Joanna Heimbold is one of the five women Titus Welliver has been married to. The former couple worked together on a few projects before parting ways. Heimbold is an American actress known for her roles in The Nanny Diaries (2007), The Sex Monster (1999), and Dear God (1996). She has also appeared in a few television projects notable among which is Star Trek: Voyager where she costarred with Welliver. However, she has not been active in her acting career. While she has established her status as a talented actress, Joanna Heimbold gained mainstream attention for being in high-profile marriages. Aside
The post Joanna Heimbold: Meet The Ex-Wife of Bosch Actor Titus Welliver first appeared on TVovermind.
The post Joanna Heimbold: Meet The Ex-Wife of Bosch Actor Titus Welliver first appeared on TVovermind.
- 5/16/2024
- by Banks Onuoha
- TVovermind.com
Titus Welliver is one step closer to being officially single ... for the 4th time -- he's filing for legal separation from his wife. According to court records ... Titus filed Tuesday in L.A. County Superior court to make it his split from Josepha Theordora Stemkens all legal. The couple's been married since April 12, 2014. Titus, best known as the star of "Bosch," has also had big roles on "Lost," "Deadwood" and "Sons of Anarchy." This was his fourth marriage.
- 5/14/2019
- by TMZ Staff
- TMZ
There's lots of sex in this low-budget comedy, but it's monstrously unfunny if one isn't in the ranks of horny, bored male yuppies that represent its de facto audience.
A one-joke movie stroked into a veritable marathon of screwing and wooden farce, writer-director-lead actor Mike Binder's "Sex Monster" is more big tease than anything-goes sleaze, reflecting the always nagging guilty consciousness of the leads.
A world premiere blind date at the U.S. Comedy Arts Film Festival in Aspen, Colo., "Sex" won't be shagging many paying customers beyond a limited domestic release and unarousing exposure in post-theatrical markets.
Mariel Hemingway and Stephen Baldwin in the cast, heaps of gags about lesbianism and bisexuality, even the "Sex Monster Dancers" -- a half-dozen young gals bumping and grinding to Joe Cocker's "Woman to Woman" over the opening and closing credits -- all fail to lure one into Binder's smutty scenario.
While the direction could have been perkier, the real mood-killers are the screenplay and two-dimensional characterizations.
A successful housing contractor in L.A., Marty Barnes (Binder) is happily married but obsessed with the idea of talking his wife, winsome hairdresser Laura (Hemingway), into a threesome with another woman.
She at first reacts with mild umbrage but grows more used to the idea. He struggles to make it all sound healthy and natural, finally hitting on the concept of "home court advantage" -- i.e., a woman knows best how to make love to another woman.
Binder tries to flesh out the characters in the subsequent awkward scenes of Laura and Marty's mutual experimentation, but there are no serious obstacles to their dalliances with more than one new playmate, starting with her sweet, flirtatious co-worker Didi (Renee Humphrey). The big chuckle is that Laura becomes enthusiastically bisexual, with Marty quickly growing jealous of her all-night sessions that continue after he's withdrawn from action.
The other central conceit is that many a woman longs to be, has been, or will be a lesbian. Once Laura gets started, she aggressively pursues Marty's engaged assistant (Missy Crider) and succeeds. Even Marty's sister is not safe around his voracious wife, while he periodically endures detection and treatment of a polyp on his colon from bored Dr. Berman (Kevin Pollak).
Baldwin and Taylor Nichols are refreshing diversions as Marty's bar pals, with the latter playing a larger role when his wife is drawn toward Laura. Christopher Lawford is suitably smug and judgmental as a conservative business partner whose trophy wife (Joanna Heimbold) has a wicked streak. The sweaty climax involves a business deal that Marty and Laura flub while their marriage and dignity survive.
SEX MONSTER
Molly-B Prods.
Writer-director: Mike Binder
Producers: Jack Binder, Scott Stephens
Executive producers: Peter Savarino, Jim Harbaugh, Marc Frydman
Color/stereo
Cast:
Laura: Mariel Hemingway
Marty: Mike Binder
Didi: Renee Humphrey
Billy: Taylor Nichols
Diva: Missy Crider
Dave: Christopher Lawford
Evie: Joanna Heimbold
Dr. Berman: Kevin Pollak
Murphy: Stephen Baldwin
Running time -- 97 minutes
No MPAA rating...
A one-joke movie stroked into a veritable marathon of screwing and wooden farce, writer-director-lead actor Mike Binder's "Sex Monster" is more big tease than anything-goes sleaze, reflecting the always nagging guilty consciousness of the leads.
A world premiere blind date at the U.S. Comedy Arts Film Festival in Aspen, Colo., "Sex" won't be shagging many paying customers beyond a limited domestic release and unarousing exposure in post-theatrical markets.
Mariel Hemingway and Stephen Baldwin in the cast, heaps of gags about lesbianism and bisexuality, even the "Sex Monster Dancers" -- a half-dozen young gals bumping and grinding to Joe Cocker's "Woman to Woman" over the opening and closing credits -- all fail to lure one into Binder's smutty scenario.
While the direction could have been perkier, the real mood-killers are the screenplay and two-dimensional characterizations.
A successful housing contractor in L.A., Marty Barnes (Binder) is happily married but obsessed with the idea of talking his wife, winsome hairdresser Laura (Hemingway), into a threesome with another woman.
She at first reacts with mild umbrage but grows more used to the idea. He struggles to make it all sound healthy and natural, finally hitting on the concept of "home court advantage" -- i.e., a woman knows best how to make love to another woman.
Binder tries to flesh out the characters in the subsequent awkward scenes of Laura and Marty's mutual experimentation, but there are no serious obstacles to their dalliances with more than one new playmate, starting with her sweet, flirtatious co-worker Didi (Renee Humphrey). The big chuckle is that Laura becomes enthusiastically bisexual, with Marty quickly growing jealous of her all-night sessions that continue after he's withdrawn from action.
The other central conceit is that many a woman longs to be, has been, or will be a lesbian. Once Laura gets started, she aggressively pursues Marty's engaged assistant (Missy Crider) and succeeds. Even Marty's sister is not safe around his voracious wife, while he periodically endures detection and treatment of a polyp on his colon from bored Dr. Berman (Kevin Pollak).
Baldwin and Taylor Nichols are refreshing diversions as Marty's bar pals, with the latter playing a larger role when his wife is drawn toward Laura. Christopher Lawford is suitably smug and judgmental as a conservative business partner whose trophy wife (Joanna Heimbold) has a wicked streak. The sweaty climax involves a business deal that Marty and Laura flub while their marriage and dignity survive.
SEX MONSTER
Molly-B Prods.
Writer-director: Mike Binder
Producers: Jack Binder, Scott Stephens
Executive producers: Peter Savarino, Jim Harbaugh, Marc Frydman
Color/stereo
Cast:
Laura: Mariel Hemingway
Marty: Mike Binder
Didi: Renee Humphrey
Billy: Taylor Nichols
Diva: Missy Crider
Dave: Christopher Lawford
Evie: Joanna Heimbold
Dr. Berman: Kevin Pollak
Murphy: Stephen Baldwin
Running time -- 97 minutes
No MPAA rating...
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