Tuesday Update, Refesh for latest…: Continuing to leg out, James Cameron’s Avatar: The Way of Water has grossed 1.443B globally through Monday. Of that, the international box office reps 997M which, as we previously noted below, means the 20th Century Studios/Disney title will top 1B overseas with today’s grosses included.
Way of Water has been in worldwide release for 20 days and now stands as the 13th highest global movie of all time, passing Avengers: Age of Ultron (1.403B). It is also closing in on Top Gun: Maverick for 2022’s biggest global release.
Offshore, WoW ranks as the No. 1 international release of 2022 and No. 2 of the pandemic era. It’s currently the 11th highest international release of all time.
Here are the Top 5 offshore markets through Monday: China (162M), France 93.7M), Korea (76.1M), Germany (70.5M), UK (57.5M).
More…
Previous, Sunday: James Cameron’s Avatar: The Way...
Way of Water has been in worldwide release for 20 days and now stands as the 13th highest global movie of all time, passing Avengers: Age of Ultron (1.403B). It is also closing in on Top Gun: Maverick for 2022’s biggest global release.
Offshore, WoW ranks as the No. 1 international release of 2022 and No. 2 of the pandemic era. It’s currently the 11th highest international release of all time.
Here are the Top 5 offshore markets through Monday: China (162M), France 93.7M), Korea (76.1M), Germany (70.5M), UK (57.5M).
More…
Previous, Sunday: James Cameron’s Avatar: The Way...
- 1/3/2023
- by Nancy Tartaglione
- Deadline Film + TV
It’s the same tragic story. Another unarmed Black man is killed by the police. Another White man takes an arsenal into a school, campus, or place of worship before opening fire on unarmed innocents. The media takes these headlines, packages them together with thoughts and prayers, and uses the ratings to continue peddling their editorializing as news until another such event inevitably occurs yet again. And what do we have to show for it all? Besides a growing anger at the political injustices and vile rhetoric of those with power causing some push back for the media to ultimately dismiss, the answer is complacency. In a world turned flat by the internet, tragedies become commonplace enough to forget. Death becomes the norm and life the surprise.
Emilio Estevez taps into that anger with his latest ensemble drama The Public. He’s taken the structure of Bobby with overlapping narratives...
Emilio Estevez taps into that anger with his latest ensemble drama The Public. He’s taken the structure of Bobby with overlapping narratives...
- 4/3/2019
- by Jared Mobarak
- The Film Stage
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