Pati, Patni Aur Woh - Abhinav Tyagi aka Chintu (Kartik Aryan) marries Vedika Tripathi (Bhumi Pednekar) and settles down into an exciting married life and soon both get busy with their respective professional lives in Kanpur. However, the spark slowly diminishes and three years hence, Chintu falls for a temptation that dazzles and disarms him, Tapasya Singh (Ananya Pandey), who becomes a project for him. Remade from the original film by the same name (directed by the legendary B R Chopra) that released over 41 years ago, the new avatar is undoubtedly more contemporary and glamorous. With the central theme remaining rooted to an extramarital affair, director Mudassar Aziz flirts with the characters significantly by introducing several new ones with or without any objective other than prolonging the proceedings.
Comparisons with the original reveal that the characters in the new one are somewhat shallow and caricatured. Chintu is usually a bundle of nerves, mostly bumbling, unlike Sanjeev Kumar's middle aged Ranjeet Chaddha in the original who called the shots. The women in the film are more liberated and confident, in line with the times. It does manage to raise a few laughs through the length of 135 minutes, considered far too long for the story that drags after midway. Aparshakti Khurrana must be given credit for his comic timing, and for being the perfect foil to Kartik Aryan. Ananya Pandey infuses a certain freshness with her somewhat vulnerable character. I thought Bhumi Pednekar overacted in several shots or tried too hard to demonstrate superior emotive skills. Consequently, Kartik Aryan and she appear mismatched and lack the romantic chemistry that is meant to bring them back to bonding. K K Raina, Navni Parihar and Rajesh Sharma have minute roles and are largely wasted. The film could easily have been shorter by 20 minutes, making it more compelling.
Comparisons with the original reveal that the characters in the new one are somewhat shallow and caricatured. Chintu is usually a bundle of nerves, mostly bumbling, unlike Sanjeev Kumar's middle aged Ranjeet Chaddha in the original who called the shots. The women in the film are more liberated and confident, in line with the times. It does manage to raise a few laughs through the length of 135 minutes, considered far too long for the story that drags after midway. Aparshakti Khurrana must be given credit for his comic timing, and for being the perfect foil to Kartik Aryan. Ananya Pandey infuses a certain freshness with her somewhat vulnerable character. I thought Bhumi Pednekar overacted in several shots or tried too hard to demonstrate superior emotive skills. Consequently, Kartik Aryan and she appear mismatched and lack the romantic chemistry that is meant to bring them back to bonding. K K Raina, Navni Parihar and Rajesh Sharma have minute roles and are largely wasted. The film could easily have been shorter by 20 minutes, making it more compelling.