 2023.
Named after the director-producer responsible for some of the most pivotal social issue films in American history — including Inherit the Wind, On the Beach, The Defiant Ones and Guess Who’s Coming to Dinner — the Stanley Kramer Award recognizes a production, producer, or other individuals whose achievement or contribution illuminates and raises public awareness of important social issues. Past recipients of the award include Rita Moreno and Jane Fonda, as well as such films as Get Out, Loving, Fruitvale Station, The Normal Heart, The Hunting Ground, An Inconvenient Truth and Hotel Rwanda.
Written by Michael Reilly & Keith Beauchamp and Chukwu, Till tells the story of Mamie Till-Mobley (Danielle Deadwyler), whose pursuit of justice for...
Named after the director-producer responsible for some of the most pivotal social issue films in American history — including Inherit the Wind, On the Beach, The Defiant Ones and Guess Who’s Coming to Dinner — the Stanley Kramer Award recognizes a production, producer, or other individuals whose achievement or contribution illuminates and raises public awareness of important social issues. Past recipients of the award include Rita Moreno and Jane Fonda, as well as such films as Get Out, Loving, Fruitvale Station, The Normal Heart, The Hunting Ground, An Inconvenient Truth and Hotel Rwanda.
Written by Michael Reilly & Keith Beauchamp and Chukwu, Till tells the story of Mamie Till-Mobley (Danielle Deadwyler), whose pursuit of justice for...
- 12/19/2022
- by Matt Grobar
- Deadline Film + TV
Shirley Eikhard, the singer-songwriter who supplied songs for Cher, Emmylou Harris, Anne Murray, Chet Atkins and found lasting fame penning Bonnie Raitt‘s Grammy-winning 1991 hit “Something to Talk About”, has died. She was 67.
Eikhard died Thursday at Headwaters Health Care Centre in Orangeville, Ontario, due to complications from cancer, said publicist Eric Alper.
The blues-rock smash hit “Something to Talk About” was written in 1985 and Eikhard had offered it to Murray and other artists, who all declined to record it. Then years later Raitt left a message on Eikhard’s phone saying she’d just recorded it. Raitt said later she’d discovered the song on a demo Eikhard had sent and admired it.
Read More: Cher Says Mom Georgia Holt ‘Was In So Much Pain’ In Her Final Moments
The song was the first single from Raitt’s 1991 album Luck of the Draw and spent 20 weeks on the Billboard Hot 100, peaking at No.
Eikhard died Thursday at Headwaters Health Care Centre in Orangeville, Ontario, due to complications from cancer, said publicist Eric Alper.
The blues-rock smash hit “Something to Talk About” was written in 1985 and Eikhard had offered it to Murray and other artists, who all declined to record it. Then years later Raitt left a message on Eikhard’s phone saying she’d just recorded it. Raitt said later she’d discovered the song on a demo Eikhard had sent and admired it.
Read More: Cher Says Mom Georgia Holt ‘Was In So Much Pain’ In Her Final Moments
The song was the first single from Raitt’s 1991 album Luck of the Draw and spent 20 weeks on the Billboard Hot 100, peaking at No.
- 12/18/2022
- by Melissa Romualdi
- ET Canada
Shirley Eikhard, the songwriter behind Bonnie Raitt‘s Grammy-winning 1991 hit “Something to Talk About,” has died. She was 67 and died Thursday at Headwaters Health Care centre in Orangeville, Ontario from cancer complications.
In addition to Raitt, Eikhard had songs covered by Cher, Emmylou Harris, Anne Murray, and Chet Atkins.
Eikard wrote “Something to Talk About” in 1985, but initially had trouble placing it with talent. Years later, Raitt left a message on Eikhard’s phone saying she she’d just recorded it from a demo Eikhard had sent.
The song was the first single from Raitt’s 1991 album Luck of the Draw and spent 20 weeks on the Billboard Hot 100, peaking at No. 5. Raitt won best pop vocal performance at the 1992 Grammy Awards, and her album was also nominated in the record of the year category.
Raitt remembered Eikhard on Twitter, saying she was “deeply saddened,” adding, “I will be forever grateful...
In addition to Raitt, Eikhard had songs covered by Cher, Emmylou Harris, Anne Murray, and Chet Atkins.
Eikard wrote “Something to Talk About” in 1985, but initially had trouble placing it with talent. Years later, Raitt left a message on Eikhard’s phone saying she she’d just recorded it from a demo Eikhard had sent.
The song was the first single from Raitt’s 1991 album Luck of the Draw and spent 20 weeks on the Billboard Hot 100, peaking at No. 5. Raitt won best pop vocal performance at the 1992 Grammy Awards, and her album was also nominated in the record of the year category.
Raitt remembered Eikhard on Twitter, saying she was “deeply saddened,” adding, “I will be forever grateful...
- 12/17/2022
- by Bruce Haring
- Deadline Film + TV
To the short list of ‘classic’ nuclear horror on Blu-ray we can now add the one that hits closest to home. Lynne Littman’s harrowing film stays small-scale and Big Emotion, enduring a slow extermination for an innocent family. A little California town loses contact with the rest of the world, and hope fades as the awful reality sinks in. Jane Alexander, Lukas Haas, and William Devane star in a TV movie so affecting that Paramount gave it a theatrical release. The disc has two commentaries and a selection of 20th anniversary features.
Testament
Blu-ray
Viavision [Imprint] 170
1983 / Color / 1:78 widescreen / 90 min. / Street Date October 26, 2022 / Available from [Imprint] / au 34.95
Starring: Jane Alexander, William Devane, Ross Harris, Roxana Zal, Lukas Haas, Philip Anglim, Lilia Skala, Leon Ames, Lurene Tuttle, Rebecca De Mornay, Kevin Costner, Mako, Lila Kedrova.
Cinematography: Steven Poster
Production Designer: David Nichols
Art Director: Linda Pearl
Costume Design: Julie Weiss
Film...
Testament
Blu-ray
Viavision [Imprint] 170
1983 / Color / 1:78 widescreen / 90 min. / Street Date October 26, 2022 / Available from [Imprint] / au 34.95
Starring: Jane Alexander, William Devane, Ross Harris, Roxana Zal, Lukas Haas, Philip Anglim, Lilia Skala, Leon Ames, Lurene Tuttle, Rebecca De Mornay, Kevin Costner, Mako, Lila Kedrova.
Cinematography: Steven Poster
Production Designer: David Nichols
Art Director: Linda Pearl
Costume Design: Julie Weiss
Film...
- 11/29/2022
- by Glenn Erickson
- Trailers from Hell
Steven Spielberg's "1941" is one of the most blissfully chaotic movies ever made. It is obscenely expensive, narratively scatterbrained, and unabashedly irreverent about one of the most devastating acts of war ever carried out by a foreign nation on American soil. It's more of a model train set than a movie, one operated by a spoiled brat who'd rather send the cars soaring off the track into the basement wall than keep his meticulously constructed railroad running smoothly. Crammed somewhere in the movie is an unruly satire about self-destructive, run-amok jingoism, but it's also a live-action Looney Tunes cartoon where a runaway Army tank crashes through a paint factory and then a turpentine factory.
After the back-to-back blockbuster triumphs of "Jaws" and "Close Encounters of the Third Kind," Spielberg could call his tune at Universal, and he threw his all into this nutty World War II flick scripted by...
After the back-to-back blockbuster triumphs of "Jaws" and "Close Encounters of the Third Kind," Spielberg could call his tune at Universal, and he threw his all into this nutty World War II flick scripted by...
- 11/24/2022
- by Jeremy Smith
- Slash Film
So much classic Western iconography comes directly from the images of Fred Zinneman's 1952 film "High Noon." The ticking clocks awaiting the arrival of a dangerous train, the lone figures in a dusty town square, and Gary Cooper's sweaty, sickly close-ups are unforgettable. His desperate, acclaimed performance in the movie effectively resurrected a floundering career.
His appeal, one of ordinary heroism, was frequently wasted on movies that didn't know how to use him. Like many actors whose rise to fame preceded World War II, he struggled with changing audience expectations – there was little room anymore for the optimism of Frank Capra's "Mr. Deeds Goes to Town" or the tough patriotism of Howard Hawks' "Sergeant York," the latter of which proved enormously influential for Clint Eastwood.
He was in high-profile flops like the Ayn Rand-scripted 1949 adaptation of her own novel "The Fountainhead," an ultimately dramatically inert film that demonstrated his limitations.
His appeal, one of ordinary heroism, was frequently wasted on movies that didn't know how to use him. Like many actors whose rise to fame preceded World War II, he struggled with changing audience expectations – there was little room anymore for the optimism of Frank Capra's "Mr. Deeds Goes to Town" or the tough patriotism of Howard Hawks' "Sergeant York," the latter of which proved enormously influential for Clint Eastwood.
He was in high-profile flops like the Ayn Rand-scripted 1949 adaptation of her own novel "The Fountainhead," an ultimately dramatically inert film that demonstrated his limitations.
- 11/14/2022
- by Anthony Crislip
- Slash Film
The first movie to directly confront McCarthyism! Or so said the editorials touting this ‘Long-Awaited Screen Event’ in which ‘Bette Davis Hits the Screen in a Cyclone of Dramatic Fury!’ The storm of the title was based on a real activist in Oklahoma who lost her job for promoting equal rights. Bette’s polite librarian is victimized by small-minded civic types; a subplot depicts the traumatic reaction of one of her patrons, a child expected to despise her as a traitor to the country. Daniel Taradash’s movie is an excellent starting point to discuss the thorny dramatic subgenre of liberal social issue movies.
Storm Center
Blu-ray
Viavision [Imprint] 155
1956 / B&w / 1:78 widescreen / 86 min. / Street Date September 30, 2022 / Available from / au 39.95
Starring:
Bette Davis, Brian Keith, Kim Hunter, Paul Kelly, Joe Mantell, Kevin Coughlin, Sallie Brophie, Howard Wierum, Curtis Cooksey, Michael Raffetto, Joseph Kearns, Edward Platt, Kathryn Grant, Howard Wendell, Malcolm Atterbury,...
Storm Center
Blu-ray
Viavision [Imprint] 155
1956 / B&w / 1:78 widescreen / 86 min. / Street Date September 30, 2022 / Available from / au 39.95
Starring:
Bette Davis, Brian Keith, Kim Hunter, Paul Kelly, Joe Mantell, Kevin Coughlin, Sallie Brophie, Howard Wierum, Curtis Cooksey, Michael Raffetto, Joseph Kearns, Edward Platt, Kathryn Grant, Howard Wendell, Malcolm Atterbury,...
- 11/12/2022
- by Glenn Erickson
- Trailers from Hell
Click here to read the full article.
On Oct. 24, the head of Hollywood’s most beloved charity, the century-old Motion Picture & Television Fund, warned of its “imminent demise” if it didn’t raise at least 10 million by the end of this year. CEO Bob Beitcher wrote in an open letter sent to industry members the next day that, since the onset of the pandemic, the organization, which provides social services and residential options for currently employed and retired entertainment workers, had incurred a massive operating shortfall largely stemming from Covid-related expenses and lost earnings from philanthropic events.
“Never sufficiently endowed, MPTF has always survived year to year and deficit to deficit,” he explained in the letter, which also ran as an ad in The Hollywood Reporter. “We are now operating in dangerous territory, rapidly depleting our cash reserves.” Beitcher argued that the organization’s capacity to help the thousands...
On Oct. 24, the head of Hollywood’s most beloved charity, the century-old Motion Picture & Television Fund, warned of its “imminent demise” if it didn’t raise at least 10 million by the end of this year. CEO Bob Beitcher wrote in an open letter sent to industry members the next day that, since the onset of the pandemic, the organization, which provides social services and residential options for currently employed and retired entertainment workers, had incurred a massive operating shortfall largely stemming from Covid-related expenses and lost earnings from philanthropic events.
“Never sufficiently endowed, MPTF has always survived year to year and deficit to deficit,” he explained in the letter, which also ran as an ad in The Hollywood Reporter. “We are now operating in dangerous territory, rapidly depleting our cash reserves.” Beitcher argued that the organization’s capacity to help the thousands...
- 11/8/2022
- by Gary Baum and Katie Kilkenny
- The Hollywood Reporter - Movie News
Among the classic westerns of the Golden Age of Hollywood, "High Noon" stands tall in its simplicity. Aging marshal Will Kane (Gary Cooper) has retired, ready to start afresh with his new bride, played by Grace Kelly in her breakthrough role. Before he has had a chance to say his goodbyes and leave town, word arrives that an outlaw he sent to prison is coming in on the noon train with his gang, seeking revenge. His sense of duty and pride won't let him run scared, even though it's not his job anymore, and he tries to raise a posse to confront the bad guys. However, no one is prepared to stick their neck out, apart from the town drunk and a kid who admires Kane. He refuses their assistance and has no choice but to stride out to face the killers alone.
Told almost in real-time, Fred Zinneman's celebrated...
Told almost in real-time, Fred Zinneman's celebrated...
- 10/18/2022
- by Lee Adams
- Slash Film
Fatih Akin’s Marlene Dietrich Miniseries Starring Diane Kruger Goes into Production With UFA Fiction
Fatih Akin has teamed up with Berlin-based UFA Fiction on his miniseries about German star Marlene Dietrich, starring Diane Kruger.
Based on the biography “My Mother Marlene,” by Dietrich’s daughter, Maria Riva, the five-part series, tentatively titled “Marlene,” is produced by UFA Fiction and Akin’s Bombero International in Hamburg.
Currently in production, the miniseries chronicles Dietrich’s life as an artist, lover, German emigrant and mother as well as a woman who created her own rules and lived by them, whatever the cost.
“‘Marlene’ will be not only the first series I have written and directed but also the greatest challenge in my film career,” said Akin, the series’ creator.
“It is the continuation of my successful collaboration with Diane Kruger. Nobody is better cast than her. Marlene was not only a cinematic icon, but a woman in exile, German immigrant in America, resistance fighter and so much more.
Based on the biography “My Mother Marlene,” by Dietrich’s daughter, Maria Riva, the five-part series, tentatively titled “Marlene,” is produced by UFA Fiction and Akin’s Bombero International in Hamburg.
Currently in production, the miniseries chronicles Dietrich’s life as an artist, lover, German emigrant and mother as well as a woman who created her own rules and lived by them, whatever the cost.
“‘Marlene’ will be not only the first series I have written and directed but also the greatest challenge in my film career,” said Akin, the series’ creator.
“It is the continuation of my successful collaboration with Diane Kruger. Nobody is better cast than her. Marlene was not only a cinematic icon, but a woman in exile, German immigrant in America, resistance fighter and so much more.
- 9/29/2022
- by Ed Meza
- Variety Film + TV
Click here to read the full article.
“I just saw what I saw,” an elder Sidney Poitier says in an interview reflecting on his early childhood in the Bahamas, when he’d never seen a mirror — or water coming through an indoor faucet — in the new Apple TV+ documentary Sidney. Out Friday on the platform, the Reginald Hudlin-directed, Oprah Winfrey-produced retrospective exists not only as a summary of Poitier’s singular career in Hollywood as an actor and filmmake,r but also as the first public memorial for the trailblazing visionary who died in January at age 94.
The youngest son of two principled tomato farmers who a soothsayer (rightly) predicted would touch all corners of the world at the time of his premature birth, Poitier would go on to top summits; in 1963, he won the best actor Academy Award for Lilies of the Field, the first Black actor...
“I just saw what I saw,” an elder Sidney Poitier says in an interview reflecting on his early childhood in the Bahamas, when he’d never seen a mirror — or water coming through an indoor faucet — in the new Apple TV+ documentary Sidney. Out Friday on the platform, the Reginald Hudlin-directed, Oprah Winfrey-produced retrospective exists not only as a summary of Poitier’s singular career in Hollywood as an actor and filmmake,r but also as the first public memorial for the trailblazing visionary who died in January at age 94.
The youngest son of two principled tomato farmers who a soothsayer (rightly) predicted would touch all corners of the world at the time of his premature birth, Poitier would go on to top summits; in 1963, he won the best actor Academy Award for Lilies of the Field, the first Black actor...
- 9/22/2022
- by Evan Nicole Brown
- The Hollywood Reporter - Movie News
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