Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has picked up North American rights to The Unknown, the next feature from Anatomy of a Fall writer Arthur Harari.
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
- 5/17/2024
- by Zac Ntim
- Deadline Film + TV
Neon is plunging into the great unknown with Léa Seydoux and filmmaker Arthur Harari. The indie outfit has landed North American rights to The Unknown, and appropriate for its title, its logline is currently unknown.
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
- 5/17/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Neon has done a great job of promoting the upcoming horror film Longlegs while also keeping the story’s secrets concealed. Although multiple teaser trailers and posters have made their way online, we still don’t know a whole lot about this movie, beyond the fact that it’s scheduled to reach theatres on July 12th. But if you want to know exactly how much we do know about it, just keep scrolling down, because we have compiled a list of Everything We Know About Longlegs.
Director
Longlegs, which is said to be “in the vein of classic Hollywood psychological thrillers”, is the latest genre project from director Osgood Perkins – who, yes, is the son of actor Anthony Perkins, best remembered for his performance as Norman Bates in the Alfred Hitchcock classic Psycho. The younger Perkins has been building a solid career of his own, though, with his previous directorial...
Director
Longlegs, which is said to be “in the vein of classic Hollywood psychological thrillers”, is the latest genre project from director Osgood Perkins – who, yes, is the son of actor Anthony Perkins, best remembered for his performance as Norman Bates in the Alfred Hitchcock classic Psycho. The younger Perkins has been building a solid career of his own, though, with his previous directorial...
- 5/16/2024
- by Cody Hamman
- JoBlo.com
In “Babes,” Neon’s raucous comedy about the intricate emotional threads that are tested when best friends become new mothers, there’s a particularly rousing scene where Eden (Ilana Glazer) and Dawn (Michelle Buteau) lose their minds on mushrooms. In need of a night away from their troubles, the lifelong pals hole up in Eden’s Queens apartment to let loose a little — Ok, to let loose a lot — and it’s up to director Pamela Adlon to capture it all.
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
- 5/16/2024
- by Ben Travers
- Indiewire
It’s not always easy to find out which movies hit theaters each week, especially after the Hollywood strikes led to many release date changes. With the WGA and actors strikes resolved and summer blockbusters starting to roll in, May is filled with both big budget flicks and new indie releases.
Premiering May 17 is John Kransinski’s “If,” which follows a young girl who can see the abandoned imaginary friends of adults starring Cailey Fleming, Ryan Reynolds, John Krasinski and Emily Blunt. Also hitting theaters is the Amy Winehouse biopic “Back to Black,” which chronicles the life of Winehouse and the creation of her best-selling album starring Marisa Abela, Eddie Marsan, Jack O’Connell and Lesley Manville. Two films getting limited releases this week are “Babes,” a comedy following a woman who gets unexpectedly pregnant after a one-night stand, and “Taking Venice,” a documentary about the turbulent times at the Venice...
Premiering May 17 is John Kransinski’s “If,” which follows a young girl who can see the abandoned imaginary friends of adults starring Cailey Fleming, Ryan Reynolds, John Krasinski and Emily Blunt. Also hitting theaters is the Amy Winehouse biopic “Back to Black,” which chronicles the life of Winehouse and the creation of her best-selling album starring Marisa Abela, Eddie Marsan, Jack O’Connell and Lesley Manville. Two films getting limited releases this week are “Babes,” a comedy following a woman who gets unexpectedly pregnant after a one-night stand, and “Taking Venice,” a documentary about the turbulent times at the Venice...
- 5/15/2024
- by Pat Saperstein and Jack Dunn
- Variety Film + TV
Following reports that James Gunn is eyeing the Emmy-nominated filmmaker Craig Gillespie for one of the highly anticipated films in the new DC Universe, Supergirl: Woman of Tomorrow, recent updates have confirmed Gillespie’s official signing onto the project. Additionally, the studio has also announced a release date for the film, starring Milly Alcock in the titular role.
Supergirl: Woman of Tomorrow | Credit: DC
However, despite the filmmaker having a track record of significant female-led hits, some of the fans have raised concern over a male filmmaker leading the project, arguing that a female director would have potentially been more suitable to bring Kara Zor-el’s adventures to life on screen.
James Gunn’s Supergirl: Woman of Tomorrow Gets Exciting Updates
DC Studios has recently shared some exciting updates regarding Supergirl: Woman of Tomorrow, from its release date to its director and filming schedule. According to The Hollywood Reporter, Craig...
Supergirl: Woman of Tomorrow | Credit: DC
However, despite the filmmaker having a track record of significant female-led hits, some of the fans have raised concern over a male filmmaker leading the project, arguing that a female director would have potentially been more suitable to bring Kara Zor-el’s adventures to life on screen.
James Gunn’s Supergirl: Woman of Tomorrow Gets Exciting Updates
DC Studios has recently shared some exciting updates regarding Supergirl: Woman of Tomorrow, from its release date to its director and filming schedule. According to The Hollywood Reporter, Craig...
- 5/15/2024
- by Laxmi Rajput
- FandomWire
Neon Promotes Elissa Federoff to Chief Distribution Officer, Ryan Friscia to Chief Financial Officer
Neon, the indie studio behind “Anatomy of a Fall” and “Parasite,” has made a pair of key promotions.
Elissa Federoff has been named chief distribution officer, having previously served as president of distribution, while Ryan Friscia has been upped to chief financial officer, having previously served as the company’s EVP of finance and business development.
Federoff has been with Neon since its inception in 2017. In her new role, she will continue to oversee the company’s release strategy across all its titles. Recent Neon releases include Michael Mohan’s “Immaculate,” starring Sydney Sweeney, which has grossed more than $16 million; Wim Wenders’ “Perfect Days,” which earned an Oscar nomination for best international feature; and “Anatomy of a Fall,” which was nominated for best picture at the Academy Awards and won the Oscar for original screenplay.
Friscia joined Neon in 2020, helping to guide the company’s financial and operational strategy, which...
Elissa Federoff has been named chief distribution officer, having previously served as president of distribution, while Ryan Friscia has been upped to chief financial officer, having previously served as the company’s EVP of finance and business development.
Federoff has been with Neon since its inception in 2017. In her new role, she will continue to oversee the company’s release strategy across all its titles. Recent Neon releases include Michael Mohan’s “Immaculate,” starring Sydney Sweeney, which has grossed more than $16 million; Wim Wenders’ “Perfect Days,” which earned an Oscar nomination for best international feature; and “Anatomy of a Fall,” which was nominated for best picture at the Academy Awards and won the Oscar for original screenplay.
Friscia joined Neon in 2020, helping to guide the company’s financial and operational strategy, which...
- 5/15/2024
- by Brent Lang
- Variety Film + TV
Neon is here to crawl into your Tuesday and make it creepy. A new Longlegs trailer is perplexing horror fans today with a cryptic and extended look at Osgood Perkins’s bizarre-looking serial killer film. The theatrical cut of the “Dirty” and “Sweet” teasers explore two main characters of the film: FBI Agent Harker (Maika Monroe) and the serial killer, Longlegs, played by Nicolas Cage.
In the Longlegs trailer, Perkins fills the screen with disturbing imagery and perplexing prose, teasing events from a bizarre trip into the heart of darkness.
Longlegs follows FBI agent Lee Harker, “a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.”
Last week, the...
In the Longlegs trailer, Perkins fills the screen with disturbing imagery and perplexing prose, teasing events from a bizarre trip into the heart of darkness.
Longlegs follows FBI agent Lee Harker, “a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.”
Last week, the...
- 5/14/2024
- by Steve Seigh
- JoBlo.com
Exclusive: Thriving U.S. indie producer-distributor Neon is no stranger to the Cannes Film Festival with the Tom Quinn-founded banner having acquired a historic four consecutive Palme d’Or wins, thus earning them the nickname “the Palme d’Or whisperers”. This year, while the company has Sean Baker’s new rom-com Anora playing in Competition, it’s also descending upon the Croisette in a new capacity with its recently-launched international sales strand, led by seasoned sales exec and Sierra/Affinity veteran Kristen Figeroid.
International buyers will be hard pressed not to notice the new Neon banner right on the Croisette this year, as the company launches sales on Osgood Perkins’ next genre movie Keeper, starring Tatiana Maslany and Rossif Sutherland. Neon is already set to distribute the title in the U.S. (Elevation...
International buyers will be hard pressed not to notice the new Neon banner right on the Croisette this year, as the company launches sales on Osgood Perkins’ next genre movie Keeper, starring Tatiana Maslany and Rossif Sutherland. Neon is already set to distribute the title in the U.S. (Elevation...
- 5/14/2024
- by Diana Lodderhose
- Deadline Film + TV
For those keeping score, and we know Neon is, it’s four Palme d’Or victories for Neon, who bought “Anatomy of a Fall” out of last year’s Cannes Film Festival. The boutique shingle didn’t stop there, and also acquired “Robot Dreams” and “Perfect Days” as well. Netflix plunked down $11 million for “May December,” and the festival produced sales for other buzzy titles like “Jeanne du Barry” and “The Taste of Things.” All that, and with the specter of the writers strike hanging over it.
So what will sell big this year? Many of the titles in competition as part of this year’s Official Selection are up for grabs, even as Neon, A24, Mubi, and Searchlight are all arriving with at least one contender in the main race. We’ll be tracking everything that gets bought below throughout the festival and beyond.
Films Acquired During the Festival...
So what will sell big this year? Many of the titles in competition as part of this year’s Official Selection are up for grabs, even as Neon, A24, Mubi, and Searchlight are all arriving with at least one contender in the main race. We’ll be tracking everything that gets bought below throughout the festival and beyond.
Films Acquired During the Festival...
- 5/14/2024
- by Brian Welk
- Indiewire
Neon, the Oscar-winning distributor of “Parasite,” is getting back in business with “Titane” director Julia Ducournau.
In one of the first big rights deals of this year’s Cannes Film Festival, the studio announced it has acquired North American territories for Ducournau’s “Alpha.” Plot details were not immediately disclosed, except that the film will be “genre-defying.” Neon previously released Ducournau’s acclaimed “Titane,” which won Cannes’ highest honor, the Palme d’Or, in 2021. She is only the second woman director to do so, following Jane Campion for “The Piano.”
“Alpha” will star Golshifteh Farahani and Tahar Rahim.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film, and Eric and Nicolas Altmayer of Mandarin & Compagnie. Frakas Productions is co-producing. Charades and FilmNation Entertainment are handling global sales. The Neon deal was negotiated by its president of acquisitions and production Jeff Deutchman, with Charades’ Carole Baraton and FilmNation...
In one of the first big rights deals of this year’s Cannes Film Festival, the studio announced it has acquired North American territories for Ducournau’s “Alpha.” Plot details were not immediately disclosed, except that the film will be “genre-defying.” Neon previously released Ducournau’s acclaimed “Titane,” which won Cannes’ highest honor, the Palme d’Or, in 2021. She is only the second woman director to do so, following Jane Campion for “The Piano.”
“Alpha” will star Golshifteh Farahani and Tahar Rahim.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film, and Eric and Nicolas Altmayer of Mandarin & Compagnie. Frakas Productions is co-producing. Charades and FilmNation Entertainment are handling global sales. The Neon deal was negotiated by its president of acquisitions and production Jeff Deutchman, with Charades’ Carole Baraton and FilmNation...
- 5/14/2024
- by Matt Donnelly
- Variety Film + TV
After serving as the U.S. distributor for Julia Ducournau’s Palme d’Or-winning 2021 body horror Titane, Neon is getting back into business with the filmmaker as the North American distributor for her next genre-bending feature, Alpha.
Golshifteh Farahani (Paterson) and Tahar Rahim (The Mauritanian) are set to star, with production on the film to kick off next fall. Details as to the plot of the film are under wraps.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film and Eric & Nicolas Altmayer of Mandarin & Compagnie, with Frakas Productions co-producing. Charades and FilmNation Entertainment are handling sales in the rest of the world during the Cannes Film Festival.
Picking up Ducournau’s last feature ahead of its launch at Cannes, Neon most recently acquired worldwide rights to Longlegs helmer Osgood Perkins’ next film Keeper, starring Tatiana Maslany and Rossif Sutherland, and Steven Soderbergh’s Presence. In Cannes,...
Golshifteh Farahani (Paterson) and Tahar Rahim (The Mauritanian) are set to star, with production on the film to kick off next fall. Details as to the plot of the film are under wraps.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film and Eric & Nicolas Altmayer of Mandarin & Compagnie, with Frakas Productions co-producing. Charades and FilmNation Entertainment are handling sales in the rest of the world during the Cannes Film Festival.
Picking up Ducournau’s last feature ahead of its launch at Cannes, Neon most recently acquired worldwide rights to Longlegs helmer Osgood Perkins’ next film Keeper, starring Tatiana Maslany and Rossif Sutherland, and Steven Soderbergh’s Presence. In Cannes,...
- 5/14/2024
- by Matt Grobar
- Deadline Film + TV
Maika Monroe and Nicolas Cage star in summer horror movie Longlegs, and a new trailer for the film has landed. Here…
A new, longer trailer for Osgood Perkins’ spider horror Longlegs has emerged online. According to Bloody Disgusting, this trailer has been showing in cinemas in the US.
Well, technically, it’s a theaterical cut of two previous teasers, titled ‘Dirty’ and ‘Sweet’. The trailer begins with the ominous words, “Do you still say your prayers?” and the trailer quickly gets weird. Very weird, but intriguing nonetheless.
The theatrical cut of the "Dirty" and "Sweet" teasers for ‘Longlegs’ has debuted online.
The teasers explore the two main characters of the film: FBI Agent Harker (Maika Monroe) and the serial killer, Longlegs (Nicolas Cage). pic.twitter.com/PM4aR9o37R
— Film Updates (@FilmUpdates) May 13, 2024
The film follows Maika Monroe’s FBI agent who is tracking down a serial killer, only...
A new, longer trailer for Osgood Perkins’ spider horror Longlegs has emerged online. According to Bloody Disgusting, this trailer has been showing in cinemas in the US.
Well, technically, it’s a theaterical cut of two previous teasers, titled ‘Dirty’ and ‘Sweet’. The trailer begins with the ominous words, “Do you still say your prayers?” and the trailer quickly gets weird. Very weird, but intriguing nonetheless.
The theatrical cut of the "Dirty" and "Sweet" teasers for ‘Longlegs’ has debuted online.
The teasers explore the two main characters of the film: FBI Agent Harker (Maika Monroe) and the serial killer, Longlegs (Nicolas Cage). pic.twitter.com/PM4aR9o37R
— Film Updates (@FilmUpdates) May 13, 2024
The film follows Maika Monroe’s FBI agent who is tracking down a serial killer, only...
- 5/14/2024
- by Simon Brew
- Film Stories
Last summer, Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie.
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
- 5/14/2024
- by Brent Lang, John Hopewell and Elsa Keslassy
- Variety Film + TV
Cage the Elephant are in a constant state of motion on their new single “Metaverse,” set to appear on their forthcoming studio album Neon Pill, out May 17.
“It’s a natural progression/No need for affection/Just a perfect deflection/When you’ve got no perspective,” frontman Matthew Shultz sings on the chorus. “Every day spent far from my family/Double check checked out I’m half asleep/What the hell, oh well, that’s life/What the hell, I keep running and running/Every day that dream comes back to me/Falling out further,...
“It’s a natural progression/No need for affection/Just a perfect deflection/When you’ve got no perspective,” frontman Matthew Shultz sings on the chorus. “Every day spent far from my family/Double check checked out I’m half asleep/What the hell, oh well, that’s life/What the hell, I keep running and running/Every day that dream comes back to me/Falling out further,...
- 5/3/2024
- by Larisha Paul
- Rollingstone.com
Clockwise from top left: Eileen (Neon), Sympathy For The Devil (Rlje Films), The Promised Land (Magnolia Pictures), Ferrari (Neon)Image: The A.V. Club
As the summer movie season gets ready to kick off in theaters, Hulu highlights some A-list stars in indie films for its May calendar. In Eileen, Anne Hathaway...
As the summer movie season gets ready to kick off in theaters, Hulu highlights some A-list stars in indie films for its May calendar. In Eileen, Anne Hathaway...
- 5/2/2024
- by Robert DeSalvo
- avclub.com
Josh Rosenbaum has been promoted to partner at Ken Kao’s Waypoint Entertainment, the production and finance company behind Neon’s upcoming horror thriller Cuckoo.
Rosenbaum, who began his career at WME, joined the company in 2015 and has worked on films that include 2017’s Hostiles, Jared Leto starrer The Outsider, and Jonah Hill’s directorial debut, Mid 90s. Rosenbaum’s appointment to the newly created post comes after the company signed on to a slate deal with Neon that will see the company produce and finance films in the $10 million range with the speciality label.
“Whether advocating for filmmakers or seamlessly collaborating with our partner teams, those fortunate enough to work alongside him can attest to his undeniable creative prowess,” said Kao. “His multifaceted contributions across all areas of the business have been pivotal to our success, and I am excited to have him as a Partner, propelling Waypoint to even greater heights.
Rosenbaum, who began his career at WME, joined the company in 2015 and has worked on films that include 2017’s Hostiles, Jared Leto starrer The Outsider, and Jonah Hill’s directorial debut, Mid 90s. Rosenbaum’s appointment to the newly created post comes after the company signed on to a slate deal with Neon that will see the company produce and finance films in the $10 million range with the speciality label.
“Whether advocating for filmmakers or seamlessly collaborating with our partner teams, those fortunate enough to work alongside him can attest to his undeniable creative prowess,” said Kao. “His multifaceted contributions across all areas of the business have been pivotal to our success, and I am excited to have him as a Partner, propelling Waypoint to even greater heights.
- 5/1/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Exclusive: Neon has hired marketing and publicity veteran Joey Monteiro as EVP, International Marketing and Ashley Hirsch as Manager of International Sales and Marketing. The move further expands the company’s global footprint as it grows its international sales arm headed up by seasoned sales executive Kristen Figeroid.
With a career spanning more than two and a half decades, Monteiro joins Neon from Sierra-Affinity/eOne, where he served as EVP of Marketing and Publicity and was responsible for creative marketing across film markets and festivals as well as international distribution. He handled campaigns on Academy Award-winning titles including: Nicolas Winding Refn’s Drive, starring Ryan Gosling; Miles Teller starrer Whiplash; Margot Robbie starrer I, Tonya; Manchester By The Sea with Casey Affleck; and Nightcrawler with Jake Gyllenhaal, among others.
Prior to that, Monteiro worked at Warner Brothers Pictures as Director of Digital Marketing and Lionsgate as SVP of International Marketing,...
With a career spanning more than two and a half decades, Monteiro joins Neon from Sierra-Affinity/eOne, where he served as EVP of Marketing and Publicity and was responsible for creative marketing across film markets and festivals as well as international distribution. He handled campaigns on Academy Award-winning titles including: Nicolas Winding Refn’s Drive, starring Ryan Gosling; Miles Teller starrer Whiplash; Margot Robbie starrer I, Tonya; Manchester By The Sea with Casey Affleck; and Nightcrawler with Jake Gyllenhaal, among others.
Prior to that, Monteiro worked at Warner Brothers Pictures as Director of Digital Marketing and Lionsgate as SVP of International Marketing,...
- 5/1/2024
- by Diana Lodderhose
- Deadline Film + TV
Sydney Sweeney is an up-and-coming young actor who has taken the world by storm because of her brilliant talent. The American actress has been acting from a young age and she has been around the industry for a long time. She has been doing small roles in many big movies but got her big break because of shows like Everything Sucks! and Sharp Objects, but her stardom reached a new level after her HBO series Euphoria came out.
Sweeney has also enjoyed a healthy film career and has her own production company, Fifty-Fifty Films which recently produced the psychological horror film Immaculate while she did technically appear in a Marvel film known as Madame Web, let’s ignore that film as best we can. So, if you are also a fan of Sweeney and want to all of her best performances here are the 10 best films and shows she has...
Sweeney has also enjoyed a healthy film career and has her own production company, Fifty-Fifty Films which recently produced the psychological horror film Immaculate while she did technically appear in a Marvel film known as Madame Web, let’s ignore that film as best we can. So, if you are also a fan of Sweeney and want to all of her best performances here are the 10 best films and shows she has...
- 5/1/2024
- by Kulwant Singh
- Cinema Blind
Three-time Emmy winner Julia Garner is boarding New Line’s Weapons opposite Josh Brolin. The pic comes from writer-director Zach Cregger. who made the 2022 New Regency horror film Barbarian.
Barbarian, released via 20th Century Studios, opened at No. 1 after pulling in a 93% Rotten Tomatoes critics score. The pic grossed 10 times its production budget of $4.5 million totaling more than $45M worldwide.
Garner won three Supporting Actress Drama Emmys for her turn as Ruth Langmore in the Netflix series Ozark. She is currently in production opposite Christopher Abbott on Blumhouse/Universal’s Wolf Man from filmmaker Leigh Whannell. Garner also stars in Paramount’s upcoming psychological thriller Apartment 7A.
Deadline recently scooped that she was joining the cast of Marvel Studios’ Fantastic Four as the iconic comic book character Silver Surfer opposite Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach.
Her other feature credits count Bleecker Street’s The Assistant, Neon...
Barbarian, released via 20th Century Studios, opened at No. 1 after pulling in a 93% Rotten Tomatoes critics score. The pic grossed 10 times its production budget of $4.5 million totaling more than $45M worldwide.
Garner won three Supporting Actress Drama Emmys for her turn as Ruth Langmore in the Netflix series Ozark. She is currently in production opposite Christopher Abbott on Blumhouse/Universal’s Wolf Man from filmmaker Leigh Whannell. Garner also stars in Paramount’s upcoming psychological thriller Apartment 7A.
Deadline recently scooped that she was joining the cast of Marvel Studios’ Fantastic Four as the iconic comic book character Silver Surfer opposite Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach.
Her other feature credits count Bleecker Street’s The Assistant, Neon...
- 4/24/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Distributor Neon must have the marketing department working overtime to promote the July 12th theatrical release date of Longlegs, the latest horror project from The Blackcoat’s Daughter (a.k.a. February), I Am the Pretty Thing That Lives in the House, and Gretel & Hansel director Osgood Perkins. There has been a ton of cryptic promotional material put together for this movie, and today we’ve gotten our hands on yet another Longlegs teaser, which can be seen in the embed above, and poster, which can be found at the bottom of this article. Along with these comes a poem: “Listen loud the serpents, See the darkness slithering, Tell me what good is that body, If not for hiding shiny red parts.”
Maika Monroe of It Follows and The Guest stars in the film alongside Nicolas Cage (Dream Scenario), Alicia Witt (Urban Legend) and Blair Underwood (Agents of S.H.I.
Maika Monroe of It Follows and The Guest stars in the film alongside Nicolas Cage (Dream Scenario), Alicia Witt (Urban Legend) and Blair Underwood (Agents of S.H.I.
- 4/24/2024
- by Cody Hamman
- JoBlo.com
"It will double the size of your heart." Oh yes it will! Neon has finally unveiled the official US trailer for the beloved animated film Robot Dreams, made by director Pablo Berger, which first premiered at the 2023 Cannes and Annecy Film Festivals. The film snuck in and ended up getting nominated for Best Animated Film at the 2024 Academy Awards (after a small qualifying theatrical release in the US last fall). Neon has finally scheduled Robot Dreams to open in US theaters on May 31st - so if you've been waiting to watch it, not too much longer now. A story about friendship, its importance, and its fragility. The wonderful dialogue-free film is based on the popular graphic novel by Sara Varon, about the adventures and misfortunes of Dog and Robot in New York City during the '80s. Dog is lonely so he orders a Robot companion, but then Robot...
- 4/23/2024
- by Alex Billington
- firstshowing.net
PBS landed 11 nominations, by far the most of any outlet, as Peabody Awards Board of Jurors announced this year’s 41 nominees across its documentary, news, public service and radio/podcast categories. The pubcaster’s Peabody noms include “20 Days in Mariupol,” which recently won the Oscar for best documentary feature film.
“20 Days in Mariupol” is a production of “Frontline” and the Associated Press. Among PBS series, “Frontline” landed five noms, the most of any program, while “Independent Lens” received three.
Also scoring multiple nominations was the combination of HBO and Max, which received four — including one for the doc “All the Beauty and the Bloodshed,” which HBO Documentary Films produced with Neon and Participant. That’s notable in light of last week’s news that Participant Media is shutting its operations.
This year’s Peabody Award nominees are selected from stories and projects that were released in broadcast or...
“20 Days in Mariupol” is a production of “Frontline” and the Associated Press. Among PBS series, “Frontline” landed five noms, the most of any program, while “Independent Lens” received three.
Also scoring multiple nominations was the combination of HBO and Max, which received four — including one for the doc “All the Beauty and the Bloodshed,” which HBO Documentary Films produced with Neon and Participant. That’s notable in light of last week’s news that Participant Media is shutting its operations.
This year’s Peabody Award nominees are selected from stories and projects that were released in broadcast or...
- 4/23/2024
- by Michael Schneider
- Variety Film + TV
As part of the 2025 Oscar rule changes for the 97th Academy Awards, animated movies can be simultaneously submitted for Best International Feature and Best Animated Feature. This will simplify the qualifying method for the latter and specifically help animated international films that may not have access to U.S. distribution.
“Previously, animated movies selected as a country’s international feature selection [which do not require U.S. theatrical distribution] were not qualified to enter for animated feature consideration unless they also met the qualifying standards for general entry [which require U.S. theatrical distribution],” an Academy insider told IndieWire.
“This consisted of separate submission forms. Submitters will still need to complete different forms, but now animated movies selected as a country’s international feature selection no longer need to meet general entry standards to be considered for the Animated Feature award. They would, however, still need to be ruled eligible under the Academy’s definition of ‘animation.'”
Two examples of animated international feature...
“Previously, animated movies selected as a country’s international feature selection [which do not require U.S. theatrical distribution] were not qualified to enter for animated feature consideration unless they also met the qualifying standards for general entry [which require U.S. theatrical distribution],” an Academy insider told IndieWire.
“This consisted of separate submission forms. Submitters will still need to complete different forms, but now animated movies selected as a country’s international feature selection no longer need to meet general entry standards to be considered for the Animated Feature award. They would, however, still need to be ruled eligible under the Academy’s definition of ‘animation.'”
Two examples of animated international feature...
- 4/23/2024
- by Bill Desowitz
- Indiewire
Who says this summer is light on blockbuster fare, despite the strikes holding productions and release dates up?
Big movies coming to theaters in the next hot few months include favorite IP getting a 2024 burnish, from “Kingdom of the Planet of the Apes” to “Alien: Romulus” and “Twisters”. Oh, and a little movie called “Furiosa: A Mad Max Saga” (May 24), which George Miller will first bring to the Cannes Film Festival before opening it in theaters later that month. Plus, poised to be a Netflix hit this summer is Richard Linklater’s “Hit Man” (May 24 in theaters), playing for a couple of weeks in select cities before the crime comedy starring Glen Powell hits the streaming platform.
But those bigger-ticket titles aside, summer 2024 is a time for indies to shine, from Annie Baker’s long-awaited festival hit “Janet Planet” (June 14) to India Donaldson’s wonderful Sundance premiere “Good One” (August...
Big movies coming to theaters in the next hot few months include favorite IP getting a 2024 burnish, from “Kingdom of the Planet of the Apes” to “Alien: Romulus” and “Twisters”. Oh, and a little movie called “Furiosa: A Mad Max Saga” (May 24), which George Miller will first bring to the Cannes Film Festival before opening it in theaters later that month. Plus, poised to be a Netflix hit this summer is Richard Linklater’s “Hit Man” (May 24 in theaters), playing for a couple of weeks in select cities before the crime comedy starring Glen Powell hits the streaming platform.
But those bigger-ticket titles aside, summer 2024 is a time for indies to shine, from Annie Baker’s long-awaited festival hit “Janet Planet” (June 14) to India Donaldson’s wonderful Sundance premiere “Good One” (August...
- 4/23/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
With two major sci-fi sequels debuting this week to lead the VOD and Netflix charts, the new films also inspired victory laps for the Part Ones of “Dune” and “Rebel Moon.”
“Dune: Part Two” (Warner Bros.) leads at both iTunes and Fandango, and Netflix’s original “Rebel Moon — Part Two: The Scargiver” is #1 at the streamer. iTunes packaged the 2021 “Dune: Part One” with its sequel as a $34.99 purchase, and it ranks second there. (“Dune: Part Two” alone rents for 48 hours for $24.99.) “Rebel Moon — Part One” returned at #7 on Netflix’s top 10.
Three other recent theatrical releases also transitioned to home viewing, with curiously different pricing and availability strategies. The top grosser is Neon’s “Immaculate” (approaching $16 million), but it rents for the lowest price: $9.99. “Late Night with the Devil” (IFC) is $14.99, but for that price consumers own it. “In the Land of Saints and Sinners” (Goldwyn) with Liam Neeson is a standard $19.99 rental.
“Dune: Part Two” (Warner Bros.) leads at both iTunes and Fandango, and Netflix’s original “Rebel Moon — Part Two: The Scargiver” is #1 at the streamer. iTunes packaged the 2021 “Dune: Part One” with its sequel as a $34.99 purchase, and it ranks second there. (“Dune: Part Two” alone rents for 48 hours for $24.99.) “Rebel Moon — Part One” returned at #7 on Netflix’s top 10.
Three other recent theatrical releases also transitioned to home viewing, with curiously different pricing and availability strategies. The top grosser is Neon’s “Immaculate” (approaching $16 million), but it rents for the lowest price: $9.99. “Late Night with the Devil” (IFC) is $14.99, but for that price consumers own it. “In the Land of Saints and Sinners” (Goldwyn) with Liam Neeson is a standard $19.99 rental.
- 4/22/2024
- by Tom Brueggemann
- Indiewire
Vashon Film Institute has set the date for the third annual Vashon Island Film Festival, which is slated to take place Aug. 8-11. The announcement comes with the launch of two new divisions of the Vashon Film Institute and a new donation arm, which accepts restricted funds to be used solely to fund improvements at the Vashon Theatre.
Vfi’s new divisions are the Quartermaster Lab, a collective of filmmaking programs, and VFIpresents, its sales, distribution and release division, which will also focus on organizing community events outside Viff.
“The quintessential goal in founding Vfi was to support independent filmmaking in the Pacific Northwest,” said Mark Mathias Sayre, founder of Vashon Film Institute. “To that end, Viff has already brought compelling indie features and documentaries to local audiences and will continue to do so. But that’s only part of the game plan: We’re equally committed to engendering the...
Vfi’s new divisions are the Quartermaster Lab, a collective of filmmaking programs, and VFIpresents, its sales, distribution and release division, which will also focus on organizing community events outside Viff.
“The quintessential goal in founding Vfi was to support independent filmmaking in the Pacific Northwest,” said Mark Mathias Sayre, founder of Vashon Film Institute. “To that end, Viff has already brought compelling indie features and documentaries to local audiences and will continue to do so. But that’s only part of the game plan: We’re equally committed to engendering the...
- 4/19/2024
- by Selena Kuznikov and Jack Dunn
- Variety Film + TV
“Sentinel,” by Hollywood legend Phil Tippett, and “Sister Inconnue,” the first solo directorial outing of Rkss’ Anouk Whissell, cold well be two highlights at a 2024 Cannes Frontières Platform that looks set to underscore the robust range of genre as it is embraced by Hollywood, big independents, horror devotees and auteurs alike.
Creator of creatures for “Star Wars” and “Jurassic Park,” Tippett may have terrified more people than anybody alive. If a teaser is anything to go by, “Sentinel,” a project, may well pick up on the style of 2021’s experimental and nightmarish stop motion/animation “Mad God.”
“Sentinel” features a battleground reminiscent of WWI hellish horror, giant bugs echoing “Starship Troopers,” Tippett’s last big job, attack droids and the statuesque figures of Osiris, Horus and Anubis, the last of which saves the hero, the gas-masked Sentinel, from a gruesome battlefield.
Sure to be a huge draw, an expanded version...
Creator of creatures for “Star Wars” and “Jurassic Park,” Tippett may have terrified more people than anybody alive. If a teaser is anything to go by, “Sentinel,” a project, may well pick up on the style of 2021’s experimental and nightmarish stop motion/animation “Mad God.”
“Sentinel” features a battleground reminiscent of WWI hellish horror, giant bugs echoing “Starship Troopers,” Tippett’s last big job, attack droids and the statuesque figures of Osiris, Horus and Anubis, the last of which saves the hero, the gas-masked Sentinel, from a gruesome battlefield.
Sure to be a huge draw, an expanded version...
- 4/19/2024
- by John Hopewell
- Variety Film + TV
Exclusive: Metrograph Pictures announced on Wednesday that Good One — the first feature from writer-director India Donaldson, which premiered to rave reviews at this year’s Sundance Film Festival — will open in NY/LA on August 9 and expand nationwide in the following weeks.
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
- 4/17/2024
- by Matt Grobar
- Deadline Film + TV
Theda Hammel and John Early on the set of Stress PositionsImage: Photos courtesy of Neon
Do you remember the summer of 2020? You might not want to, but unless you’re particularly gifted at repressing memories, you mostly likely do. It was a season of fear, of paranoia, of guilt. It...
Do you remember the summer of 2020? You might not want to, but unless you’re particularly gifted at repressing memories, you mostly likely do. It was a season of fear, of paranoia, of guilt. It...
- 4/17/2024
- by Drew Gillis
- avclub.com
Kick streamer Neon was recently arrested in Dubai, causing big names like Adin Ross to address the 19-year-old's antics.
N3on (aka Neon) is best known for his Fortnite YouTube content and Irl Kick streaming, where he pushes the limits whenever he can.
The young streamer has become the center of several controversies in his short career in content creation, including feuding with several other online personalities, allegedly disrupting the Venom 3 film set, and lying about being terminally ill with Covid-19.
Read full article on The Direct.
N3on (aka Neon) is best known for his Fortnite YouTube content and Irl Kick streaming, where he pushes the limits whenever he can.
The young streamer has become the center of several controversies in his short career in content creation, including feuding with several other online personalities, allegedly disrupting the Venom 3 film set, and lying about being terminally ill with Covid-19.
Read full article on The Direct.
- 4/16/2024
- by Klein Felt
- The Direct
Remember Quibi? The short-lived streaming service-turned-punchline, which vastly overestimated how many people felt compelled to watch bite-sized shows and movies on their phones, seems to have done one thing right before being folded into the Roku Channel: allowing creators to retain ownership of their work after a two-year exclusivity window. Not content to let her 13-part thriller series “The Stranger” disappear along with the platform on which it debuted, “The Killing” creator Veena Sud recut the project into a feature film alongside editor Philip Fowler. Gone are the 8-minute episodes named after the hour in which they take place (beginning with 7 p.m. and ending at 7 a.m.), replaced by a 98-minute Hulu feature that shows no sign of having been overhauled.
Six days after moving to Los Angeles with her dog Pebbles, rideshare driver Clare (Maika Monroe) picks up Carl E. (Dane DeHaan) from a mansion that doesn’t belong to him.
Six days after moving to Los Angeles with her dog Pebbles, rideshare driver Clare (Maika Monroe) picks up Carl E. (Dane DeHaan) from a mansion that doesn’t belong to him.
- 4/16/2024
- by Michael Nordine
- Variety Film + TV
Sony and Columbia Pictures have moved the release of “It Ends With Us,” the upcoming romantic drama starring Blake Lively and Justin Baldoni, from June 21 to Aug. 9. It is the second time that the adaptation of Colleen Hoover’s novel has received a release date change, as it was previously set to open on Feb. 9 ahead of Valentine’s Day.
Lively stars in the film as Lily Bloom. While living in Boston, she meets neurosurgeon Ryle Kincaid, played by Baldoni, and believes she may have found her soul mate. Soon questions arise about their relationship — and to complicate matters, her high school love interest, Atlas Corrigan, comes back into the picture, putting her relationship with Ryle in jeopardy.
“It Ends With Us” will have its own lane in the theatrical market in its new late summer slot, as the other wide releases coming Aug. 9 include Lionsgate’s adaptation of the...
Lively stars in the film as Lily Bloom. While living in Boston, she meets neurosurgeon Ryle Kincaid, played by Baldoni, and believes she may have found her soul mate. Soon questions arise about their relationship — and to complicate matters, her high school love interest, Atlas Corrigan, comes back into the picture, putting her relationship with Ryle in jeopardy.
“It Ends With Us” will have its own lane in the theatrical market in its new late summer slot, as the other wide releases coming Aug. 9 include Lionsgate’s adaptation of the...
- 4/15/2024
- by Jeremy Fuster
- The Wrap
Hollywood franchise film Ghostbusters: Frozen Empire topped the box office over the weekend, but the most exciting box office story of the week was all about fresh original horror.
Neon released the Sydney Sweeney horror movie Immaculate into theaters the very same weekend that IFC Films unleashed Late Night with the Devil at the domestic box office. The good news? Both films exceeded expectations in their opening weekends!
Let’s start with Neon’s Immaculate, which broke through the crowded box office schedule thanks to clever marketing, rave reviews from the festival scene, and Sydney Sweeney’s rising star. The nunsploitation horror movie opened in the #4 spot on the domestic charts, scaring up an impressive $5.3 million across 2,354 theaters in its opening weekend here in the States.
Here’s the important context on that number. It’s the highest opening weekend for Neon in the company’s history, surpassing films like Ferrari,...
Neon released the Sydney Sweeney horror movie Immaculate into theaters the very same weekend that IFC Films unleashed Late Night with the Devil at the domestic box office. The good news? Both films exceeded expectations in their opening weekends!
Let’s start with Neon’s Immaculate, which broke through the crowded box office schedule thanks to clever marketing, rave reviews from the festival scene, and Sydney Sweeney’s rising star. The nunsploitation horror movie opened in the #4 spot on the domestic charts, scaring up an impressive $5.3 million across 2,354 theaters in its opening weekend here in the States.
Here’s the important context on that number. It’s the highest opening weekend for Neon in the company’s history, surpassing films like Ferrari,...
- 3/25/2024
- by John Squires
- bloody-disgusting.com
“Ghostbusters: Frozen Empire” ruled over the domestic box office and arrived on the higher end of expectations.
The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were revised up after a bigger-than-expected Sunday. At the international box office, the film ignited to a tepid $16.4 million from 25 markets for a global start of $61 million.
Still, those domestic ticket sales are just barely ahead of its 2021 predecessor, “Ghostbusters: Afterlife,” which earned $44 million to start while the box office was deep in pandemic recovery mode. It’s a sign that the 30-year-old franchise hasn’t expanded its constituency beyond the original (and aging) core fans of the business of busting ghosts.
Plus, “Frozen Empire” carries a bigger budget than the last one, costing $100 million to produce and many millions more to market.
The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were revised up after a bigger-than-expected Sunday. At the international box office, the film ignited to a tepid $16.4 million from 25 markets for a global start of $61 million.
Still, those domestic ticket sales are just barely ahead of its 2021 predecessor, “Ghostbusters: Afterlife,” which earned $44 million to start while the box office was deep in pandemic recovery mode. It’s a sign that the 30-year-old franchise hasn’t expanded its constituency beyond the original (and aging) core fans of the business of busting ghosts.
Plus, “Frozen Empire” carries a bigger budget than the last one, costing $100 million to produce and many millions more to market.
- 3/24/2024
- by Rebecca Rubin
- Variety Film + TV
Sony’s Ghostbusters: Frozen Empire had no trouble winning a relatively quiet weekend at the box office: Stronger-than-expected Saturday turnout rescued the movie from opening behind the franchise’s last installment.
Sunday estimates show Frozen Empire launching with $45.2 million in North America thanks to multi-generational turnout and families. In 2021, the pandemic-challenged Ghostbusters: Afterlife debuted to $44 million. The new movie will need to have decent legs, considering it cost more to make — $100 million, versus $75 million for Afterlife. And there’s still concern that the film hasn’t broadened out to any notable degree in terms of new fans.
Overseas, the Sony tentpole started off with $16.4 million from 25 markets — it has a staggered rollout for competitive reasons — for a global start of $61.6 million. In like-for-like markets, Sony says it is pacing 15 percent ahead of Afterlife. The U.K. leads with $5.3 million, followed quickly by Mexico with $5.2 million.
On Saturday, rival studios showed...
Sunday estimates show Frozen Empire launching with $45.2 million in North America thanks to multi-generational turnout and families. In 2021, the pandemic-challenged Ghostbusters: Afterlife debuted to $44 million. The new movie will need to have decent legs, considering it cost more to make — $100 million, versus $75 million for Afterlife. And there’s still concern that the film hasn’t broadened out to any notable degree in terms of new fans.
Overseas, the Sony tentpole started off with $16.4 million from 25 markets — it has a staggered rollout for competitive reasons — for a global start of $61.6 million. In like-for-like markets, Sony says it is pacing 15 percent ahead of Afterlife. The U.K. leads with $5.3 million, followed quickly by Mexico with $5.2 million.
On Saturday, rival studios showed...
- 3/24/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Ghostbusting is back at the box office!
“Ghostbusters: Frozen Empire,” the fifth and latest movie in the frightening franchise, has made $4.7 million at the box office in Thursday previews.
Sony and Columbia Pictures’ new movie, which reunites the original stars of the ’80s classic and the cast from the 2021 “Afterlife” sequel, is expected to top the box office this weekend with an opening between $43 million and $45 million. That launch is in line with the previous film that revived the franchise, “Ghostbusters: Afterlife,” which had a $45 million opening amid the pandemic. “Frozen Empire” will need to outperform its predecessor to turn a profit due to its $100 million price tag (“Afterlife” only cost $75 million).
“Frozen Empire’s” Thursday box office haul is slightly up from “Afterlife,” which made $4.5 million in previews back in 2021. At the end of its run, “Afterlife” made $129.3 million in North America and $204 million worldwide.
Paul Rudd, Carrie Coon,...
“Ghostbusters: Frozen Empire,” the fifth and latest movie in the frightening franchise, has made $4.7 million at the box office in Thursday previews.
Sony and Columbia Pictures’ new movie, which reunites the original stars of the ’80s classic and the cast from the 2021 “Afterlife” sequel, is expected to top the box office this weekend with an opening between $43 million and $45 million. That launch is in line with the previous film that revived the franchise, “Ghostbusters: Afterlife,” which had a $45 million opening amid the pandemic. “Frozen Empire” will need to outperform its predecessor to turn a profit due to its $100 million price tag (“Afterlife” only cost $75 million).
“Frozen Empire’s” Thursday box office haul is slightly up from “Afterlife,” which made $4.5 million in previews back in 2021. At the end of its run, “Afterlife” made $129.3 million in North America and $204 million worldwide.
Paul Rudd, Carrie Coon,...
- 3/22/2024
- by Jordan Moreau
- Variety Film + TV
The Ghostbusters are back in action.
Sony’s spring event pic Ghostbusters: Frozen Empire is opening everywhere Friday in North America following select Thursday previews. It also begins its international rollout this week. The studio is betting on an opening in the $43 million to $44 million range, while tracking services are suggesting $45 million or more.
The movie is a direct sequel to director Jason Reitman’s 2021 feature Ghostbusters: Afterlife, which succeeded in restoring the luster to the franchise created by his father, the late Ivan Reitman.
Set two years later after the events in last film, Frozen Empire includes returning castmembers Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor and Logan Kim, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton, who starred in the original 1980s films. Series newcomers include Kumail Nanjiani and Patton Oswalt. The new Ghostbusters only has one week to itself in...
Sony’s spring event pic Ghostbusters: Frozen Empire is opening everywhere Friday in North America following select Thursday previews. It also begins its international rollout this week. The studio is betting on an opening in the $43 million to $44 million range, while tracking services are suggesting $45 million or more.
The movie is a direct sequel to director Jason Reitman’s 2021 feature Ghostbusters: Afterlife, which succeeded in restoring the luster to the franchise created by his father, the late Ivan Reitman.
Set two years later after the events in last film, Frozen Empire includes returning castmembers Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor and Logan Kim, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton, who starred in the original 1980s films. Series newcomers include Kumail Nanjiani and Patton Oswalt. The new Ghostbusters only has one week to itself in...
- 3/20/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
“The Boy and the Heron” director Hayao Miyazaki and producer Toshio Suzuki weren’t on hand to accept their Best Animated Feature Oscar Sunday night — the second for the Japanese animation master — but Suzuki issued a statement to press gathered backstage at the Academy Awards instead.
“We’re very honored to receive the Academy Award for Best Animated Feature. We thank the Academy for the award,” Suzuki said in his statement. “I would also like to give my thanks to those who were involved in the production of this film and those who worked to distribute the film worldwide.”
Studio Ghibli’s chief operating officer Kiyofumi Nakajima appeared backstage to issue the statement via a translator, apologizing for Suzuki and Miyazaki’s absence, saying, “Please forgive them. They’re kind of up there in the age bracket.”
In the statement, Suzuki also attributed his and Miyazaki’s age to why...
“We’re very honored to receive the Academy Award for Best Animated Feature. We thank the Academy for the award,” Suzuki said in his statement. “I would also like to give my thanks to those who were involved in the production of this film and those who worked to distribute the film worldwide.”
Studio Ghibli’s chief operating officer Kiyofumi Nakajima appeared backstage to issue the statement via a translator, apologizing for Suzuki and Miyazaki’s absence, saying, “Please forgive them. They’re kind of up there in the age bracket.”
In the statement, Suzuki also attributed his and Miyazaki’s age to why...
- 3/11/2024
- by Brian Welk
- Indiewire
Hayao Miyazaki’s “The Boy and the Heron,” likely his final film, has won the Oscar for Best Animated Feature.
It’s Miyazaki’s second Oscar after the Japanese animation master won for “Spirited Away” in 2002. Miyazaki is the most nominated director in the Best Animated Feature category (tied with Pete Docter) with four nominations, including for “Howl’s Moving Castle” and “The Wind Rises.” Miyazaki is now also the oldest winner in the category ever, at 83, with the previous record holder being Mark Gustafson for “Guillermo del Toro’s Pinocchio.”
“The Boy and the Heron” beat out an impressive field that included Pixar entry “Elemental,” Neon’s “Robot Dreams,” Netflix’s “Nimona,” and Sony’s “Spider-Man: Across the Spider-Verse,” the follow-up to the Oscar-winning “Spider-Man: Into the Spider-Verse” from 2018.
Miyazaki and producer Toshio Suzuki were not present at the Academy Awards ceremony to accept the prize. Their Oscar was accepted on...
It’s Miyazaki’s second Oscar after the Japanese animation master won for “Spirited Away” in 2002. Miyazaki is the most nominated director in the Best Animated Feature category (tied with Pete Docter) with four nominations, including for “Howl’s Moving Castle” and “The Wind Rises.” Miyazaki is now also the oldest winner in the category ever, at 83, with the previous record holder being Mark Gustafson for “Guillermo del Toro’s Pinocchio.”
“The Boy and the Heron” beat out an impressive field that included Pixar entry “Elemental,” Neon’s “Robot Dreams,” Netflix’s “Nimona,” and Sony’s “Spider-Man: Across the Spider-Verse,” the follow-up to the Oscar-winning “Spider-Man: Into the Spider-Verse” from 2018.
Miyazaki and producer Toshio Suzuki were not present at the Academy Awards ceremony to accept the prize. Their Oscar was accepted on...
- 3/10/2024
- by Brian Welk
- Indiewire
So much political gamesmanship goes into an Oscar campaign that the notion of a “best” picture at all has been nearly emptied of meaning. Though, with nearly 10,000 voting members, the Academy is the one sampling reflective of the industry to get closest to what its artists and talent believe the best to be. That is, after plenty of other worthy contenders are eliminated in the nominations process.
Seven of this year’s 10 Best Picture nominees showed up in IndieWire’s ranking of the best films of 2023, which suggests that critics and audiences are more aligned than ever in terms of the year’s finest films. Many of which, here, were championed by critics, from “Past Lives” all the way back to Sundance 2023 to “Anatomy of a Fall,” beloved since winning the Palme d’Or (Neon’s fourth consecutively) at Cannes 2023. The teams behind titles like “Past Lives” (though unlikely to...
Seven of this year’s 10 Best Picture nominees showed up in IndieWire’s ranking of the best films of 2023, which suggests that critics and audiences are more aligned than ever in terms of the year’s finest films. Many of which, here, were championed by critics, from “Past Lives” all the way back to Sundance 2023 to “Anatomy of a Fall,” beloved since winning the Palme d’Or (Neon’s fourth consecutively) at Cannes 2023. The teams behind titles like “Past Lives” (though unlikely to...
- 3/8/2024
- by Ryan Lattanzio and David Ehrlich
- Indiewire
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Actress in a Leading Role Emma Stone in “Poor Things”
Weekly Commentary: In best actress, the competition is as fierce as it gets. Emma Stone’s transformation into a woman with a child’s brain surgically implanted in Yorgos Lanthimos’ sci-fi comedy “Poor Things” has garnered substantial support.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Actress in a Leading Role Emma Stone in “Poor Things”
Weekly Commentary: In best actress, the competition is as fierce as it gets. Emma Stone’s transformation into a woman with a child’s brain surgically implanted in Yorgos Lanthimos’ sci-fi comedy “Poor Things” has garnered substantial support.
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Actor The Holdovers, Paul Giamatti, 2023. ph: Seacia Pavao / © Focus Features / Courtesy Everett Collection
Weekly Commentary: The realm of lead actor has been ruled by Cillian Murphy’s captivating portrayal in Nolan’s cinematic opus “Oppenheimer.” However, the final stretch of voting has seen two seasoned industry...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Actor The Holdovers, Paul Giamatti, 2023. ph: Seacia Pavao / © Focus Features / Courtesy Everett Collection
Weekly Commentary: The realm of lead actor has been ruled by Cillian Murphy’s captivating portrayal in Nolan’s cinematic opus “Oppenheimer.” However, the final stretch of voting has seen two seasoned industry...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Cage the Elephant have confirmed the release of their new album, Neon Pill, along with an extensive North American tour.
Neon Pill, the band’s sixth full-length album, arrives on May 17th via RCA Records. Spanning 12 tracks, the album was recorded following a series of traumatic events, including the deaths of several close family members and friends (including Matthew and Brad Shultz’s father), as well as Matthew’s mental health breakdown.
“To me, Neon Pill is the first record where we were consistently uninfluenced, and I mean that in a positive way,” Matthew said in a statement. “Everything is undoubtedly expressed through having settled into finding our own voice. We’ve always drawn inspiration from artists we love, and at times we’ve even emulated some of them to a certain degree. With this album, having gone through so much, life had almost forced us into becoming more and more comfortable with ourselves.
Neon Pill, the band’s sixth full-length album, arrives on May 17th via RCA Records. Spanning 12 tracks, the album was recorded following a series of traumatic events, including the deaths of several close family members and friends (including Matthew and Brad Shultz’s father), as well as Matthew’s mental health breakdown.
“To me, Neon Pill is the first record where we were consistently uninfluenced, and I mean that in a positive way,” Matthew said in a statement. “Everything is undoubtedly expressed through having settled into finding our own voice. We’ve always drawn inspiration from artists we love, and at times we’ve even emulated some of them to a certain degree. With this album, having gone through so much, life had almost forced us into becoming more and more comfortable with ourselves.
- 2/29/2024
- by Alex Young
- Consequence - Music
Another year, another savior movie. “Dune: Part Two” opens Thursday, and there’s a real chance that its opening weekend will outrank the total domestic gross of any film that’s opened this year. However, this savior doesn’t travel solo: It’s one of four films in March that could pass $100 million in domestic gross — something that hasn’t happened since last July.
The new “Dune” should be the month’s top film, particularly with a March 1 debut, but “Kung Fu Panda 4” (Universal) on March 8 also looks strong. There’s also potential in fellow sequels “Ghostbusters: Frozen Empire” and “Godzilla x Kong: The New Empire”.
All told, it’s likely that March’s total will meet or exceed the approximately $650 million grossed last year for the same month. That’s essential to reverse the box office’s terrible start to 2024. Through February, grosses will be off more than 20 percent compared to last year.
The new “Dune” should be the month’s top film, particularly with a March 1 debut, but “Kung Fu Panda 4” (Universal) on March 8 also looks strong. There’s also potential in fellow sequels “Ghostbusters: Frozen Empire” and “Godzilla x Kong: The New Empire”.
All told, it’s likely that March’s total will meet or exceed the approximately $650 million grossed last year for the same month. That’s essential to reverse the box office’s terrible start to 2024. Through February, grosses will be off more than 20 percent compared to last year.
- 2/28/2024
- by Tom Brueggemann
- Indiewire
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