"DC's Legends of Tomorrow" Amazing Grace (TV Episode 2018) Poster

Caity Lotz: Sara Lance

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Quotes 

  • Sara Lance : All right, let's go check this out. We need to find Elvis before panic sets in.

    Gideon : Elvis Presley's uncle preached at the Church of Zion every Sunday. The boy never missed a service.

    Sara Lance : You heard the lady.

    [nobody moves] 

    Sara Lance : What? Why are you staring at me?

    Nate Heywood : I dunno, waiting for you to do the thing you do.

    Sara Lance : What thing?

    Ray Palmer : You know, you usually send us into the field with a little more pizzazz.

    Sara Lance : [rolling her eyes; in a commanding voice]  All right, Legends, put on your Sunday best, because we are going to church.

    Nate Heywood : That was pretty good.

  • Sara Lance : So, Elvis is the bearer of the long-lost sixth totem. Consider me all shook up.

  • Gideon : A scan of the timeline reveals a change in Memphis, Tennessee, 1954.

    Ray Palmer : Oh, says here Memphis became a ghost town after a mysterious bout of mass hysteria in July 1954.

    Nate Heywood : That's what caused the changes. Memphis is the birthplace of rock and roll. If rock never makes it out of Memphis, then none of these things exist. Your... your rat's namesake, electric guitar.

    Wally West : Your hair gel.

    Nate Heywood : It's not hair gel, Wally. It's Royal Crown pomade. It's the same product used by...

    Sara Lance : Elvis Presley.

    Nate Heywood : See? She knows what I'm talking about.

    Sara Lance : No, dodo, look. "While the population fled in hysterics, one person was left standing in the aftermath, a local teen named Elvis Presley."

  • Ray Palmer : Whoever you are, just put the guitar down.

    Sara Lance : Doesn't look like he's taking requests.

    Ray Palmer : Maybe the preacher was right about rock and roll. You know what never hurt anyone? A nice show tune.

  • Nate Heywood : You rang, Captain?

    Sara Lance : Hello, gorgeous.

    Nate Heywood : Mm-hmm.

    Sara Lance : [reaching out to touch his hair]  Look at that volume.

    Nate Heywood : Don't touch it.

    Sara Lance : How do you...

    Nate Heywood : [dodging out of her reach]  I'm serious, don't touch it.

  • Sara Lance : All right, kids, it's anachronism o'clock. What you got?

    Amaya Jiwe : How about this one? It's a category two during the Belle Epoque in Paris. Sounds romantic.

    Nate Heywood : Hmm. Or, uh, this category three, which is the launch of the Spirit of St. Louis. I always wanted to join the mile-high club. It's when two people on a plane...

    Sara Lance : Hey, really cute that you guys are crazy in love, but date night is going to have to wait. If these anachronisms are loosening Mallus' cage, we need to double down.

  • Sara Lance : What happened to your hair?

    Nate Heywood : What are you talking about?

    [seeing Amaya's look] 

    Nate Heywood : What? What is it?

    Sara Lance : I...

    Nate Heywood : [looking at his reflection]  What happened to my trademark volume and sheen?

    Mick Rory : [entering with Ray]  Who changed my rat's name?

    Zari Tomaz : [entering with Wally]  Yo, who switched my game?

    Sara Lance , Nate Heywood , Mick Rory , Zari Tomaz , Ray Palmer , Amaya Jiwe , Wally West : Gideon?

  • Zari Tomaz : Well, this is uncomfortable, and I'm not just talking about my dress.

    Wally West : Yeah, I guess these people didn't get the whole "love thy neighbor" talk.

    Old Lady : Shh!

    Sara Lance : Shush yourself, lady. Have you heard your singing voice?

    Ray Palmer : Just keep Mick away from the collection tray. And the communion wafers.

    Mick Rory : [spitting wafers out]  That's not bread.

  • Uncle Lucious : There's a sickness coming over this town. I see it in the school yard as I pass in the morning. And to my horror, I see it in this very church on Sundays. It infects the mind. It drives people crazy.

    Sara Lance : Maybe the righteous reverend is on to something.

    Uncle Lucious : They call it rock and roll. I call it the devil's music.

    Nate Heywood : Never mind. He has no idea what he's talking about.

  • Sara Lance : I guess Elvis is the King of rock and roll. One hip shake, and Z loses it.

    Nate Heywood : Yeah, tell me about it, sister.

    Zari Tomaz : I didn't lose control because of Elvis' hips.

    Nate Heywood : [sarcastic]  Yeah, me, either.

    Zari Tomaz : My totem was glowing, and so was Elvis' guitar.

    Amaya Jiwe : But that means that Elvis is...

    Zari Tomaz : Yep. Elvis is a totem bearer.

  • Amaya Jiwe : Every totem is growing stronger in response to Mallus' threat. What if the preacher was right and Elvis' music literally drives Memphis insane?

    Sara Lance : Then we have to get it before that happens.

    Wally West : [speeding out and returning]  I got it. Elvis' guitar totem.

    Zari Tomaz : So, I'm not the only one who finds that annoying, right?

  • Wally West : Okay, come on. We're good to go, right?

    Nate Heywood : Are we? 'Cause Elvis hasn't recorded his first single yet. And without that guitar, he may never record it. Which means rock and roll history is...

    Mick Rory : Josh Groban.

    Sara Lance : What if we have Gideon fabricate a ringer guitar and drop it off to the future King?

    Nate Heywood : Great idea. I call "A" mission. Amaya, come with me. I will teach you what rock and roll is all about. 'Till then, everyone shake, rattle, and roll!

  • Ray Palmer : [trying to remove the totem from Elvis' guitar, it suddenly shines brightly]  Whoa, that was weird.

    Sara Lance : [the ship's lights flicker]  Yeah. You feel that?

    Ray Palmer : Yeah, it's freezing.

    Gideon : I am detecting an EMF reading of six miligaus that is disturbing the ship's electrical servers.

    Sara Lance : EM-what?

    Ray Palmer : Electromagnetic field. It's a scientific term that's been wrapped up in a bunch of paranormal nonsense.

    Sara Lance : [seeing a handprint appear in ice Ray's board]  Paranormal, as in...

    Ray Palmer : [Elvis' guitar rises into the air by itself; a spirit resembling Elvis then appears]  Ghosts.

  • Nate Heywood : Guys, Elvis' guitar is haunted.

    Sara Lance , Ray Palmer : We know!

    Nate Heywood : Yeah, and I'm guessing it's gonna do whatever it takes to get back to Elvis.

    Sara Lance : Good guess!

  • Sara Lance : About that ghost.

    Nate Heywood : It's Elvis' dead twin, Jesse.

  • Sara Lance : All right, so I talked to Constantine about our totem. He compared it with his notes, and this is what he found.

    Zari Tomaz : Death totem? Pass.

    Sara Lance : Yeah. Whoever wields it has domain over the dead. Which is why we need to keep this totem with us and safe at all times.

    Nate Heywood : [entering]  Elvis needs his totem back.

  • Amaya Jiwe : The Death totem? The most volatile of all the totems lost for eons along with the sixth tribe of Zambesi. Maybe they suffered the same fate that's about to befall Memphis.

    Nate Heywood : You don't understand.

    Sara Lance : No, you don't understand. We are talking about a Death totem, and it could turn this whole place into a ghost town.

    Nate Heywood : Elvis has a session at Sun Studios. That's where he cuts his first demo. That's how he gets discovered, okay? We do not have the time for Elvis to get his groove back. Jesse has to be there.

    Amaya Jiwe : Nathaniel, I understand how important this is to you. But we can't give Elvis a totem just to save his music.

    Nate Heywood : It's not about the music, okay? Rock has inspired many historic milestones. Protests, revolutions, me losing my virginity.

    [awkward silence] 

    Nate Heywood : Elvis doesn't need a totem forever. Just one song that changes the world. Please.

  • Mick Rory : Whatever this is, I don't like it.

    Sara Lance : Wait, what is that?

    Ray Palmer : We're gathered here in remembrance of our dear friend Axl.

    Mick Rory : Right. I'm outta here.

    Sara Lance : I'm with him.

    Ray Palmer : [they both turn to leave]  Wait, you need this. We... we all need this.

    Sara Lance : Fine. But when I mourn, I drink.

  • Ray Palmer : Charles Dickens once wrote "Life is made of ever so many partings, welded together." Axl is one such parting. And while we may lose some, they are never really gone. And they certainly can't be replaced. They'll live on in the memories we shared with them and the lessons they taught us. And it is because of that that we can embrace the change. I still remember the first time I met Axl. It was in the vents. I was tiny Atom. He was a big rat. And he tried to eat me. I knew we'd laugh about it one day together. Sara, I believe it's customary for the Captain to share a few words.

    Sara Lance : Oh, no, you... you're doing a great job.

    Ray Palmer : Thank you. Well, then, please join me in a chorus of "Sweet Child of Mine".

    Sara Lance : [cutting him off]  All right, I'll say something.

  • Sara Lance : You just had to throw a rodent funeral, didn't you?

See also

Release Dates | Official Sites | Company Credits | Filming & Production | Technical Specs


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