Directed by
Otto Bathurst |
Writing Credits (in alphabetical order)
Amanda Coe | ... | (screenplay) |
Meredith Daneman | ... | (book) |
Cast (in credits order)
Anne-Marie Duff | ... | Margot Fonteyn | |
Penelope Wilton | ... | B.Q | |
Con O'Neill | ... | Tito | |
Lindsay Duncan | ... | Madam | |
Derek Jacobi | ... | Fred Ashton | |
Matthew Hart | ... | Michael Somes | |
Michelle Bonnard | ... | Sally | |
Margot Leicester | ... | Cathy | |
Michiel Huisman | ... | Rudolph Nureyev | |
Anton Lukovkin | ... | Eric | |
Tatiana Lavrentieva | ... | Elderly Russian Lady | |
Ben Stott | ... | Good-Looking Boy | |
Robert Perkins | ... | Mr. McDonald | |
Dimitri Gruzdyev | ... | Dancer | |
Ksenia Ovsyanick | ... | Dancer | |
Lisa Probert | ... | Dancer | |
Rest of cast listed alphabetically: | |||
Christian Wolf-La'Moy | ... | Market trader in bar | |
Frazer Douglas | ... | Stage Manager (uncredited) |
Produced by
Michele Buck | ... | executive producer |
Celia Duval | ... | producer (as Célia Duval) |
Damien Timmer | ... | executive producer |
Cinematography by
Florian Hoffmeister |
Editing by
Jinx Godfrey |
Art Direction by
Kate Evenden |
Set Decoration by
Jo Kornstein |
Costume Design by
Amy Roberts |
Makeup Department
Stuart Conran | ... | prosthetic makeup artist |
Jacqueline Fowler | ... | makeup department head |
Anayanzi L'Eplattenier | ... | hair and make up trainee |
Helen Speyer | ... | makeup supervisor |
Dana Spikins | ... | make-up trainee |
Fiona Matthews | ... | hair stylist (uncredited) |
Production Management
Maree Gecks | ... | production manager |
Rhian Griffiths | ... | production manager |
Second Unit Director or Assistant Director
Natalie Allin | ... | third assistant director |
Art Department
Neil Alexander | ... | dressing props |
Liz Jones | ... | stand-by art director |
Nick Walker | ... | property master |
Rebecca Slade | ... | art department assistant/work experience (uncredited) |
Sound Department
Andie Derrick | ... | foley artist |
Catherine Hodgson | ... | sound effects editor |
Martin Jensen | ... | re-recording mixer |
Forbes Noonan | ... | foley recordist |
Billy Quinn | ... | production sound mixer |
Alexandros Sidiropoulos | ... | assistant sound re-recording mixer |
Catherine Thomas | ... | foley editor |
Virginia Thorn | ... | dialogue editor |
Will Whale | ... | boom operator |
Johnny White | ... | sound assistant trainee |
Camera and Electrical Department
Owen Charnley | ... | assistant grip |
Rupert Hornstein | ... | assistant camera |
Tim Neill | ... | best boy |
Roger Tooley | ... | steadicam operator |
Gary Varney | ... | gaffer |
Costume and Wardrobe Department
Peter Halston | ... | costume supervisor |
Emma Heath | ... | principal costume standby |
Christy Juhnke | ... | costume trainee (uncredited) |
Editorial Department
Gary Hewson | ... | on-line editor |
Mark Keady | ... | first assistant editor |
Mandy Miller | ... | post-production paperwork |
Location Management
Antonia Grant | ... | location manager |
Spencer Normington | ... | location manager |
Script and Continuity Department
San Davey | ... | script supervisor |
Tom Winchester | ... | script editor |
Additional Crew
Amanda Dudley | ... | floor runner |
Scott Hiskey | ... | assistant production accountant |
Carlton Jarvis | ... | medical advisor |
Richard Rogan | ... | production trainee |
William Trevitt | ... | consultant |