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A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.
In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.
Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.
With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.
Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.
Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).
After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.
Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.
In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."
Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.
During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."
A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.
A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.
Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).
Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).
It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.
After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.
Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).
In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.
Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.
Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.
Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.
In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.
"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.
In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.
In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.
Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.
In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.
In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.
Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.
In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."
"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.
Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.
In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.
In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.
Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.
Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".
Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.I interviewed him in NYC in October 1983 when he came to shoot the a scene of "Romancing the Stone" and preparing to produce "Starman". He was a true team player, enthusiastic about crew members' contributions (including a costumer) on the shoot, as well as calling Kathleen Turner the true star of the film and predicting her future major success.- Actress
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Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.My interview with her in NYC at her suite in the Plaza Hotel in October 1991, for a tribute to Vittorio De Sica being held at MoMa, and she was such a regal presence! She recalled the experience of working with De Sica and Chaplin, and how their expericence as actors affected their method of directing.- Actor
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Jackson DeForest Kelley was born in Toccoa, Georgia, to Clora (Casey) and Ernest David Kelley.
He graduated from high school at age 16 and went on to sing at the Baptist church where his father was a minister. At age 17, he made his first trip outside the state to visit an uncle in Long Beach, California. He intended to stay for two weeks but ended up staying a year. Upon returning home, he told his parents he was moving to California to become an actor. His mother encouraged him but the idea did not go over well with his father.
In California, Kelley was spotted by a Paramount talent scout while working on a United States Navy training film. He became a reliable character actor (often in Westerns in which he often played the villain), but hit the big time when he was offered the role of the somewhat irascible Dr. Leonard "Bones" McCoy on the television series Star Trek (1966). He later reprised his role for a string of successful Star Trek films: Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989), and Star Trek VI: The Undiscovered Country (1991).
DeForest Kelley died at age 79 of stomach cancer in his home in Woodland Hills, Los Angeles on June 11, 1999.I interviewed him at the Mayflower Hotel near Columbus Circle in June 1989 about his performance in "Star Trek V: The Final Frontier" which he was particularly proud of, dealing with the sensitive topic of euthanasia. We also covered in depth his career at Paramount beginning as a contract player in 1947, as well as later crucial influence from director Edward Dymytryk and of course "Trek"'s creator Gene Roddenberry. I wasn't the only fan there: our talk was briefly interrupted when no less than recently married Reba McIntire came to our table to have her new stepson Brandon meet his hero (no doubt DeForest was a hero of hers as well).- Actress
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Born into a family of doctors and educated in China at the Shanghai Film Academy and the Shanghai Institute of Foreign Languages, Joan Chen was discovered by veteran Chinese director Jin Xie while observing a filming with a school group. Her performance in Xiao hua (1979) (A.K.A. "The Little Flower") won China's Best Actress award, and resulted in the Chinese press dubbing her "The Elizabeth Taylor of China" for having achieved top stardom while still in her teen years. She came to the U.S. to attend college in 1981, first at the State University of New York at New Paltz, later at California State University at Northridge. She a succession of small parts in movies and T.V., with her first break coming in 1986 when, in true Hollywood legend, producer Dino De Laurentiis noticed her in the parking lot of Lorimar Studios and cast her in Tai-Pan (1986). The film bombed, but it led to her being cast as the ill-fated Empress in Bernardo Bertolucci's The Last Emperor (1987), which won critical acclaim. This, and her role as enigmatic mill owner Josie Packard in the cult TV series Twin Peaks (1990), are her best-known roles in Europe and North America. However, Hollywood's practice of type-casting East Asians has led to a dearth of major roles for Chen since then, and in recent roles, she has often been cast as a villainess.
After taking a few years off to start a family, Joan returned to the screen in important supporting roles playing women in early middle age, such as the mother of a principle adult character. As a result, her career is flourishing again on both sides of the Pacific. Her two directing efforts were well-received critically, and in a 2008 interview she revealed she planned to direct again but was putting that off until her daughters were grown, since directing took her away from them too much, whereas acting could be done on a part-time basis.I interviewed her twice: first in June 1984 at Old Homestead restaurant in NYC (w/German producer Manfred Durniok) to shoot Wayne Wang's "Dim Sum" and audition for Cimino's "Year of the Dragon"- her name was Chong Chen at that time; and then in 1989 to discuss her success in "Twin Peaks" and the difficulty of breaking through in Hollywood.- Jazz saxophonist and composer Joe Henderson could best be described as a renaissance man. Creating a style unique from the dominant saxophonists of his early career -- namely John Coltrane and Sonny Rollins -- Henderson became the consummate sideman. He recorded with Herbie Hancock and Andrew Hill. He briefly played with the legendary Miles Davis and from 1964 to 1966 he played with the quintet led by composer-pianist Horace Silver. In later years he tested different musical waters, playing with the rock group Blood Sweat & Tears.
His musical career began while he was a student at Kentucky State College and Wayne State University in Detroit, Michigan. After a brief period in the army from 1960 to 1962 he joined the Blue Note Records label and in the late 1970s he recorded several albums for Milestone Records. Never completely out of vogue, he enjoyed a resurgence in popularity in the 1990s after a series of critically and popularly acclaimed albums that included an Antonio Carlos Jobim tribute called "Double Rainbow" and "So Near, So Far (Musings for Miles)", dedicated to Miles Davis. A master of composition, his songs "Recorda Me" and "Inner Urge" have become jazz classics. A long battle with emphysema and a stroke in 1998 stopped Henderson's public career, but his legacy and career that spanned over four decades has left a permanent prototype for others to follow.I met him in 1965-66 performing with Horace Silver and later Kenny Dorham at Boston's Jazz Workshop, and kept in touch, eventually amassing a complete collection of his recordings and writing up his complete discography. Our last interview was at NY's Empire Hotel in 1995 when he was working on releasing the live recordings he made three decades earlier with pianist Wynton Kelly's group. - Producer
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Ismail Merchant was born on 25 December 1936 in Bombay, Bombay Presidency, British India [now Mumbai, Maharashtra, India]. He was a producer and director, known for Howards End (1992), A Room with a View (1985) and The Remains of the Day (1993). He died on 25 May 2005 in London, England, UK.I interviewed him many times, sometimes in tandem with James Ivory. Most memorable was at a party in January 1986 before the release of "A Room with a View" when he introduced the New York press to Helena Bonham Carter, who also discussed her completed but yet to be released "Lady Jane" as well; in July 1984 re: release of "The Bostonians" & new projects with Rank Org. of England; in March 1988 re: 3-picture deal with Gary Hendler for TriStar release, starting with "Slaves of New York; in February 1989 re: prepping release of "Slaves of New York" as well as his next project "Mr. & Mrs. Bridge"; in February 1990 re: many new film projects, inc. Merchant-directed "In Custody", "Howards End" and "Jefferson in Paris"; in November 1990 re: financing completed for "Howards End", plus foreign success of "Mr. & Mrs. Bridge" before its U.S. release; in June 1992 re: deal with Disney to produce "Jefferson in Paris"- Actor
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Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.I did an amusing stand-up interview with him at Elaine's restaurant in Manhattan in 1980 for the movie "Venom". Every time Klaus wanted to make a point he would grab me by both shoulders for emphasis. He was especially proud of how he had got the crew to gang up with him to get director Tobe Hooper fired, after disagreements during filming.- Writer
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Born in Wilkes-Barre, Pennsylvania, on February 11, 1909, Joseph Leo Mankiewicz first worked for the movies as a translator of intertitles, employed by Paramount in Berlin, the UFA's American distributor at the time (1928). He became a dialoguist, then a screenwriter on numerous Paramount productions in Hollywood, most of them Jack Oakie vehicles. Still in his 20s, he produced first-class MGM films, including The Philadelphia Story (1940). Having left Metro after a dispute with studio chief Louis B. Mayer over Judy Garland, he then worked for Darryl F. Zanuck at 20th Century-Fox, producing The Keys of the Kingdom (1944), when Ernst Lubitsch's illness first brought him to the director's chair for Dragonwyck (1946). Mankiewicz directed 20 films in a 26-year period, successfully attempted every kind of movie from Shakespeare adaptation to western, from urban sociological drama to musical, from epic film with thousands of extras to a two-character picture. A Letter to Three Wives (1949) and All About Eve (1950) brought him wide recognition along with two Academy Awards for each as a writer and a director, seven years after his elder brother Herman J. Mankiewicz won Best Screenplay for Citizen Kane (1941). His more intimate films like The Ghost and Mrs. Muir (1947), The Barefoot Contessa (1954)--his only original screenplay--and The Honey Pot (1967) are major artistic achievements as well, showing Mankiewicz as a witty dialoguist, a master in the use of flashback and a talented actors' director (he favored English actors and had in Rex Harrison a kind of alter-ego on the screen).My Variety interview with the great writer-director took place at his home in Bedford, N.Y., covering his career and work in Hollywood labor issues (DGA and Screen Actors Guild). The guest bathroom had a blowup of a New Yorker magazine cartoon making fun of his famous movie "Cleopatra", its display there reflecting his own sense of humor.- Director
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Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. Lee came from artistic, education-grounded background; his father was a jazz musician, and his mother, a schoolteacher. He attended school in Morehouse College in Atlanta and developed his film making skills at Clark Atlanta University. After graduating from Morehouse, Lee attended the Tisch School of Arts graduate film program. He made a controversial short, The Answer (1980), a reworking of D.W. Griffith's The Birth of a Nation (1915), a ten-minute film. Lee went on to produce a 45-minute film Joe's Bed-Stuy Barbershop: We Cut Heads (1983) which won a student Academy Award. In 1986, Spike Lee made the film, She's Gotta Have It (1986), a comedy about sexual relationships. The movie was made for $175,000, and earned $7 million at the box office, which launched his career and allowed him to found his own production company, 40 Acres and a Mule Filmworks. His next movie was School Daze (1988), which was set at a historically black school, focused mostly on the conflict between the school and the Fraternities, of which he was a strong critic, portraying them as materialistic, irresponsible, and uncaring. With his School Daze (1988) profits, Lee went on to make his landmark film, Do the Right Thing (1989), a movie based specifically his own neighborhood in Brooklyn, New York. The movie portrayed the racial tensions that emerge in the Bed-Stuy neighborhood on one very hot day. The movie garnered Oscar nominations for Best Original Screenplay, for Danny Aiello for supporting actor, and sparked a debate on racial relations. Lee went on to produce and direct the jazz biopic Mo' Better Blues (1990), the first of many Spike Lee films to feature Denzel Washington, including the biography of Malcolm X (1992), in which Washington portrayed the civil rights leader. The movie was a success, and garnered an Oscar nomination for Washington. The pair would work together again on He Got Game (1998), an excursion into the collegiate world showing the darker side of college athletic recruiting, as well as the 2006 film Inside Man (2006). Spike Lee's role as a documentarian has expanded over the years, highlighted by his participation in Lumière and Company (1995), the Oscar-nominated 4 Little Girls (1997), to his Peabody Award-winning biographical adaptation of Black Panther leader in A Huey P. Newton Story (2001), through his 2005 Emmy Award-winning examination of post-Katrina New Orleans in When the Levees Broke: A Requiem in Four Acts (2006) and its follow-up five years later If God Is Willing and da Creek Don't Rise (2010). Through his production company 40 Acres and A Mule Filmworks, Lee continues to create and direct both independent films and projects for major studios, as well as working on story development, creating an internship program for aspiring filmmakers, releasing music, and community outreach and support. He is married to Tonya Lewis Lee, and they have two sons, Satchel and Jackson.My review of his debut movie "Joe's Bed-Stuy Barbershop" in 1984 was the first critique published in Spike's career, and I later had the first published review of "Do the Right Thing" which I filed for Daily Variety right after the 9 a.m. press screening at the 1989 Cannes Film Festival, where his entourage included Ossie Davis and Ruby Dee, both amazing to meet and chat with. I covered his other films, interviewing him about the production of "Malcolm X".- Actor
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Malcolm John Taylor was born on June 13, 1943 in Leeds, England, to working-class parents Edna (McDowell), a hotelier, and Charles Taylor, a publican. His father was an alcoholic. Malcolm hated his parents' ways. His father was keen to send his son to private school to give him a good start in life, so Malcolm was packed off to boarding school at age 11. He attended the Tonbridge School and the Cannock House School in Eltham, Kent. At school, he was beaten with the slipper or cane every Monday for his wayward behavior. Whilst at school, he decided that he wanted to become an actor; it was also around this time that his love for race cars began. He attended the London Academy of Music and Dramatic Arts (LAMDA) to study acting. Meanwhile, he worked at his parents' pub but lost his job when the pub went bankrupt, his father drinking all the profits. He then had a variety of jobs, from coffee salesman to messenger.
His first big-screen role was in Poor Cow (1967), although his two-minute scene was ultimately cut from the completed film. Soon after, he caught the attention of director Lindsay Anderson who cast him in the role of a rebellious student in his film If.... (1968). The film catapulted Malcolm to stardom in Britain but failed everywhere else. He was so enthusiastic about the film's success that he wanted to do another right away. He began writing what would become the semi-autobiographical O Lucky Man! (1973). Then he starred as Alex DeLarge in Stanley Kubrick's controversial A Clockwork Orange (1971), a role that gave him world fame, and legendary status (although typecasting him as a in villainous roles). In early 1976, he spent nearly a year working on what would later be one of the most infamous films of all time, the semi-pornographic Caligula (1979), financed by Penthouse magazine founder Bob Guccione. Around that time, the British film industry collapsed, forcing him to flee to America to continue working. His first American film was Time After Time (1979). He then did Britannia Hospital (1982), the last part of Lindsay Anderson's working-class trilogy that started with If.... (1968).
In the mid-1980s, the years of alcohol and drug abuse, including $1000 a week on cocaine, caught up with him. Years of abuse took its toll on him; his black hairs were now gray. Looking older than he really was, nobody wanted to cast him for playing younger roles. The big roles having dried up, he did many B-rated movies. The 1990s were kinder to him, though. In 1994, he was cast as Dr. Tolian Soran, the man who killed Captain James T. Kirk in Star Trek: Generations (1994). He was back on the track, playing villains again. He played another in the classic BBC miniseries Our Friends in the North (1996). Today, with more than 100 films under his belt, he is one of the greatest actors in America. He still does not have American citizenship, but he likes the no-nonsense American ways. He resides in the northern suburbs of Los Angeles, California.My full-length interview with Malcolm in 1980 was transcribed and appeared in Mise-en-Scene film magazine published by my alma mater Case Western Reserve University. He was in NY performing in "Look Back in Anger" at the Roundabout theater directed by Lindsay Anderson, and was especially animated, acting out scenes from his movies. A treat was when his fiancee Mary Steenburgen joined us late in the talk.- Actress
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Zoe Lund was born Zoe Tamerlis to a Swedish mother and Romanian father on February 9, 1962 in New York City. She was an accomplished composer/musician and devout political activist at an early age. In 1981 at age 19, Lund gave a stunning performance as Thana, a mousy, mute garment worker and rape victim who violently strikes back against male oppression and exploitation of women in Abel Ferrara's outstanding distaff vigilante cult classic Ms .45 (1981). She was likewise excellent and impressive in a demanding dual role as both a murdered aspiring Southern Belle actress and the lookalike New York woman who was used to replace her in Larry Cohen's nifty thriller Special Effects (1984). From 1980 to 1985, Lund lived and worked with critic and filmmaker Edouard de Laurot. She did a guest spot on an episode of Miami Vice (1984) and appeared as herself in the racy documentary Heavy Petting (1989).
Lund co-wrote the script for and had a supporting role as a drug addict in Ferrara's crime drama Bad Lieutenant (1992). Lund was a staunch advocate of heroin drug use. In addition, she was a professional model in her 20s and a writer who penned various essays, short stories, novels and film scripts (one of these unfinished screenplays was about supermodel Gia Carangi; Lund appears as an interview subject in the documentary The Self-Destruction of Gia (2003) (in which she candidly discusses her own heroin use). In 1993, Lund wrote, directed and starred in the one and a half minute short feature Hot Ticket (1993). Zoe Lund was working on a short story anthology when she died of drug-related heart failure at the tragically young age of 37 in Paris, France on April 16, 1999.I reviewed "Ms. 45" in 1981 prior to its debut in NY. My first interview with Zoe Tamerlis was years later, in December 1985 re: her avant-garde movie "Curfew U.S.A." (never completed), directed by Christian De Lorent. Our interview took place at Union Square Cafe in Manhattan, covering her career, writing screenplays including the never-made John Holmes biopic that had Chris Walken cast as Holmes, and in particular "Bad Lieutenant". She later was my guest along with her husband Robert Lund at the awards ceremony in 1993 of the NYFCC.- Actor
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Melvin Van Peebles was born on 21 August 1932 in Chicago, Illinois, USA. He was an actor and writer, known for The Shining (1997), Sweet Sweetback's Baadasssss Song (1971) and Don't Play Us Cheap (1972). He was married to Maria Marx. He died on 21 September 2021 in Manhattan, New York City, New York, USA.We got to know each other in the 1980s and I interviewed him in February 1989 about his return to filmmaking, with son Mario in "Identity Crisis"; in April 1990 re: planned movie on the Black Panthers, collaborating with Mario; in March 1991 re: impressive growth in film releases from Black directors for my survey story. One memorable occasion was my taking him to see Oliver Stone's "The Doors" at the Ziegfeld theater and hearing first-hand Melvin's strong feelings on how badly Stone had handled that subject and era.- Actress
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The noted outré underground celebrity Ultra Violet was born Isabelle Collin Dufresne on September 6, 1935, and a convent-raised French bourgeois heiress. A coiffured society deb in those days, she moved to New York in 1953 where she spent a decade surrounding herself with modernist artists like John D. Graham, John Chamberlain, and Salvador Dalí, the last of whom triggered her career as a painter.
It was through her relationship with Dali that she eventually met pop icon Andy Warhol in the early 1960's and changed her name to Ultra Violet, evolving into one of Warhol's more accessible and unforgettable trashy-chic East 47th Street "Factory" superstars. An exotic vamp in style and attitude, Ultra Violet seemed to pick up quite a bit of makeup tips from silent star Theda Bara and made her Warhol debut with The Life of Juanita Castro (1965) and went on to appear next in Warhol's I a Man (1967) before her cameo inclusions in other counterculture cult films such as the odd Norman Mailer film Maidstone (1970) and The Secret Life of Hernando Cortez (1969).
Ultra Violet made her legit film debut playing herself as a decadent party guest in the Oscar-wining x-rated film Midnight Cowboy (1969), and went on to offer a flash of weirdness in such bizarre, offbeat films as The Phynx (1970), Dinah East (1970) (starring Jeremy Stockwell as a 50's movie queen who is actually a man), Simon, King of the Witches (1971) (as a high priestess), The Telephone Book (1971) (as a whip lady), Curse of the Headless Horseman (1972) (as a Countess), Savages (1972), Bad Charleston Charlie (1973) and a New York character named Lady MacBeth in the Jill Clayburgh drama An Unmarried Woman (1978).
Her best-selling 1988 autobiography "Famous for Fifteen Minutes: My Years with Andy Warhol" detailed her rise in celebrity, and her play "You Are What You Eat" was performed in Czechoslovakia in 1992. She also appeared several Warhol documentaries, including Superstar: The Life and Times of Andy Warhol (1990) and Andy Warhol's Factory People (2008).
As a visual artist with political and spiritual overtones, her mixed-media works have been displayed worldwide. She opened an art studio in Nice in 1990, creating a movement called "L'Ultratique," publishing two manifestos in the early 1990's. Her work was included in the Audart exhibition that commemorated the tenth anniversary of Warhol's death.
In 1973, suffering from acute depression, the lilac-haired Ultra Violet had a reawakening after a near-death experience. In the 1980's renounced her excessive lifestyle and became a disciple of The Church of Jesus Christ of Latter-day Saints, which she practiced for the rest of her life. Slowly parting ways from the Factory scene, she, as such, took a more independent focus on her art. A bi-continental resident, Ultra Violet divided her time in later years between her studio in Nice and her penthouse apartment in Manhattan.
Diagnosed with cancer, her last New York exhibition entitled "Ultra Violet: The Studio Recreated" occurred at the Dillon Gallery in Chelsea. A few weeks later, the 78-year-old NYC artist died on June 14, 2014. She was taken back to her homeland and buried in France.A longtime fan of her Warhol movies, I interviewed her in December 1988 when her autobiography was published, and she had great stories about her relationship with Salvador Dali. Amusingly she signed my copy: "Don't be a vampire Larry". I must have rambled on a bit about horror movies, and so many years later I'm glad I never interviewed Herschel Walker!- Director
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A controversial film maker, Wolfgang Petersen has at once been lauded for his professionalism and attention to detail and decried for turning out a string of standard commercial Hollywood blockbusters. The son of a naval officer, Petersen held a lifelong fascination with the sea and naval subjects. He was born in Emden and attended drama school in Hamburg. Having already made some 8 mm films while at school, he proceeded to direct as well as act at the Junges Theater in Hamburg (later renamed the Ernst-Deutsch-Theater). In 1966, he joined the newly formed Deutsche Film- und Fernsehakademie Berlin (DFFB) where he made several short films while simultaneously directing plays in Hamburg. Having caught the eye of German television networks, Petersen went on to direct a string of TV movies which often dealt with such contentious issues as environmental pollution and underage sex. An early success and also his first cinematic release was the taut psychological thriller One or the Other (1974), which starred Jürgen Prochnow and Elke Sommer. This led to more regular assignments on the ever-popular detective series Tatort (1970) for which Petersen directed six episodes.
In 1980, Petersen was commissioned by Bavaria Studios to direct Das Boot (1981), based on a 1971 novel by Lothar G. Buchheim. Filmed on a budget of 32 million DM, it became the most realistic and harrowing portrayal of life aboard a submarine in wartime filmed to date, the action of 'Das Boot' being set during the battle of the North Atlantic and culminating in an abortive attempt to cross the British-controlled strait of Gibraltar into the Mediterranean. The film concluded with a bitterly ironic climax. 'Das Boot' (re-released as a miniseries in 1985) starred Petersen's long-standing collaborator Jürgen Prochnow (who became an international star as a result) and was nominated for six Academy Awards (including Best Director and Best Writing). In its wake, Petersen directed and co-wrote a children's fantasy --again filmed at the Bavaria facilities near Munich-- The NeverEnding Story (1984). Though successful at the box-office (especially in Germany), it did not attract universal critical appeal. By contrast, his second English-language film, the science fiction drama Enemy Mine (1985) was only a modest financial success but rated better in reviews over the years, the Los Angeles Times describing it as "surprisingly coherent, surprisingly enjoyable".
In 1987, Petersen moved to Santa Monica, California. For a while, he was part of an A-list of directors tasked with helming mega-budget blockbusters starring big name actors like Clint Eastwood, Harrison Ford, George Clooney and Brad Pitt. Most were palpable box-office hits, especially In the Line of Fire (1993) (often cited as his best Hollywood enterprise), Air Force One (1997) and the historical epic Troy (2004), which grossed $497.4 million worldwide. Reviewer reception for Troy tended to be lukewarm to cool, even more so with the disaster movies Outbreak (1995) and The Perfect Storm (2000), the latter criticized as suffering from "a lack of any actual drama or characterization". Attracting even lower critical esteem was Petersen's remake of Irwin Allen 's original 1972 disaster movie, Poseidon (2006). It ended up both a box office and a critical flop in the U.S. with only the superior CGI special effects gaining plaudits. Poseidon was nominated for the Golden Raspberry Award for Worst Remake. Following this debacle, Petersen withdrew from Hollywood and had a decade-long hiatus before directing his final picture, the German heist drama Vier gegen die Bank (2016).
Petersen's second wife was the assistant director and script supervisor Maria-Antoinette Borgel with whom he had a son. Petersen died from pancreatic cancer on August 12 2022 in Brentwood, California.I interviewed him in NY in February 1982 covering the U.S. release of "Das Boot" -Jurgen Prochnow was also present for the "Das Boot" talk we had; in July 1984 re: release of "The Neverending Story" and taking over direction of "Enemy Mine"; in October 1989 re: filming "The Plastic Nightmare" (a project he first planned a decade ago) as well as WW I drama "Fields of Honor"- Actress
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Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).I interviewed her together with her director husband Pasquale Squitieri together in NYC in December 1991 when their film "Act of Sorrow" opened the series "RAI-2: Italy, the Other Cinema" at MoMA.- Producer
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Serge Silberman was born on 13 May 1917 in Lódz, Lódzkie, Poland. He was a producer and actor, known for Ran (1985), The Discreet Charm of the Bourgeoisie (1972) and Bob the Gambler (1956). He died on 22 July 2003 in Paris, France.He was my favorite film producer, based on such movies as "Rider on the Rain", "Le Trou", "Bob le Flambeur", Kurosawa's "Ran" and all the later Bunuel features. Our interview occurred in NY in January 1982, where he was overseeing the production of James Toback's movie "Exposed" and I unexpectedly appeared in it fleetingly as an extra -my back to the camera.- Actress
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Margarethe von Trotta was born in Berlin in 1942. In the 1960s she moved to Paris where she worked for film collectives, collaborating on scripts and co-directing short films. She also pursued an acclaimed acting career, starring in films by well known German directors such as Rainer Werner Fassbinder, and Volker Schlöndorff. In 1971, von Trotta divorced her first husband Juergen Moeller (with whom she had a child) and married Schlöndorff. She co-wrote many of the scripts for his films, and in 1975 the two of them co-directed The Lost Honor of Katharina Blum (1975). In 1977, von Trotta directed her first solo feature The Second Awakening of Christa Klages (1978). With her third film, Marianne & Juliane (1981), von Trotta's position as New German Cinema's most prominent and successful female filmmaker was fully secured.
Her films feature strong female protagonists, and are usually set against an important political background. Themes in her work include the effect of the political on the personal, and vice versa, as well as the relationships between female characters, often sisters.I interviewed her twice for the opening of two films: "Sheer Madness" in January 1982 and "Rosa Luxembourg".- Actor
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Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.I did two interviews, one during the press junket in December 1984 for "A Passage to India" and in January 1989 (by phone) for the opening of "Little Dorrit", also discussing the restoration of "Lawrence of Arabia" for which he revoiced his role in footage previously cut from the negative post-initial release of the David Lean classic- Actor
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Leonard Simon Nimoy was born in Boston, Massachusetts, to Dora (Spinner) and Max Nimoy, who owned a barbershop. His parents were Ukrainian Jewish immigrants. Raised in a tenement and acting in community theaters since age eight, Nimoy did not make his Hollywood debut until he was 20, with a bit part in Queen for a Day (1951) and another as a ballplayer in the perennial Rhubarb (1951). After two years in the United States Army, he was still getting small, often uncredited parts, like an Army telex operator in Them! (1954). His part as Narab, a Martian finally friendly to Earth, in the closing scene in the corny Republic serial Zombies of the Stratosphere (1952), somewhat foreshadowed the role which would make him a household name: Mr. Spock, the half-human/half-Vulcan science officer on Star Trek (1966) one of television's all-time most successful series. His performance won him three Emmy nominations and launched his career as a writer and director, notably of Star Trek IV: The Voyage Home (1986), the story of a humpback whale rescue that proved the most successful of the Star Trek movies. Stage credits have included "Fiddler on the Roof", "Oliver", "Camelot" and "Equus". He has hosted the well-known television series In Search of... (1977) and Ancient Mysteries (1994), authored several volumes of poetry and guest-starred on two episodes of The Simpsons (1989). In the latter years of his career, he played Mustafa Mond in NBC's telling of Aldous Huxley's Brave New World (1998), voiced Sentinel Prime in the blockbuster Transformers: Dark of the Moon (2011), and played Spock again in two new Star Trek films, Star Trek (2009) and Star Trek Into Darkness (2013).
Leonard Nimoy died on February 27, 2015 in Bel Air, Los Angeles, California, of end-stage chronic obstructive pulmonary disease. He was 83.My 1st interview took place at the Gulf & Western Bldg. in Columbus Circle, when he recalled in detail his direction of "Star Trek III" and the preparation for his first feature as helmer. I'll never forget the moment of shock when I stood at the elevator in the lobby and the doors opened to reveal inches away from me: Spock! Certainly a fan's dream.- Actress
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Susan George was born on 26 July 1950 in Surbiton, Surrey, England, UK. She is an actress and producer, known for Straw Dogs (1971), Dirty Mary Crazy Larry (1974) and Mandingo (1975). She was previously married to Simon MacCorkindale.I interviewed her with husband Simon McCorkindale and their star Derek de Lint at the Cannes Film Festival in May 1988 for their production "Stealing Heaven", plus projects "Woden's Day" and Susan starring in "The Lifeguard" in Yugoslavia; also in April 1989 re: her campaign to rescue "Heaven" from U.S. distributor, as well as presenting 2nd production "That Winter of White Roses" at Cannes- Director
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Belonging to an important family clan in Wisconsin, Joseph Losey studied philosophy but was always interested in theater and thus worked together with Bertolt Brecht. After directing some shorts for MGM, he made his first important film, The Boy with Green Hair (1948), for RKO. While he was filming The Prowler (1951) in Italy he was summoned to testify before the House Un-American Activities Committee, the congressional committee charged with "rooting out" Communist "subversion" in the motion picture industry. Unwilling to subject himself to the committee's well-known intimidation tactics, Losey decided to seek exile in Great Britain. In the following years he used a pseudonym--"Joseph Walton"--for his films, which were of minor quality. He regained his prestige with the thrillers Chance Meeting (1959), The Concrete Jungle (1960) and Eva (1962). From that point on his films varied between top-quality work like Accident (1967) and much lower-quality projects such as Modesty Blaise (1966), which was a box-office success, and Galileo (1975), which wasn't.Our interview in October 1982 for "La truite" and its American release included fascinating information about a dream project he ultimately was never able to film: the adaptation by Harold Pinter of Proust's "Remembrance of Things Past", emphasizing "Cities of the Plain" section.- Producer
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Gale Anne Hurd was born on October 25, 1955 in Los Angeles, California. After graduating from Stanford University, she joined New World Pictures as executive assistant to Roger Corman, the company president. She worked her way up through various administrative positions and eventually became involved in production. She formed her own production company, Pacific Western Productions, in 1982 and went on to produce a number of box-office hits including The Terminator (1984), Aliens (1986) and The Abyss (1989). All were directed by James Cameron, whom she later married and divorced. She also later married and divorced Brian De Palma. She is currently the recording secretary for the Producers Guild of America.Her production of James Cameron's "The Abyss" was our subject, and at the time was of special interest since independent U.S. filmmaker Earl Owensby was making a big splash (pun intended) with his brand-new production facilities Hurd & Cameron used in South Carolina.- Actor
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Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.Another animated interviewee who one can't imagine remaining seated, but given to acting things out, he was long my hero in movies and on TV, and it was exciting to hear his thoughts on his release "Out of the Blue".- Director
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Peter Greenaway trained as a painter and began working as a film editor for the Central Office of Information in 1965. Shortly afterwards he started to make his own films. He has produced a wealth of short and feature-length films, but also paintings, novels and other books. He has held several one-man shows and curated exhibitions at museums world-wide.He was in NYC attending a SoHo gallery presenting his collages artwork. We had a chat pre-opening about his movies. His knowledge of many subjects greatly impressed me, and almost comically in our conversation he said casually: "You know Larry, the Jacobeans would often take the lead roles in their plays...". As if I knew that!- Director
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Writer-director Katt Shea's latest movie "Rescued By Ruby" (2022) is a hugely successful Netflix original that received the highly coveted 100% Rating on Rotten Tomatoes. She balanced working with a dog as the star, a two year old toddler, 37 other dogs and animals, real canine unit members w/ principal roles and Strict Covid protocols to create a near perfect family film.
Katt has been honored by retrospectives her critically acclaimed films at the Museum of Modern Art in New York City, The British Film Institute in London and various festivals throughout Europe. She also won the Silver Award for screenwriting at The Houston Film Festival and the Trailblazing Award for "inspiring a generation of young filmmakers". Katt has been profiled on the front page of The New York Times Arts & Leisure section and in a special issue of US Magazine dedicated to the role of the director in filmmaking. Critics have compared her to Martin Scorsese, Oliver Stone and even Ingmar Bergman.
Andrew Sarris says of her, "I see an unusually kinetic talent combined with a flare for complex narrative. Ms. Shea does little things so well that big meanings flow out of them." Rolling Stone's Peter Travers adds, "The emotional resonance, visual sophistication and strong subtext of Shea's work fuse to create a distinctive style worth monitoring. Look at Jonathan Demme's Caged Heat, Martin Scorsese's Boxcar Bertha. Shea follows in that tradition and does it proud." New York Times writer Caryn James credits Katt with starting a new genre, about the screenings of Poison Ivy at the Sundance Film Festival she wrote: "One of the best competition films is Poison Ivy directed by Katt Shea whose previous movies were made for Roger Corman. Four of these movies will be shown at the Museum of Modern Art in Manhattan which says everything about the genre she and Sundance are helping to define."
Katt's first studio film, The Rage: Carrie 2, opened at # 2 at the box office, the film received rave reviews in The L.A. Times, The San Francisco Chronicle, The New York Post, The Village Voice and The Nation. Kevin Thomas of The Los Angeles Times called her "...a master of genre. Shea's ability to play various elements against one another gives "The Rage" welcome complexity and tension." Stuart Klawans of The Nation raves the Katt Shea's movies are "...remarkable for their disquieting themes, for their style (bold, fluent and varied)...Over the past dozen years only five or six American women besides Shea have managed to turn out a comparable number of commercial features...Look at he beauty and terror that Katt Shea can achieve and ask whether there's motivation today for The Rage." In recent years, the film has been discovered by younger audiences and praised for it's examination of real-life toxic masculinity & misogyny, that puts more importance on the futures of rapist boys over the dignity of teenage girls.
Katt's movies seem to set trends within the industry. Poison Ivy, which was a significant video hit and boasts the highest turns per copy in video history, inspired dozens of high profile imitators and the influence of her even her earliest low budget films, is still felt within the thriller genre. Katt's first TV Movie for CBS, called Sharing The Secret, won the prestigious Peabody Award. Airing on sweeps week, The Hollywood Reporter paid tribute: "Some first rate performances, along with Shea's fine tuned direction create Sharing The Secret's intelligent two hours." Her next TV movie, Nora Roberts' Sanctuary, is the first adaptation of a novel by the largest selling female author in history. It aired on CBS during February sweeps week. Variety said, "Director and co-screenwriter Katt Shea hits all the right beats, establishes the characters with depth and even invests the genre piece with some stylish dream sequences." ...Perhaps Peter Travers sums things up best when he says, "Why settle for a usual walk around the block when Shea offers a wild ride with the top down into un-chartered territory?"
Her Films continue to Screen to Sold out Audiences at Quentin Tarantino's New Beverly Theatre in Los Angeles, The Alamo Draft House & other Art House Cinemas across the country.
Katt is currently writing an Indie feature for production in 2023.
She is a voting member of the Academy.We did several phone interviews, including in December 1986 as I covered her early Corman productions and transition from acting to directing; then in July 1987 re: quickie production history of her vampire movie "Half-Life"; my enthusiasm for her work eventually inspired Larry Kardish to book her "Poison Ivy" with Drew Barrymore at MoMA with Katt in attendance.