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- Actor
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Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta (1920-2014) and eighteen months after his brother Brooks Clift. He was the son of Ethel "Sunny" Anderson (Fogg; 1888-1988) and William Brooks Clift (1886-1964). His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats.
At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict. While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality. She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Sunset Boulevard (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and High Noon (1952).
His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles. By the early 1950s he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).
His film debut was Red River (1948) with John Wayne quickly followed by his early personal success The Search (1948) (Oscar nominations for this, A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961)). By 1950, he was troubled with allergies and colitis (the U.S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.
In 1956, during filming of Raintree County (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.
With his Hollywood career in an irreversible slide despite giving an occasional riveting performance, such as in Stanley Kramer's Judgment at Nuremberg (1961), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan. He was set to play in Taylor's Reflections in a Golden Eye (1967), when he died in the early morning hours of July 23, 1966, at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James, who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease." Clift's last 10 years prior to his death from his 1956 car accident were called the "longest suicide in history" by famed acting teacher Robert Lewis.- Actor
- Writer
- Director
Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Producer
- Actor
- Additional Crew
Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he faked his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 1920s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however.
The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his older brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity.
Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas.
In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular.
In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now.
In the mid 1940s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and One Hundred and One Dalmatians (1961).
In 1955 he opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success. Walt also became one of the first producers of films to venture into television, with his series The Magical World of Disney (1954) which he began in 1954 to promote his theme park. He also produced The Mickey Mouse Club (1955) and Zorro (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida.
He did not live to see the culmination of those plans, however; in 1966, he developed lung cancer brought on by his lifelong chain-smoking. He died of a heart attack following cancer surgery on December 15, 1966 at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. His company continues to flourish, still producing animated and live-action films and overseeing the still-growing empire started by one man: Walt Disney, who will never be forgotten.- Actor
- Additional Crew
- Soundtrack
An old-fashioned comedian, who, by recommendation by his son Keenan Wynn, became one of the world's most beloved clowns, and one of the best actors of his time. He was born on November 9, 1886. He performed in the Ziegfeld Follies, and later had a son Keenan in 1916. He later wrote his own shows, then known as the Perfect Fool. In 1941 at age 54, he became a grandfather. He became popular for roles throughout the 1950s and 1960s, best remembered for The Ed Wynn Show (1949), and for Mary Poppins (1964) as Uncle Albert, who reflects his old style charm. He continued to perform, until he died in 1966 at age 79.- Actress
- Soundtrack
Verna Felton had extensive experience on the stage and in radio before she broke into film and television. Her trademarks was her distinctive husky voice and her no-nonsense attitude. She was quite in demand for voiceover work, as evidenced by her roles in Cinderella (1950), Alice in Wonderland (1951) and Lady and the Tramp (1955). She appeared in many films, but is best remembered as Hilda Crocker in the TV series December Bride (1954), a character she carried over into its spinoff, Pete and Gladys (1960). Verna died in 1966 at 76 years of age of a stroke.- Actor
- Soundtrack
William Frawley was born in Burlington, Iowa. As a boy he sang at St. Paul's Catholic Church and played at the Burlington Opera House. His first job was as a stenographer for the Union Pacific Railroad. He did vaudeville with his brother Paul, then joined pianist Franz Rath in an act they took to San Francisco in 1910. Four years later he formed a light comedy act with his new wife Edna Louise Broedt, "Frawley and Louise", touring the Orpheum and Keith circuits until they divorced in 1927. He next moved to Broadway and then, in 1932, to Hollywood with Paramount. By 1951, when he contacted Lucille Ball about a part in her TV show I Love Lucy (1951), he had performed in over 100 films. His Fred Mertz role lasted until the show ended in 1960, after which he did a five-year stint on My Three Sons (1960). Poor health forced his retirement. He collapsed of a heart attack on March 3, 1966, aged 79, walking along Hollywood Boulevard after seeing a movie. He is buried in San Fernando Mission Cemetery.- Actor
- Soundtrack
A stocky, friendly-faced character actor, Ford was born Samuel Jones in England, where the brutality of his childhood rivaled anything that Charles Dickens ever dreamed up. He lived for a while in an orphanage after being separated from his parents. While still young, he was sent to a Toronto branch of the orphanage. There, he began a cycle that involved living in 17 foster homes, the longest being with a farm family that treated him like a slave. At age 11 he ran away and joined a vaudeville troupe called the Winnipeg Kiddies, with whom he stayed until 1914. He then joined a friend named Wallace Ford, and the two 'hoboed" their way into the United States. After the friend was crushed to death by a railroad car, he took the name Wallace Ford in his friend's memory and found work in theatrical troupes and repertory companies. On Broadway he acted in "Abraham Lincoln," "Abie's Irish Rose," and "Bad Girl." He left Broadway in 1932 to appear with Joan Crawford in Possessed (1931); he also landed the lead in MGM's notorious Freaks (1932), although his fellow actors proved more memorable. He also co-starred as Walter Huston's amoral brother in one of the studio's few full-blown gangster melodramas, The Beast of the City (1932), starring Jean Harlow in arguably her most hard-bitten role. In all he appeared in over 200 films, including five directed by John Ford (The Last Hurrah (1958), The Whole Town's Talking (1935), They Were Expendable (1945), The Lost Patrol (1934), and The Informer (1935)). He also appeared with Henry Fonda in the TV series "The Deputy," which ran from 1959 to 1960. Ford died of a heart attack soon after his last memorable role as "Old Pa" in the hit Sidney Poitier drama A Patch of Blue (1965).- Actor
- Writer
At the age of eight, Fleming hopped on a freight train to Chicago to escape his abusive father. Following hospitalization for gang fight injuries, he returned to California where he lived with his mother and worked at Paramount as a laborer. Fleming joined the Merchant Marine, and then he served in the U.S. Navy in the Pacific in WW II, where he was a Master Carpenter in the Seabees.
From 1946 to 1957, Fleming appeared on stage in Chicago and New York with featured roles in numerous plays on Broadway including "My Three Angels," "Stalag 17," and "No Time For Sergeants." Fleming's television career began in the early 1950's with live performances on "Hallmark Summer Theatre," "The Web," "Suspense," "Kraft Television Theatre," and many other dramatic series. In 1954, he starred in Paramount's film "Conquest of Space," followed by "Queen of Outer Space" for Allied Artists. In 1958, Fleming became the star of CBS-TV's long-running western "Rawhide" as the trail boss Gil Favor. He remained with the top-rated show for seven of its eight seasons, and he had planned to retire to Hawaii where he had purchased a ranch.
He acted in "The Glass Bottom Boat" in 1965, and he was hired by MGM-TV to film the two-part adventure program "High Jungle" in Peru. During the shooting of location shots on the Huallaga River on September 28, 1966, Fleming dove (intentionally?) from a dug-out canoe after paddling it beyond the rapids. His body was lost in the turbulent water and was not recovered until three days later.- Actress
- Soundtrack
Making a career out of a post-nasal drip, this scene-stealing character comedienne was one of the best Broadway and Hollywood had to offer. It's too bad, then, that she wasn't utilized in films more often for this slight, chinless, parrot-faced, squawky-voiced bundle of (kill)joy could draw laughs from a well with a mere sniffle, gulp, or stare.
Plaintive Alice Pearce was born in New York City, the only child of a bank vice-president, but was raised in different European schools -- wherever her father had business. Eventually Alice settled back in NYC and began to gather experience in summer stock shows. She became a huge hit on the nightclub circuit which eventually paved the way to Broadway. She drew raves in the "New Faces of 1943" and was sensational in the role of Lucy Schmeeler, the sexless, adenoidal blind date, in the New York smash "On the Town" the very next year. As a testament to her talent, Alice was the only performer kept on board when Gene Kelly transferred the sailors-on-leave musical to film. Strangely, this did not lead to a slew of comedy vehicles, but Alice certainly sparked a number of fluffy films, even in the tiniest of roles -- never more so than as the hypochondriac patient who expounds on her physical ailments ad nauseam while overly-attentive Jerry Lewis suffers through a wrenching series of "sympathy pains" in The Disorderly Orderly (1964). It's slapstick comedy at its very best.
TV proved an attractive medium for her as well, hosting her own variety show briefly in 1949. Her career ended on a high note as the nagging, irrepressibly nosy neighbor Gladys Kravitz in the Bewitched (1964) sitcom. Ideally teamed with George Tobias as her hen-pecked husband, Abner, the two provided non-stop hilarity -- her frightened gulps, blank gaze and confused exasperation coupled with his dour disgust was comedy heaven. Sadly, Pearce developed ovarian cancer and died in 1966, only two seasons into the show. She was only 48. She quite deservedly won an Emmy trophy for her work a few months after her death. Hollywood lost a treasured talent in Alice Pearce, gone way before her time.- Actress
- Soundtrack
Her father was a butcher. In 1913 she met and married matinée idol DeWolf Hopper Sr. and in 1915 they moved to Hollywood, where both began active film careers. He became a star with Triangle Company, she began in vamp parts and turned to supporting roles. After her divorce she appeared in dozens of films, becoming known as "Queen of the Quickies". In 1936 she started a gossipy radio show and two years later commenced a 28-year stint as a newspaper gossip columnist, rival of Louella Parsons. In her last films she mostly played herself, a tribute to her influence in Hollywood. Her son became famous as investigator Paul Drake in the Perry Mason (1957) series.- Actor
- Soundtrack
Already trained in dance and theater, he quit school at age 13 to study music and painting. By 19 he was a professional ballroom dancer in New York, and by his mid-twenties he was performing in musicals, dramas on Broadway and in London, and in silent movies. His first real success in film came in middle age as the classy villain Waldo Lydecker in Laura (1944), followed by the part of Elliott Templeton in The Razor's Edge (1946) - both of which won him Oscar nominations. His priggish Mr. Belvedere in a series of films was supposedly not far removed from his fastidious, finicky, fussy, abrasive and condescending real-life persona. He was inseparable from his overbearing mother Maybelle, with whom he lived until her death at 91, six years before his own death. The recent success of Titanic (1997) created brief interest due his having appeared with Barbara Stanwyck in the 1953 version of the story. He is interred at Abbey of the Psalms, Hollywood Memorial Cemetery (now known as Hollywood Forever).- Actor
- Director
- Writer
Francis X. Bushman was born on 10 January 1883 in Baltimore, Maryland, USA. He was an actor and director, known for Sabrina (1954), The Phantom Planet (1961) and Ben-Hur: A Tale of the Christ (1925). He was married to Iva Millicient Richardson, Norma Emily Atkin, Beverly Bayne and Josephine Fladine Duval. He died on 23 August 1966 in Pacific Palisades, California, USA.- Actor
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Herbert Marshall had trained to become a certified accountant, but his interest turned to the stage. He lost a leg while serving in World War I and was rehabilitated with a wooden leg. This did not stop him from making good his decision to make the stage his vocation. He used a very deliberate square-shouldered and guided walk, largely unnoticeable, to cover up his disability. He spent 20 years in distinguished stage work in London before entering films. He almost made the transition from the stage directly to sound movies except for one silent film, Mumsie (1927), produced in Great Britain. His wonderfully mellow baritone and British accent rolled out with a minimum of mouth movement and a nonchalant ease that stood out as unique. His rather blasé demeanor could take on various nuances, without overt emotion, to fit any role he played, whether sophisticated comedy or drama, and the accent fit just as well. He filled the range from romantic lead, with several sympathetic strangers thrown in, to dignified military officer to doctor to various degrees of villainy, his unemotional delivery meshing with the cold, impassive criminal character.
He was almost 40 when he appeared in his first picture in Hollywood, The Letter (1929), a film worthy of comparison (but for the primitive sound recording) to the more famous second version (The Letter (1940)) with Bette Davis. Marshall is the murder victim in 1929 and the betrayed husband in 1940. He was heavily in demand in the 1930s, sometimes in five or six pictures a year. Perhaps his best suave comedic role was in Trouble in Paradise (1932), the first non-musical sound comedy by producer-director Ernst Lubitsch--to some, Lubitsch's greatest film. That same year, Marshall did one of his most warmly human, romantic roles in the marvelously erotic Blonde Venus (1932), with the captivating Marlene Dietrich.
Through the '40s, his roles were more of the character variety, but always substantial. He was deviously subtle as the pre-World War II peace leader actually working against peace for a veiled foreign power (Germany) in Foreign Correspondent (1940). The film was one of Alfred Hitchcock 's earliest Hollywood films and definitely an under-rated thriller. Who could forget Marshall's small but standout performance as "Scott Chavez", who at the beginning of Duel in the Sun (1946), with typical Marshall nonchalance, calmly shoots his Indian cantina-entertainer wife for her cheating ways? By the '50s, Marshall was doing fewer movies, but still in varied genres. His voice was perfect to lend credence to some early sci-fi classics, such as Riders to the Stars (1954) and Gog (1954) and the The Fly (1958). He was also busy honing his considerable talent with various early-TV playhouse programs. He also fit comfortably into episodic TV, including a rare five-episode run as a priest on 77 Sunset Strip (1958). All told, Herbert Marshall graced nearly 100 movie and TV roles with an aplomb that remains a rich legacy.- Robert Keith was an American character actor who appeared in a number of prominent films and was the father of actor Brian Keith. A native of Indiana, Keith joined a stock company as a teenager and developed skills as a writer and actor. He appeared in dozens of plays around the country and on Broadway.
He came to the attention of Hollywood as a writer after his play "The Tightwad" appeared in New York in 1927. He was contracted to write dialog for pictures and managed to act in several as well. He returned to Broadway as a playwright in 1932 and continued to act on the stage in a number of legendary theatre productions including "Yellow Jack", "The Children's Hour" and "Mr. Roberts" (as Doc).
In the late 1940s he returned to film work full-time and became a familiar and respected performer in films of the period. His son Brian, by his second wife, Helena Shipman, appeared with him in several silent films as a child, long before becoming a star in his own right. Robert Keith died in 1966. - Hugh Sanders was born on 13 March 1911 in East Saint Louis, Illinois, USA. He was an actor, known for That's My Boy (1951), The Outer Limits (1963) and Storm Warning (1950). He was married to Janet Bernice Putnam and Dorothy F Allsup. He died on 9 January 1966 in Los Angeles, California, USA.
- Actress
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A dainty but nevertheless feisty character actress, southern-bred (Mary) Elizabeth Patterson was born in Savannah, Tennessee, on November 22, 1874, and started her career over her strict parent's objections. She became a member of Chicago's Ben Greet Players, performing Shakespeare at the turn of the century. This followed college at Martin College where she studied music, elocution and English, and post-graduate work at Columbia Institute in Columbia, Tennessee.
Elizabeth eventually traveled for well over a decade in stock tours before given the opportunity to debut on Broadway with the short-lived play "Everyman" in 1913. She continued in such other Broadway comedies and dramas as "The Family Exit (1917), "The Piper" (1920), "Magnolia" (1923), "The Book of Charm" (1925), "Spellbound" (1927), "Rope" (1928), "The Marriage Bed" (1929), "Her Master's Voice" (1933), "Yankee Point" (1942), "But Not Goodbye" (1944) and "His and Hers" (1954).
By the time the veteran player finally advanced to the screen, she was 51 years of age. Starting with the silent films The Boy Friend (1926) and The Return of Peter Grimm (1926), she would be best recalled for her series of careworn ladies, playing a host of dressed-down, small-town folk -- grannies, aunts, spinsters, gossips, teachers, frontier women -- and other sweet-and-sour types. She added greatly to the atmosphere of such popular talking films as The Cat Creeps (1930), Penrod and Sam (1931), A Bill of Divorcement (1932), Dinner at Eight (1933), Doctor Bull (1933), So Red the Rose (1935), High, Wide and Handsome (1937), Bulldog Drummond's Peril (1938) (and series: as Aunt Blanche), Anne of Windy Poplars (1940), The Cat and the Canary (1939), Remember the Night (1939), Tobacco Road (1941) (her most famous film role: as Ada Lister), Her Cardboard Lover (1942), I Married a Witch (1942), Hail the Conquering Hero (1944), Out of the Blue (1947), The Shocking Miss Pilgrim (1947), Little Women (1949), Intruder in the Dust (1949), Pal Joey (1957), and her final, Tall Story (1960).
In the television arena, she appeared on several anthology shows ("Armstrong Circle Theatre," "Chevron Theatre," "Four Star Playhouse," "General Electric Theatre," "Pulitzer Prize Playhouse") and such regular shows as "The Adventures of Superman," "The Adventures of Jim Bowie," "77 Sunset Strip" and "Playhouse 90." She became a familiar household face, however, as the elderly neighbor and part-time babysitter, Mrs. Trumbull, on the I Love Lucy (1951) TV series.
The never-married Elizabeth, who lived at the Hollywood Roosevelt Hotel her entire TV and film career, died on January 31, 1966, after contracting pneumonia. The 91-year-old lady was buried in a hometown cemetery.- A stage actress, Urecal made her screen debut in 1933. For the remainder of her career and two hundred plus movies, she played cleaning women, landladies, shopkeepers and the like. She was known as a Marjorie Main type actress and later went on to a career in television playing in such shows as "Tugboat Annie" and "Peter Gunn." Minerva claimed her name was an anagram of her hometown, Eureka, California.
- Actress
- Soundtrack
Anne Nagel's life could be summed up in two words: pretty miserable. Born to devoutly religious Bostonian parents who had long encouraged her to become a nun, she had been enrolled in a preparatory school for just that purpose. As a young teenager she worked part-time as a photographer's model, and by her mid-teens, she had become more interested in a life in Hollywood than in a convent and had joined a Boston theater company. By this time, her mother had remarried and her new stepfather, a Technicolor expert, had been hired by Tiffany, a bottom-rung Poverty Row studio. The family journeyed to California and Anne's first film experience was in several Technicolor experimental shorts directed by her stepfather. She soon graduated to features as a dancer. Her striking beauty and pleasant voice made her a natural for talkies. She landed a contract at Warner Brothers and made her film debut in 1932, enjoying a string of steady, if unspectacular, roles in lower- and medium-budget pictures. Life began to unravel for her in 1936 when she married Ross Alexander. He committed suicide in 1937, and it affected Nagel deeply. Universal, with whom she was under contract by 1941, placed her in some of its serials and featured her in several of its lower-rank horror pictures and B westerns. She soon left Universal and struck out on her own, but unfortunately, she was able to land roles only at Poverty Row studios such as Republic, Monogram, and the nadir of the film industry, PRC. Ironically, her last film, Armored Car Robbery (1950), a taut, highly regarded little thriller now considered a classic of the genre, was easily the best picture she had done in years, and a good one to go out on. She had married an Army Air Corps officer, James H. Keehan, in 1941, but the marriage was increasingly unhappy and they divorced in 1951. Stories spread about her having an alcohol problem, and she spent the last years of her life virtually penniless. Sadly, she died from cancer on 7/6/66 at only 50.- Actor
- Soundtrack
Nestor Paiva was born on 30 June 1905 in Fresno, California, USA. He was an actor, known for Creature from the Black Lagoon (1954), Revenge of the Creature (1955) and The Madmen of Mandoras (1963). He was married to Maxine Kuntzman. He died on 9 September 1966 in Hollywood, California, USA.- Harp McGuire was born on 1 November 1921 in Tennessee, USA. He was an actor, known for On the Beach (1959), The Twilight Zone (1959) and Outlaws (1960). He died on 21 October 1966 in Los Angeles, California, USA.
- Crahan Denton was born on 20 March 1914 in Seattle, Washington, USA. He was an actor, known for The Parent Trap (1961), To Kill a Mockingbird (1962) and The Young One (1960). He was married to Eleanor Brown and Frances Elizabeth Reavis. He died on 4 December 1966 in San Francisco, California, USA.
- Thurman Lee Haas was born on 3 February, 1920 in central Oklahoma on the Pottawatomie Indian Reservation (home of the Kickapoo Tribe). His parents were Reuben Claude Haas and the former Ann Maud Waldrip. His father was a farmer who later became involved in tribal governments in Oklahoma and the Wind River Indian Reservation in Wyoming. Thurman's family were members of the Oneida Indian Nation who, over a century earlier, had been forced to relocate from New York State to what was then known as the Northwest Territory in the area that later became the State of Wisconsin.
As a youth Thurman spent a good deal of his time on hunting trips in rural Oklahoma with his pony, Pet and his dog, White Man. The dog once saved his life by dragging him ashore after he had fallen into the Red River. Thurman served in the US Army until the early 1950s and began appearing in small movie rolls not long after his discharge. His acting career got a boost when Walt Disney cast him to play Chief Red Stick in Davy Crockett: King of the Wild Frontier (1955). Over his career Thurman would play Native Americans in approximately eight out of every ten projects he appeared in.
In his off time Thurman wrote and contributed stories to popular men's magazines of the day. One such story earned him a letter of kudos from writer John Steinbeck. The cause of his untimely death in Los Angeles on 21 November, 1966 appears not to be publicly known. He was survived by his wife, Nancy Scott and three children. Much of the information above came from public records and a newspaper article promoting the Disney movie, Savage Sam (1963). - Robert Graf was born on 18 November 1923 in Witten, Germany. He was an actor, known for The Great Escape (1963), Aren't We Wonderful? (1958) and Jonas (1957). He was married to Selma Urfer. He died on 4 February 1966 in Munich, Bavaria, West Germany.
- Writer
- Actor
- Director
Lenny Bruce was born Leonard Alfred Schneider on October 13, 1925, in Mineola, Long Island, New York. His British-born father, Myron, was a shoe clerk, his mother, Sadie, was a dancer. Lenny's parents were divorced when he was a child. To support herself and her son, Sadie Schneider pursued a career in show business and sent Lenny to live with various aunts, uncles and grandparents.
Dropping out of high school, Lenny enlisted in the U.S. Navy in 1942, which he almost disliked. He got himself discharged after convincing a team of Navy psychologists that he was experimenting with homosexual urges. With some help from his mother, Lenny began doing impressions, one-liners and movie parodies in small nightclubs. In 1948, he obtained some booking as a result of his appearance on the TV show Arthur Godfrey's Talent Scouts. Lenny married a red-headed stripper named Honey Harlow in 1951, but they were divorced five years later. After Honey was arrested and sent to jail for a narcotics violation, Lenny raised their daughter, Kitty, by himself.
Slowly, Lenny began working his way up from performing stand-up comedy in seedy New York City strip clubs and jazz clubs. Gradually his act evolved into something wholly different from that of other comics. Onstage, he was a dark, slender, and intense figure who prowled around like a caged animal and spoke into a hand-held microphone. His monologues were peppered with four-letter curse words and Yiddish expressions. In his act, Lenny liked to expose racist attitudes by forcing his audiences to examine their own racial prejudices. In another act bashing religions, Lenny acted out a conversation between Oral Roberts and the Pope, with both talking in the vernacular of glib show-business personalities. When jazz critic Ralph J. Gleason and San Francisco Chronicle columnist Herb Caen wrote about Lenny, be began to get the recognition he so badly wanted. Unfortunately, the seedy subculture of strip joints, clubs, and dives had introduced him to hard drugs and fast times.
Through his nightclub acts and record albums, Lenny became the hipster saint of the comedy world, crossing into the line of propriety where others feared to tread. But his foul-speaking acts began to catch up with him when he was arrested in 1961 on obscenity charges following an appearance at the Jazz Workshop in San Francisco, but a jury found him not guilty. Problems with the authorities and religious groups trying to silence him began to plague him as he appeared in clubs all over the country. In 1964, he was arrested again in New York City on more obscenity charges. During his trial a police officer read notes about Lenny's profane act, which caused the desperate comic to ask the judge to let him do the act in court so the judge could understand his callous humor in context, but the judge refused. Despite support from noted writers, critics, educators and politicians, Lenny was found guilty and sentenced to several months in prison, and was paroled just a few months later. Continually harassed by the police, Lenny became depressed and paranoid. Further prosecutions for obscenity and his drug use drove him toward instability. By 1965, he was broke and in debt. He claimed that every time he got a gig, the local police, wherever he was, would threaten to arrest the club owner if Lenny went onstage.
In February 1966, Lenny traveled to Los Angeles and appeared onstage for the first time in years. He performed for a very small crowd who included a few hecklers and vice cops waiting to arrest him if he should use profanity again. Lenny by this time was bearded, overweight, and haggard, and his performance centered on his current obsessions: his constitutional right of free speech, free assembly, and freedom from unreasonable search and seizure. When a friend asked him afterwards why he had turned his back on comedy he replied, "I'm not a comedian anymore. I'm Lenny Bruce." On August 3, 1966, Lenny was found dead on the bathroom floor of his Hollywood home. Whatever the details or reasons why, Lenny Bruce was found dead from a drug overdose at the age of 40.- Actress
- Soundtrack
Estelita Rodriguez was born on 2 July 1928 in Guanajay, Cuba. She was an actress, known for Rio Bravo (1959), Belle of Old Mexico (1950) and Susanna Pass (1949). She was married to Dr. Ricardo A. Pego, Ismael Alfonso Halfss, aka Henry Half, Grant Withers and Chu Chu Martinez. She died on 12 March 1966 in Van Nuys, California, USA.