Exclusive: Alpha Violet has acquired world sales rights for Uruguayan filmmaking duo Ana Guevara and Leticia Jorge’s new drama Don’t You Let Me Go, exploring themes of friendship and death.
The Paris-based company previously worked with the filmmakers on their debut film So Much Water (Tanta Agua), which world premiered in the Berlinale’s Panorama section in 2013 and was acquired by Arte for Europe and HBO for the U.S.
The new movie, which is in post-production, sees follows a woman’s journey through time to see her best friend after one of them dies.
They reconnect in a past that may not be perfect but seems more real than the unintelligible present in which death has come to soon.
The cast features Eva Dans, Chiara Hourcade and Victoria Jorge.
“Don’t You Let Me Go is totally a movie for us,” said Virginie Devesa, Alpha Violet co-founding head with Keiko Funato.
The Paris-based company previously worked with the filmmakers on their debut film So Much Water (Tanta Agua), which world premiered in the Berlinale’s Panorama section in 2013 and was acquired by Arte for Europe and HBO for the U.S.
The new movie, which is in post-production, sees follows a woman’s journey through time to see her best friend after one of them dies.
They reconnect in a past that may not be perfect but seems more real than the unintelligible present in which death has come to soon.
The cast features Eva Dans, Chiara Hourcade and Victoria Jorge.
“Don’t You Let Me Go is totally a movie for us,” said Virginie Devesa, Alpha Violet co-founding head with Keiko Funato.
- 2/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
“In the Land of Brothers” highlights the remarkable debut for co-directors Raha Amirfazli and Alireza Ghasemi, who walked away with the Directing Award for their entry in the World Cinema – Dramatic Competition. The film marks a milestone for many on the team. This is the first co-directed feature for Amirfazli and Ghasemi; the first feature for acting co-lead, Mohammad Hosseini; and finally, the first time on-camera for co-lead Hamideh Jafari. Despite the many firsts, the feature is remarkably well-crafted, as Amirfazli and Ghasemi exhibit their natural inclination as storytellers.
In the Land of Brothers screened at Sundance
The co-directors have a track record of writing and directing shorts, and this shows in the tripartite structure of “In the Land of Brothers.” The quiet narrative loosely ties together three different stories demarcated by ten-year intervals. The film starts in 2001, when Afghan trade school student Mohamed (Mohammad Hosseini) is racially profiled by the Iranian police.
In the Land of Brothers screened at Sundance
The co-directors have a track record of writing and directing shorts, and this shows in the tripartite structure of “In the Land of Brothers.” The quiet narrative loosely ties together three different stories demarcated by ten-year intervals. The film starts in 2001, when Afghan trade school student Mohamed (Mohammad Hosseini) is racially profiled by the Iranian police.
- 2/13/2024
- by Grace Han
- AsianMoviePulse
The Alexa 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from Arri is among the most popular cameras chosen by Sundance 2024’s filmmakers. The Arri 35 causes the notable Super 35 format to go back to the game. Furthermore, the Arri Alexa Mini is the most popular camera five years in a row. Watch the segmentation.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
- 1/29/2024
- by Yossy Mendelovich
- YMCinema
Distinguishing itself from other immigration narratives by telling a story set in an overlooked part of the world, “In the Land of Brothers” introduces two distinctive new filmmakers in Raha Amirfazli and Alireza Ghasemi. Making their feature debut — which landed them the directing prize in Sundance’s World Dramatic competition — the pair follow in the footsteps of such recent movies about the journey to a new land as Mati Diop’s “Atlantics“(which traced African migration into Europe) and “I Carry You With Me” (one of many about flight from the Americas into the U.S.). With deft storytelling and assured filmmaking, they tell the story of an extended family from Afghanistan and their 20-year odyssey to find shelter and home in neighboring Iran after the American invasion of 2011.
The film is divided into three vignettes, all set in Iran, though each at a different time and around a different...
The film is divided into three vignettes, all set in Iran, though each at a different time and around a different...
- 1/28/2024
- by Murtada Elfadl
- Variety Film + TV
Across the globe, thousands of refugees lose their lives in the relentless pursuit of escaping the clutches of poverty and conflict. The arbitrary boundaries that divide nations stand as a deceptive construct, blurring the lines between empathy and indifference. Envisioning a world devoid of these imaginary barriers is imperative, yet it remains a utopian concept. Touching upon such a sensitive subject, debutant filmmakers Raha Amirfazli and Alireza Ghasemi immerse us in In The Land of Brothers, unfolding as a poignant dramatization of the Afghan refugee experience in Iran through a deeply emotional portrayal of tragic yet resilient events. The filmmaker duo skillfully weaves a triptych that depicts the plight of these refugees, resonating far beyond geographical boundaries. With both heart-wrenching emotion and unyielding fortitude, the film artfully captures the essence of human struggle in forced exile, rendering the tale not as a localized tragedy but as a universal vicissitude etched...
- 1/27/2024
- by Dipankar Sarkar
- Talking Films
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
The 2024 Sundance Film Festival has announced its winners, with In the Summers taking the Grand Jury prize for U.S. Dramatic Competition and Porcelain War landing the award for U.S. Documentary Competition.
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
Sujo won the jury prize for the World Cinema Dramatic Competition section, and A New Kind of Wilderness won for World Cinema Documentary Competition.
Audience awards went to Sean Wang’s Dìdi (弟弟) in the U.S. Dramatic Competition and Daughters in the U.S. Documentary Competition, with the latter also earning the Festival Favorite Award selected by audiences across all new feature films presented at the fest. Girls Will Be Girls landed the audience award for World Cinema Dramatic Competition, and Ibelin won it in the World Cinema Documentary Competition.
Elsewhere, the Next innovator award went to Little Death, with Irish rap biopic Kneecap winning the audience award for the Next section.
Sundance CEO Joana Vicente said,...
- 1/26/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
Family of Straw: Amirfazli & Ghasemi Present a Trilogy of Familial Tragedies
The title, of course, is a bitter irony relating to Iran’s self-anointed nickname, something directors Raha Amirfazi and Alireza Ghasemi completely dismantle by the final frames of their impressive debut, In the Land of Brothers. A triptych following three members of the same Afghan family across a period of twenty years of living as refugees in Iran, neither a conception of opportunity nor fraternity seems actually possible for those who fled their Taliban controlled country in 2001. Part of this is their inability to obtain citizenship, creating an endless cycle of being stuck in survival mode.…...
The title, of course, is a bitter irony relating to Iran’s self-anointed nickname, something directors Raha Amirfazi and Alireza Ghasemi completely dismantle by the final frames of their impressive debut, In the Land of Brothers. A triptych following three members of the same Afghan family across a period of twenty years of living as refugees in Iran, neither a conception of opportunity nor fraternity seems actually possible for those who fled their Taliban controlled country in 2001. Part of this is their inability to obtain citizenship, creating an endless cycle of being stuck in survival mode.…...
- 1/23/2024
- by Nicholas Bell
- IONCINEMA.com
A French co-production shot entirely in Iran, In the Land of Brothers follows three Afghan refugees who struggle for decades to make Iran feel like a real home. The film is the debut feature of Raha Amirfazli and Alireza Ghasemi, who previously co-directed the short Solar Eclipse together. The film was produced by first-time producer Adrien Barrouillet, who discusses how he came up in the industry and recalls the moment he knew the film was in a good position. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce […]
The post “Every Time I Watch the Film, I Still Get Choked Up”: Producer Adrien Barrouillet on In the Land of Brothers first appeared on Filmmaker Magazine.
The post “Every Time I Watch the Film, I Still Get Choked Up”: Producer Adrien Barrouillet on In the Land of Brothers first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
A French co-production shot entirely in Iran, In the Land of Brothers follows three Afghan refugees who struggle for decades to make Iran feel like a real home. The film is the debut feature of Raha Amirfazli and Alireza Ghasemi, who previously co-directed the short Solar Eclipse together. The film was produced by first-time producer Adrien Barrouillet, who discusses how he came up in the industry and recalls the moment he knew the film was in a good position. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce […]
The post “Every Time I Watch the Film, I Still Get Choked Up”: Producer Adrien Barrouillet on In the Land of Brothers first appeared on Filmmaker Magazine.
The post “Every Time I Watch the Film, I Still Get Choked Up”: Producer Adrien Barrouillet on In the Land of Brothers first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Mohammad Hosseini in In The Land Of Brothers. Raha Amirfazli 'Both Ali and I are very careful with our actors and the acting of the film is very important. Based on our personal relationship with the actor, who the actor connects to more, who they will trust more in a certain scene for the film, we split our responsibilities' Photo: Courtesy of Sundance Institute Raha Amirfazli and Alireza Ghasemi craft a triptych of interconnected tales for their impressive film debut In The Land Of Brothers, showing different facets of the Afghan refugee experience in Iran through the lives of members of an extended family. The result is measured and moving and, though grounded in a harsh reality, also celebrates the bonds of family. We caught up with the pair ahead of the film’s world premiere in the World Cinema Dramatic Competition at Sundance to chat about it.
Tell us...
Tell us...
- 1/22/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Raha Amirfazli and Alireza Ghasemi first co-directed the short Solar Eclipse, and they have teamed up again for In the Land of Brothers, a feature debut for each. The film tells the story of three members of an Afghan family who flee to Iran as refugees and struggle to find acceptance and security. In The Land of Brothers‘ editor is Hayedeh Safiyari, who has edited many of contemporary Iran’s best-known filmmakers. Below, she discusses the novel challenges of editing a film with sharply delineated chapters and the importance of an editor connecting emotionally to the script. See […]
The post “The Turning Points of the Story are Painful and Challenging Moments”: Editor Hayedeh Safiyari on In The Land of Brothers first appeared on Filmmaker Magazine.
The post “The Turning Points of the Story are Painful and Challenging Moments”: Editor Hayedeh Safiyari on In The Land of Brothers first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Raha Amirfazli and Alireza Ghasemi first co-directed the short Solar Eclipse, and they have teamed up again for In the Land of Brothers, a feature debut for each. The film tells the story of three members of an Afghan family who flee to Iran as refugees and struggle to find acceptance and security. In The Land of Brothers‘ editor is Hayedeh Safiyari, who has edited many of contemporary Iran’s best-known filmmakers. Below, she discusses the novel challenges of editing a film with sharply delineated chapters and the importance of an editor connecting emotionally to the script. See […]
The post “The Turning Points of the Story are Painful and Challenging Moments”: Editor Hayedeh Safiyari on In The Land of Brothers first appeared on Filmmaker Magazine.
The post “The Turning Points of the Story are Painful and Challenging Moments”: Editor Hayedeh Safiyari on In The Land of Brothers first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The 40th edition of Sundance Film Festival kicks off today, and notably, queer and Himalaya-themed films take over the Asian/Asian diaspora slate of the mountain festival. In previous years, Sundance has been a frontier for Asian diaspora films. Last year alone saw a full slate of Asian diaspora films, with “Past Lives” (Celine Song), “Shortcomings” (Randall Park), “The Persian Version” (Maryam Keshavarz), and more, among others – there are considerably less Asian American films in the primary competition. This year, in the US Dramatic Competition, only one film, “Didi (弟弟)” by Sean Wang stands out amid the crowd.
Films about the Himalayas have taken center-stage in the World Cinema Competitions, however, with three titles this year: “Girls will be Girls” (Shuchi Talati), “Agent of Happiness” (Arun Bhattarai), and “Nocturnes” (Anirban Dutta). Queer Asian diaspora cinema is front and center this year as well, with “Layla” (Amrou Al-Khadi) and “Desire Lines...
Films about the Himalayas have taken center-stage in the World Cinema Competitions, however, with three titles this year: “Girls will be Girls” (Shuchi Talati), “Agent of Happiness” (Arun Bhattarai), and “Nocturnes” (Anirban Dutta). Queer Asian diaspora cinema is front and center this year as well, with “Layla” (Amrou Al-Khadi) and “Desire Lines...
- 1/20/2024
- by Grace Han
- AsianMoviePulse
September Film has acquired all rights for Belgium, the Netherlands and Luxembourg for “In the Land of Brothers,” which has its world premiere at the Sundance Film Festival in the World Cinema Dramatic Competition section.
The film is written and directed by Iranian filmmakers Raha Amirfazli and Alireza Ghasemi. Alpha Violet is handling world sales.
The film tells the story of three members of an extended Afghan family who start their lives over in Iran as refugees, but are unaware of the decades-long struggle ahead of them — and the ultimate price expected of them.
It is a journey across landscapes, cultures and generations as felt by the three lead characters: Mohammad, a young teenager and promising student; Leila, a woman isolated by geography; and Qasem, who bears the weight of his family’s sacrifice.
“’In the Land of Brothers’ is about the feeling of being ‘the other’ in a place you thought you belonged,...
The film is written and directed by Iranian filmmakers Raha Amirfazli and Alireza Ghasemi. Alpha Violet is handling world sales.
The film tells the story of three members of an extended Afghan family who start their lives over in Iran as refugees, but are unaware of the decades-long struggle ahead of them — and the ultimate price expected of them.
It is a journey across landscapes, cultures and generations as felt by the three lead characters: Mohammad, a young teenager and promising student; Leila, a woman isolated by geography; and Qasem, who bears the weight of his family’s sacrifice.
“’In the Land of Brothers’ is about the feeling of being ‘the other’ in a place you thought you belonged,...
- 1/17/2024
- by Leo Barraclough
- Variety Film + TV
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